Robyn
Dance-pop's patron saint — 'Dancing On My Own' is a communal sacrament, and she rarely plays, which makes every set an event.
Two days of dance music on a working San Francisco pier — warehouse energy, bay air, and the best selectors alive.
Portola is Outside Lands' dance-obsessed sibling: two September days on Pier 80, a working shipping pier where cranes loom over the stages and the fog rolls in off the bay like a lighting cue. This is the closest an American festival gets to a proper European club weekender — warehouse stages built for sound, a crowd that actually dances, and a 2026 bill that runs from Robyn's rare festival appearance and Swedish House Mafia's arena-scale drama to the underground's best selectors. If your idea of a headliner is Ben UFO at 1 a.m., this is your pier.
Expect house, dance, electronic and pop across 64 acts.
September 26–27, 2026 — Saturday and Sunday.
Pier 80, a working shipping pier in San Francisco's Dogpatch — warehouse stages included.
Robyn closes Saturday; Swedish House Mafia and Tiësto anchor Sunday.
64 acts across two days, from main-stage headliners to underground selectors.
Every act's day is already on this page — expand the full lineup below or check the day-by-day breakdown.
Tell the finder at the top of this page a few artists you love — it'll match you with your must-see sets, with reasons why.
Lollapalooza lineup →Hopscotch lineup →The Fest lineup →Rebellion lineup →III Points lineup →Lost Lands lineup →Louder Than Life lineup →All Points East lineup →Aftershock lineup →End of the Road lineup →ARC lineup →Warped Tour Orlando lineup →Austin City Limits lineup →Reading & Leeds lineup →EDC Orlando lineup →Bourbon & Beyond lineup →Riot Fest lineup →Outside Lands lineup →Green Man lineup →HARD Summer lineup →Osheaga lineup →Bass Canyon lineup →Hulaween lineup →Honcho Campout lineup →Furnace Fest lineup →Shaky Knees lineup →Sick New World Texas lineup →Hinterland lineup →All Things Go DMV lineup →Raleigh Wide Open lineup →Oceans Calling lineup →Darker Waves lineup →Bumbershoot lineup →Ohana lineup →Sea.Hear.Now lineup →Iron Blossom lineup →All Things Go NYC lineup →
Going to Portola 2026? Get tickets ↗
Dance-pop's patron saint — 'Dancing On My Own' is a communal sacrament, and she rarely plays, which makes every set an event.
Skrillex and Boys Noize's rarely-sighted duo — abrasive, ecstatic club chaos, two catalogs' worth of tricks thrown at one dancefloor.
The Dewaele brothers' three-drummer live machine — Belgium's mightiest dance-rock export, precision-engineered for maximum movement, every set an engineering marvel.
Leeds duo distilling UK rave history into widescreen, hands-up euphoria — piano stabs and breakbeats aimed at the sunrise.
Irish rave-house heat — big-room energy with underground credentials, breakbeats and pianos at full sprint, Galway-to-warehouse momentum fully underway.
Right here, right now — big beat's showman, still one of the best party DJs alive, wielding 'Praise You' like a communal sacrament.
Grime's global ambassador — Konnichiwa-era bars and a DJ's instincts, London energy at any scale, 'Shutdown' still a detonation.
Sweden's dirtbag-pop auteur — hedonistic hooks with a broken heart underneath, 'Habits' honesty still the brand.
Sun-soaked tech house on the rise — California grooves tuned for pool decks and peak hour alike.

Brazilian house phenom — young, relentless, and groove-first, riding the country's house wave onto festival main stages worldwide.
UK tech-house craftsman with rolling, low-slung grooves — club tools built with real swing rather than big-room bombast.
NYC's buzziest indie-dance trio — baggy house grooves with downtown cool, like Madchester relocated to a Chinatown basement.
The Beastie Boy behind the decks — crate-digging swagger and NYC history, a masterclass in record collection as autobiography.
'Superstylin'' and two decades of UK dance warmth — festival closers by trade, from chill-out classics to full-tilt house.
'Endtroducing…' rewired what a sampler could do — Bay Area royalty on home turf, still digging deeper than anyone.
Snarling internet-era electroclash — bratty vocals over blown-out bass, reviving the genre's trashy Berlin glamour for a generation that missed it the first time.
Sample-soul house on the rise — warm, chopped-vocal grooves with a headphone producer's detail, soulful edits with an easy touch.
Sporty Spice's second act behind the decks — disco-house and zero irony, pop history with genuine club instincts.
Trip-hop's shadow king — the whispered menace of 'Maxinquaye' live, Bristol paranoia thickened by three decades.
Transatlantic groove specialist — live-keys house with disco blood, jumping between Paris and New York and sounding like both at once.

Rinse FM's people's champion — genre-agnostic sets that feel like the best house party you've crashed, hosted by its loudest, warmest guest.
Argentine club provocateur — neoperreo heat with hyperpop gloss, Buenos Aires underground gone international, provocation with pop precision.
Absurdist synth-pop performance art — bubbly, deranged, delightful, a show engineered to make a crowd grin and go 'what?' simultaneously.

The supergroup that built main-stage house — 'Don't You Worry Child' euphoria at pier scale, reunion-era lasers included.
Dance music's elder statesman — three decades from trance godhead to pop-house fixture, 'Adagio for Strings' to 'The Business' in one career.
Swedish pop machinery at its shiniest — 'Lush Life' to main-character bangers, delivered with total command.
Kieran Hebden's glowing folk-tronic universe — patient builds that hit like revelation, two decades of textures that make dance music feel handmade.
Daft Punk-approved Aussie disco — immaculate grooves, live-band tightness, five-part harmonies over four-on-the-floor, played tight enough to pass a studio audit.
Brazil's house prodigy — swaggering, sample-happy sets that made him a global fixture overnight, Boiler Room charisma at main-stage scale.

DJ Daddy Trance himself — Berlin's cheekiest revivalist making trance cool again, hands-up euphoria played fully sincere.
Berlin's masked 'farmcore' phenomenon — giddy barnyard-trance house played dead serious, 'My Barn My Rules' as manifesto.
Welsh brothers making the decade's defining UK bass — tender vocals over hard breaks, 'So U Kno' still a shared euphoria.
Glittering, game-engine electronic — Australia's most inventive young club producer, chiptune sparkle at rave pressure, drops that sparkle as hard as they hit.
Bay Area hyperpop auteur — glitchy, hooky, scene-defining, 'Wallsocket' worldbuilding included, internet-native songwriting at its sharpest.
UK dance-pop craftsman — glossy, feel-everything disco-house built for golden hour, collaborator to half of pop's A-list.
Avant-R&B's velvet futurist — club pressure and whispered intimacy in one voice, every reappearance treated as an event.
Caribou's Dan Snaith in club mode — joyous, loop-drunk house edits that chase the exact moment a groove becomes euphoria.
City Girls' JT gone solo — Miami rap precision with main-character energy and fashion-page confidence, solo bars sharpened by a decade in the game.
Compton house music — baritone talk-sung cool over four-on-the-floor bounce, G-funk swagger walked straight onto the dancefloor.
Polish techno provocateur — fast, hard, and gleefully irreverent, rave intensity with an internet-native sense of humor.

The selector's selector — Hessle Audio's omnivorous ear, no productions needed; a world-class reputation built purely on what he plays and how.
New-school UKG — swung drums and sub-bass pressure from the garage revival's next rank, two-step engineered for new floors.
