Chris Lake
Black Book Records boss and one of house music's most reliable groove engineers — bassline-first tech house that fills every dancefloor it touches.
Texas rings in the new year at Fair Park — two December nights of house, bass and hard techno with Tiësto, Chris Lake and Subtronics steering the countdown.

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Black Book Records boss and one of house music's most reliable groove engineers — bassline-first tech house that fills every dancefloor it touches.
Melodic house with actual guitars — classically trained multi-instrumentalist whose live sets turn festival EDM into something closer to a band performance.
Riddim-dubstep heavyweight — appearing in the GRIZTRONICS b2b with GRiZ, an hour of pure bass warfare with a funk streak.
The elder statesman of big-tent dance music — trance godfather turned arena-house fixture, still detonating 'The Business'-sized hooks three decades in.
French producer pairing brutal industrial techno with unexpectedly romantic melodies — heartbreak at 150 BPM, warehouse catharsis with an unexpectedly soft center.
Irish rave-house heat — big-room energy with underground credentials, breakbeats and pianos at full sprint, Galway-to-warehouse momentum fully underway.
Osaka's shape-shifting selector — a DJ's DJ who jumps genres mid-set with total conviction and has become a cult favorite of the global club underground.
LA duo dealing in feelings-first melodic bass — soaring vocal drops built for crowd-wide singalongs.
Masked Atlanta duo working the dark, alien end of festival bass — extraterrestrial lore, subterranean growls, and drops built for maximum abduction.
One of the fastest-rising names in Europe's hard-techno surge — relentless BPMs aimed straight at the warehouse.
Brother duo trading in borderless, pop-leaning dance music.
Dark, cinematic bass and techno crossovers from the LA underground — trap-schooled drops recast in warehouse shadows.
Australian DJ and vocalist who fronts her own bass records — equal parts singer and headbanger.

Sydney's bass-and-hard-dance hybridist — trap weight at hardstyle tempos.
The mashup kid made good — viral edits turned into a real touring house act with a bottomless crate of pop flips.
South African beat scientist — glitchy, off-grid bass that rewards close listening as much as headbanging.
Manchester house on the rise — rolling, minimal grooves for sunset slots, one of the UK underground's fastest-moving names.
Riddim producer with a heavy, minimal approach — a lot of space around some very large sounds, engineered for maximum stank face.
Two bass slingers, one booth — a back-to-back built for maximum wub density.
Hard-hitting bass and harder drums from one of the scene's most reliable energy dealers.
Rock-derived hard techno — leather-jacket energy at 150 BPM.

Glittering, game-engine electronic — Australia's most inventive young club producer, chiptune sparkle at rave pressure, drops that sparkle as hard as they hit.
The Black Tiger Sex Machine x Kai Wachi collision — apocalyptic electro-bass built for the heaviest room of the night.
LA trio splicing live instruments into radio-friendly melodic dance.
Emotional melodic bass with a confessional streak — heartbreak anthems engineered for the festival rail.
New York producer haunting the line between bass music and techno — dark, occult-tinged club weaponry.
Bass music with a wrestling-heel swagger — heavy edits and heavier drops.
Going to Lights All Night 2026? Get tickets ↗