Eddie Vedder & Friends
Vedder away from the day job — ukulele, covers, and whichever collaborators he's talked into showing up, loose in a way Pearl Jam sets never are.
Eddie Vedder's beachfront weekend turns ten — surf-town scale, a Pearl Jam close, and a bill that swings from Fontaines D.C. to Tyler Childers.
Ohana turns ten in 2026, and Eddie Vedder has built the anniversary bill the way he's built every one before it: personally. Three days on the sand at Doheny State Beach, a capacity small enough that the ocean is genuinely part of the experience, and a lineup that refuses to pick a lane — Maná and Billy Idol on Friday, Tyler Childers and Alabama Shakes on Saturday, Pearl Jam closing Sunday with Fontaines D.C. and Pixies underneath.
The through-line is taste rather than genre. Vedder's own Friday set with Friends is the wildcard — the guest list is never announced in advance — and the undercard is where the curation shows: Otoboke Beaver, Horsegirl, Men I Trust and Alice Phoebe Lou are not names most beach festivals bother with. Every act's day is already published, so this is one of the easier bills to plan around.
Expect punk, indie-rock, alt-rock and indie-pop across 33 acts.
September 25–27, 2026 — Friday, Saturday and Sunday.
Doheny State Beach in Dana Point, California — the stages are on the sand.
Eddie Vedder & Friends and Maná on Friday, Tyler Childers on Saturday, Pearl Jam on Sunday.
33 acts across three days.
Yes — every act's day is already confirmed and shown on this page.
Type a few bands you already love into the search at the top of this page and you'll get ranked matches from this lineup, with reasons.
Lollapalooza lineup →Hopscotch lineup →The Fest lineup →Rebellion lineup →III Points lineup →Lost Lands lineup →Louder Than Life lineup →All Points East lineup →Aftershock lineup →End of the Road lineup →ARC lineup →Warped Tour Orlando lineup →Austin City Limits lineup →Reading & Leeds lineup →EDC Orlando lineup →Bourbon & Beyond lineup →Riot Fest lineup →Outside Lands lineup →Green Man lineup →HARD Summer lineup →Osheaga lineup →Bass Canyon lineup →Hulaween lineup →Honcho Campout lineup →Portola lineup →Furnace Fest lineup →Shaky Knees lineup →Sick New World Texas lineup →Hinterland lineup →All Things Go DMV lineup →Raleigh Wide Open lineup →Oceans Calling lineup →Darker Waves lineup →Bumbershoot lineup →Sea.Hear.Now lineup →Iron Blossom lineup →All Things Go NYC lineup →
Going to Ohana 2026? Get tickets ↗
Vedder away from the day job — ukulele, covers, and whichever collaborators he's talked into showing up, loose in a way Pearl Jam sets never are.
The biggest Latin rock band there has ever been — three decades of stadium-scale ballads and reggae-tinged rock, singalongs guaranteed in any language.
Sneer, fist, peroxide — punk attitude welded onto arena rock and never once dialled down, with 'Rebel Yell' and 'White Wedding' still detonating on cue.
Forty-plus years of polysyllabic melodic punk — three-part harmonies over an unwavering political line, still the genre's reigning intellectuals.
Deadpan Melbourne songwriting full of tiny observed details, over guitar that gets a lot noisier live — slacker delivery hiding a genuinely ferocious player.
Bob Mould's post-Hüsker Dü trio — melodies buried under an absolutely enormous wall of guitar, 'Copper Blue' still ringing.

Kyoto four-piece playing punk at impossible speed with abrupt stops — one of the most exhilarating live bands going, precision chaos with a grin.
Irish indie four-piece — harmony-rich guitar pop on a steep rise, carrying the Cranberries torch for a new generation.

Spillage Village member making hushed, folk-touched R&B that rewards close listening — guitar-and-voice intimacy with a producer's polish.

Eastern Kentucky songwriting with fiddle front and centre — plainspoken, regional, and completely uncompromised, honky-tonks to arenas without changing a thing.
Brittany Howard's voice is the whole argument — southern soul-rock that sounds like it was recorded in a room too small for it.
New Orleans piano polymath who moves between jazz standards, gospel, and pop without changing his grin — Grammy-stacked joy as a performance style.
Quebec trio making impossibly smooth bedroom dream-pop — bass-forward, hushed, and quietly enormous online, a headphone act that scaled to festivals.

Former boxer and biochemist turned country songwriter — grunge-shaded Americana about grief and Indiana, delivered with a scientist's precision and a fighter's heart.
Jersey folk-punk built on shouted confessions and hooks that lodge immediately and permanently — 'Twin Size Mattress' a generational scream-along.
South African songwriter who built a career busking on Berlin's streets — airy, unhurried dream-folk, entirely self-released and quietly one of indie's best word-of-mouth stories.
Bass-forward producer on the rise.
Piano-driven glam pop delivered with full theatrical commitment and an Elton-sized sense of occasion — rhinestones, gospel swells, and total sincerity.


The grunge band that turned into a lifelong touring institution — Vedder's baritone over guitars that still sound like 1991 when they want to.
Dublin's poet-punks grown into arena-scale alt-rock — 'Romance' made them era-defining, swagger and melancholy in equal Irish measure.
Loud-quiet-loud's inventors — the band your favorite band ripped off, with 'Debaser' through 'Where Is My Mind?' still setting the terms.
Jenny Lewis's early-2000s indie band — sharp, sardonic songwriting that a whole generation grew up inside, 'Portions for Foxes' still perfect.
Nate Ruess's pre-fun. band — horns, harmonies, and enormous melodies, long mourned and now gloriously back.
Piano ballads sung at full throat — one enormous heartbreak single and a catalogue that keeps getting starker, braver by the record.
Melbourne artist welding punk, hip-hop, and industrial into something genuinely confrontational — a one-woman collision the genre map can't place.
Young Chicago trio channeling '80s–'90s indie — deadpan harmonies over jangling guitar pop, Sonic Youth homework turned into something their own.

