GRiZ
Saxophone-wielding electro-funk — half of the GRIZTRONICS b2b with Subtronics, and a solo catalog of brass-blasted future-funk joy.
BOO Seattle 2026 Lineup
Halloween weekend indoors at WAMU Theater — three stages of bass, dubstep and house, and the Pacific Northwest's best excuse to wear the costume twice.
Browse the full BOO Seattle lineupSearch it, filter by day, stage or genre — save anything straight to your schedule.Browse all 48 acts →
BOO Seattle full lineup
Search it, filter by day, stage or genre — save anything straight to your schedule.
Subtronics
Riddim-dubstep heavyweight — appearing in the GRIZTRONICS b2b with GRiZ, an hour of pure bass warfare with a funk streak.
Champion
Roots in UK funky and grime — skippy, percussive, club-first records that never overstay their welcome.
Clara Cuvé
Berlin-based DJ whose sets tear across techno, trance and electro at speed without losing the thread.
Cloonee
British tech-house producer with a knack for the rolling bassline that empties the bar and fills the floor — label-boss instincts tuned for peak time.
Elderbrook (DJ Set)
A songwriter working inside dance music — 'Cola' and 'Something About You' crossed over on the strength of the vocal, not the drop.
Getter
Went from Skrillex-adjacent dubstep to genre-hopping and back again — a restless catalogue with genuinely heavy roots.
Gramatik
Works the seam between hip-hop, funk and electronica — sample-heavy and guitar-inflected, with a live-band instinct.
it’s murph
Feel-good house edits gone huge — crowd-pleasing flips built for hands-up moments, a set with zero pretension and full commitment.
James Hype
Tech house as sleight of hand — the mixing itself is the show, cut so fast the transitions become the hook.
Kayzo
Welded hardcore punk and metal onto hard dance — screamed vocals over hardstyle kicks, and a live show built around the collision.
Levity
Trio riding the new melodic-bass wave — riddim with feelings, drops that aim at the chest and the heart at once.
Sara Landry
Hard techno delivered with genuine showmanship — one of the fastest rises in the genre in years, industrial pressure with headliner presence.
Space Laces
Sound design used as a blunt instrument — heavy, surgically precise dubstep from a producer other producers study.
TroyBoi
UK producer whose rhythmically intricate trap sounds like nobody else's — 'Do You?' swagger with global percussion baked in.
Walker & Royce
Brooklyn duo making tech-house with actual jokes in it — Dirtybird's sense of humour intact, wobbling basslines with a wink.
Westend
NYC tech house — punchy, playful peak-time tools with remix-radar ubiquity, reliability with personality.
Wuki
Moves between bass house, breaks and whatever else the drop calls for — a producer who treats genre as optional.
A Little Sound
One of UK drum & bass's most in-demand vocalists, now fronting sets of her own.
AMP
Azyr
One of the fastest-rising names in Europe's hard-techno surge — relentless BPMs aimed straight at the warehouse.
Beebo
Casey Club
CHYL
Dansyn
DJ Heather
A pillar of Chicago's house scene since the '90s — deep, unshowy, impeccably mixed sets that put craft above spectacle every time.
FRAZE
GRAVAGERZ
Heavy, riddim-leaning dubstep built for the low end and not much else.
Hannah Laing
Scottish DJ whose doof-inflected hard house has become one of the UK's biggest club draws — Dundee dental nurse turned rave phenomenon.
HerShe
Jem.G
Joshwa
UK producer with a bouncy, vocal-sample-driven approach to tech-house — cheeky peak-time tools with London swagger.
Junkie Kid
Moves between hard techno, trap and hard dance with the same aggression whichever one he's in.
Leah York
LYNY
Textural, psychedelic bass music — heavy without being blunt about it.
Morgan Seatree
UK house producer with a knack for the vocal-led edit that ends up everywhere.
OMNOM
Wonky, bass-heavy house — the other half of the HYPERBEAM b2b with Odd Mob, edits engineered for double-takes.
PEDROZ
Ravenscoon
Bay Area producer making textural, emotionally pitched bass music — heavy when it wants to be, weightless when it matters.
Samplifire
Disciple-school dubstep — technical, mechanical and built around sound design rather than melody.
Taiki Nulight
UK bass house with garage in its bones — rolling, swung and bass-forward.
Taylor Hadden
Taylor Torrence
The Masquerade
Heavy bass music delivered behind a mask — theatrics up front, riddim underneath.
Usaybflow
Vastive
Welker
YDG
Bass music with a wrestling-heel swagger — heavy edits and heavier drops.
Going to BOO Seattle 2026? Get tickets ↗