Mumford & Sons
The banjo-stomp arena kings returned — communal, hymn-sized folk-rock built for a beach at dusk, 'I Will Wait' on cue.
Two days on the Asbury Park sand — rock legends and surf sessions where the boardwalk meets the Atlantic.
Sea.Hear.Now is the Jersey Shore's festival: two September days on Asbury Park's North Beach where the stages face the Atlantic, pro surfers trade heats between sets, and the whole thing runs on Springsteen-country hometown pride. The 2026 bill splits its heart between eras — Mumford & Sons and The Strokes up top, Chaka Khan and Men at Work for the parents, Fontaines D.C. and Die Spitz for the kids — with a Jersey undercurrent (Jarod Clemons, son of the Big Man himself) that keeps it local. It's the rare festival where 'surf check' is a legitimate scheduling conflict.
Expect pop-rock, indie, alt-rock and alternative across 30 acts.
September 19–20, 2026 — Saturday and Sunday.
On the sand at North Beach and in Bradley Park, Asbury Park, NJ.
Mumford & Sons close Saturday and The Strokes close Sunday.
30 acts across two days — plus pro surfing sessions between sets.
Every act's day is already on this page — expand the full lineup below or check the day-by-day breakdown.
Tell the finder at the top of this page a few bands you love — it'll match you with your must-see sets, with reasons why.
Lollapalooza lineup →Hopscotch lineup →The Fest lineup →Rebellion lineup →III Points lineup →Lost Lands lineup →Louder Than Life lineup →All Points East lineup →Aftershock lineup →End of the Road lineup →ARC lineup →Warped Tour Orlando lineup →Austin City Limits lineup →Reading & Leeds lineup →EDC Orlando lineup →Bourbon & Beyond lineup →Riot Fest lineup →Outside Lands lineup →Green Man lineup →HARD Summer lineup →Osheaga lineup →Bass Canyon lineup →Hulaween lineup →Honcho Campout lineup →Portola lineup →Furnace Fest lineup →Shaky Knees lineup →Sick New World Texas lineup →Hinterland lineup →All Things Go DMV lineup →Raleigh Wide Open lineup →Oceans Calling lineup →Darker Waves lineup →Bumbershoot lineup →Ohana lineup →Iron Blossom lineup →All Things Go NYC lineup →
Going to Sea.Hear.Now 2026? Get tickets ↗
The banjo-stomp arena kings returned — communal, hymn-sized folk-rock built for a beach at dusk, 'I Will Wait' on cue.
SoCal punk's hit machine — 'Self Esteem' to 'The Kids Aren't Alright,' still flying, still faster live than you remember.
Every woman, one voice — funk and soul royalty whose catalog with Rufus and beyond never quits, still one of the great living instruments.
Motorik heartland rock — Springsteen refracted through a synth haze, transcendent live, 'Under the Pressure' as the long exhale.
'Gives You Hell' and a wildly fun second act — the internet's favorite reunion, with Tyson Ritter in full chaos-uncle mode.
Mr. Boombastic himself — dancehall-pop sunshine, certified beach-appropriate, 'It Wasn't Me' still a mass alibi singalong.
'Down Under' and 'Who Can It Be Now?' — Colin Hay leading the beloved Aussie hit parade with the wit fully intact.
The Bangles' voice on her own — 'Eternal Flame' and jangle-pop grace, with a songbook that spans eras.
Horn-driven neo-soul-pop — 'HandClap' engineered for exactly this kind of afternoon, with a two-vocalist front line that works every inch of stage.
'Another Love' made him TikTok's piano-ballad laureate — trembling, theatrical, huge abroad, and devastating with just the piano.
New Orleans guitar poet — swampy blues-rock with a songwriter's soul, equally at home stretching into a festival jam or landing a confessional ballad.

Australia's percussive-guitar phenom — open-tuned instrumentals that went viral for a reason, two hands doing a band's work.
Korean-American country-blues revivalist — National steel guitar and dust-bowl holler, prewar blues played like breaking news.
Son of the Big Man — Clarence Clemons's youngest carrying Jersey Shore rock and roll forward, sax-soul heritage worn proudly.
The band that rebooted New York rock — decades-deep hits of deadpan cool, still untouchable when the engine catches.
'Iris' at sunset on the beach — you already know you're singing it, along with more '90s radio staples than you remembered they owned.
Dublin's poet-punks grown into arena-scale alt-rock — 'Romance' made them era-defining, swagger and melancholy in equal Irish measure.
Play-era electronic hymns from rave's elder statesman — euphoria with a conscience, gospel samples still lifting fields.
Loud-quiet-loud's inventors — the band your favorite band ripped off, with 'Debaser' through 'Where Is My Mind?' still setting the terms.
The Marley torch, carried with ease — roots reggae warmth and his father's songbook, sung like an inheritance held lightly.
Sonic Youth's icon in her uncompromising solo era — trap-damaged noise and total cool, more experimental now than most bands ever manage.
Moody English guitar-folk — from the campfire anthems of 'Every Kingdom' to gorgeous, murky experimentalism, following his own quiet obsessions rather than the charts.
Florida indie rock built for festival fields — 'August' euphoria, surging choruses, and a live energy that outruns the recordings.
Austin's instrument-swapping all-women punk-metal wrecking crew — everyone plays everything, and it all lands at full force.
Berlin-via-Cape Town dream-folk — honeyed, unhurried songs that grew from street-performance beginnings into a quietly devoted worldwide fanbase.

Big-wave surf legend Makua Rothman singing island soul — the festival's surf-culture heart embodied, salt water in every note.
Yolŋu surf-rock from northeast Arnhem Land — Yothu Yindi lineage, joyous anthems sung in Yolŋu Matha and English alike.


Jersey Shore bar-rock lifers — hometown heroes on hometown sand, boardwalk anthems built over years of residencies.