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Browse the whole BOO Seattle lineup — anything you save lands on this schedule.
GRiZ
Saxophone-wielding electro-funk — half of the GRIZTRONICS b2b with Subtronics, and a solo catalog of brass-blasted future-funk joy.
Subtronics
Riddim-dubstep heavyweight — appearing in the GRIZTRONICS b2b with GRiZ, an hour of pure bass warfare with a funk streak.

Champion
Roots in UK funky and grime — skippy, percussive, club-first records that never overstay their welcome.
Clara Cuvé
Berlin-based DJ whose sets tear across techno, trance and electro at speed without losing the thread.
Cloonee
British tech-house producer with a knack for the rolling bassline that empties the bar and fills the floor — label-boss instincts tuned for peak time.
Elderbrook (DJ Set)
A songwriter working inside dance music — 'Cola' and 'Something About You' crossed over on the strength of the vocal, not the drop.
Getter
Went from Skrillex-adjacent dubstep to genre-hopping and back again — a restless catalogue with genuinely heavy roots.
Gramatik
Works the seam between hip-hop, funk and electronica — sample-heavy and guitar-inflected, with a live-band instinct.
it’s murph
Feel-good house edits gone huge — crowd-pleasing flips built for hands-up moments, a set with zero pretension and full commitment.
James Hype
Tech house as sleight of hand — the mixing itself is the show, cut so fast the transitions become the hook.
Kayzo
Welded hardcore punk and metal onto hard dance — screamed vocals over hardstyle kicks, and a live show built around the collision.
Levity
Trio riding the new melodic-bass wave — riddim with feelings, drops that aim at the chest and the heart at once.
Sara Landry
Hard techno delivered with genuine showmanship — one of the fastest rises in the genre in years, industrial pressure with headliner presence.
Space Laces
Sound design used as a blunt instrument — heavy, surgically precise dubstep from a producer other producers study.
TroyBoi
UK producer whose rhythmically intricate trap sounds like nobody else's — 'Do You?' swagger with global percussion baked in.
Walker & Royce
Brooklyn duo making tech-house with actual jokes in it — Dirtybird's sense of humour intact, wobbling basslines with a wink.
Westend
NYC tech house — punchy, playful peak-time tools with remix-radar ubiquity, reliability with personality.
Wuki
Moves between bass house, breaks and whatever else the drop calls for — a producer who treats genre as optional.
A Little Sound
One of UK drum & bass's most in-demand vocalists, now fronting sets of her own.
AMP
Azyr
One of the fastest-rising names in Europe's hard-techno surge — relentless BPMs aimed straight at the warehouse.
Beebo
Casey Club
CHYL
Dansyn

DJ Heather
A pillar of Chicago's house scene since the '90s — deep, unshowy, impeccably mixed sets that put craft above spectacle every time.
FRAZE
GRAVAGERZ
Heavy, riddim-leaning dubstep built for the low end and not much else.
Hannah Laing
Scottish DJ whose doof-inflected hard house has become one of the UK's biggest club draws — Dundee dental nurse turned rave phenomenon.

HerShe
Jem.G
Joshwa
UK producer with a bouncy, vocal-sample-driven approach to tech-house — cheeky peak-time tools with London swagger.
Junkie Kid
Moves between hard techno, trap and hard dance with the same aggression whichever one he's in.
Leah York
LYNY
Textural, psychedelic bass music — heavy without being blunt about it.
Morgan Seatree
UK house producer with a knack for the vocal-led edit that ends up everywhere.

OMNOM
Wonky, bass-heavy house — the other half of the HYPERBEAM b2b with Odd Mob, edits engineered for double-takes.
PEDROZ
Ravenscoon
Bay Area producer making textural, emotionally pitched bass music — heavy when it wants to be, weightless when it matters.
Samplifire
Disciple-school dubstep — technical, mechanical and built around sound design rather than melody.
Taiki Nulight
UK bass house with garage in its bones — rolling, swung and bass-forward.
Taylor Hadden
Taylor Torrence
The Masquerade
Heavy bass music delivered behind a mask — theatrics up front, riddim underneath.
Usaybflow
Vastive
Welker
YDG
Bass music with a wrestling-heel swagger — heavy edits and heavier drops.