deadmau5
The mouse head outlasted every trend it was supposed to date with. Joel Zimmerman builds progressive house like architecture — long, patient, cold-edged, and unbothered by the drop.
The longest-running dance festival in the country, 31 editions in — two nights and a campground at Glen Helen, with house, bass and hard dance all sharing the same woods.

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The mouse head outlasted every trend it was supposed to date with. Joel Zimmerman builds progressive house like architecture — long, patient, cold-edged, and unbothered by the drop.
Chicago house royalty with a green-haired alter ego and a catalogue of acid-house hooks that never stopped filling floors — 'La La Land' still detonates.
The defining voice of melodic bass — emotional, arena-scaled drops built around real songwriting, sad songs engineered for fireworks.
Tech house as sleight of hand — the mixing itself is the show, cut so fast the transitions become the hook.
Melodic dubstep with a trance heart — soaring vocal tops over drops that still hit hard underneath, Ophelia-label worldbuilding included.
Disciple mainstays making precise, sound-design-obsessed dubstep — surgical basses and glitch detail that reward headphones as much as rail-riding.
Melodic big-room house from a producer who was making festival anthems as a teenager — 'Five Hours' is the one the whole field still knows.
French-touch house with a permanent grin — filtered disco loops and rubber-band basslines in the proud national tradition.
Former Radio 1 drum & bass host turned label boss — sets that run the genre's whole range rather than picking a lane.
Jump-up drum & bass's loudest new star — pure warehouse chaos, double-drops stacked until the low end wins.
Two of dubstep's most technical producers trading eight bars at a time — Infekt's blunt force against Virtual Riot's sound-design maximalism.
UK producer with a bouncy, vocal-sample-driven approach to tech-house — cheeky peak-time tools with London swagger.
Masked French producer who keeps the balaclava on and the basslines filthy — bass house with a permanent running joke about who's under there.
Half of Gud Vibrations — heavy festival trap with a melodic streak that keeps widening, drops built for fireworks cues.
Australian party-starter in wraparound shades — electro and rave cheese played entirely straight, which is exactly why it works.
Newcastle tech house with a grin — big, bouncy, unpretentious records engineered for the hour when everyone's already sweating.
Dutch-Moroccan producer with a release schedule that never lets up — clean, radio-shaped dance-pop on a big-room chassis.
Came up on piano and it shows — melodic bass where the songwriting stays in front of the drop.
Grammy-nominated house duo — greasy basslines and instant grooves, 'On My Mind' the calling card, grooves greasy enough to require napkins.
UK breakbeat mainstays who predate most of the room — two decades of bass-heavy sets built on breaks rather than four-to-the-floor.
Riddim's most theatrical figure — slow, mechanical, deliberately punishing drops, with the VOYD alias for when he wants to go heavier still.
One of the most-imitated voices of the 2000s behind the decks instead of the Auto-Tune — the Teddy Pain alias is his bass-music outlet.
UK producer whose rhythmically intricate trap sounds like nobody else's — 'Do You?' swagger with global percussion baked in.
Brooklyn duo making tech-house with actual jokes in it — Dirtybird's sense of humour intact, wobbling basslines with a wink.
Not a fixed act — an open-call talent search whose winner takes the slot, so the name behind it changes each time it appears.
Two West Coast rave veterans back to back — Glaude's showman energy against Thee-O's deeper, darker end.
Bass producer bridging trap's swing and dubstep's weight, usually in the same track.
Moves between UK garage, bassline and grime with the same skippy swing — a producer the whole UK bass lineage keeps citing.
Heavy, riddim-leaning dubstep built for the low end and not much else.
Heavy, percussive dubstep with a distinct Latin rhythmic influence — San Diego drops with extra swing in the kick pattern.
Liquid drum & bass at its most emotional — festival fields turned choir, soaring vocals over rolling breaks.
A fixture of California's desert party circuit since the '90s — long, unhurried progressive house and breaks built for sunrise rather than peak time.
Works the seam between moombahton, Jersey club and global bass — rhythm-first club music that borrows from everywhere.
Two Disciple-school producers back to back — precision-engineered heavy dubstep from both sides of the decks.

Two decades of American bass music from someone who spent them booking and releasing it as well as playing it.

Australian producer making some of the heaviest and most precise riddim going — surgical drops with zero wasted motion.
Trouble & Bass co-founder — club and bass music played with a rave historian's memory.

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