Brazil's biggest electronic export and a central figure of the Brazilian bass sound — deep, slinky low end scaled up to global-main-stage size.
Escape Halloween 2026 Lineup
Insomniac's Psycho Circus takes the NOS Events Center for Halloween weekend: two nights where house, techno, bass and hard dance share the fairgrounds, and Ice Cube is on the Saturday bill.
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Escape Halloween 2026 lineup & schedule: all 83 acts
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Belgian brothers who built a career on mainstage maximalism, big-room drops engineered for the moment a festival crowd loses it.
The heaviest end of North American bass music, staged with a wall of subs and a light rig that does half the assault.
N.W.A's sharpest writer, then a solo catalogue that made West Coast rap political, delivered in a voice built for the back of a room.
Cake-throwing EDM showman — pure crowd-service spectacle, two decades of Dim Mak hustle behind the confetti.
A classically trained producer whose precision-engineered pop-EDM defined mainstage sound for a decade — 'Clarity' still the gold standard.
Italian duo whose acid-drenched, punishingly fast techno is performed live on hardware, not laptops — improvised 303 lines and kick drums that treat 150 BPM as a starting point.
Night Bass founder and the loudest advocate for UK bass weight in American house clubs, garage swing under a sub that does the shouting.
Canadian duo who helped invent melodic dubstep with a run of era-defining remixes — soaring vocals over filthy-then-gorgeous drops that taught bass music how to feel.
The Italian producer behind 'Satisfaction', whose filtered electro bassline set a template a whole generation of dance producers worked from.
German eurodance behind 'Everytime We Touch', built for maximum singalong and entirely unbothered about being called cheesy.
British tech-house producer with a knack for the rolling bassline that empties the bar and fills the floor — label-boss instincts tuned for peak time.
Melodic bass with a guitarist's instincts — emotional drops built around playing rather than only programming.
UK hardcore royalty — piano riffs, pitched-up vocals and an unembarrassed grin, still the biggest name the genre has.
Technicolor disco-house — relentless fun, zero pretension, hooks big enough to convert whoever wandered past the stage.
Swedish project built on pitched-up vocal hooks, 'Runaway (U & I)' being the one that defined the sound and never really left.
Went from Skrillex-adjacent dubstep to genre-hopping and back again — a restless catalogue with genuinely heavy roots.
Spanish DJ and producer who drags psytrance's acid-soaked momentum into hard techno rooms — high-BPM sets built on hypnotic, coiling arpeggios.
Two house DJs from different schools sharing a booth, the Hot Creations groove set against a Dutch soulful-house pedigree.
Joseph Capriati B2B Sosa
British producer whose bass house arrives at speed, brass stabs and sub weight cut together with the timing of a car chase.
Wakaan founder whose bass music leans psychedelic and genuinely weird rather than purely heavy — label boss of freeform bass's whole ecosystem.
Dutch producer riding the big-room-to-hard-techno pipeline with real conviction — main-stage scale at underground tempos, drops built for the biggest rigs.
Danish producer whose big-room instincts helped define future rave — melodic hooks welded to hard, festival-scaled kick drums.
Australian twins who wrote hits for other people first, including a Grammy-winning one, before taking the booth themselves.
Siberian-born DJ and label head whose sets swerve from acid to raw hardware techno, with her own voice sitting on the records.
The architect of minimal techno, Plastikman on record and a live rig that treats the mixer itself as the instrument.
Dutch brothers who came up in hardstyle, left for big-room and made a second career there, and still play the hard sets that named them.
One of UK drum & bass's most in-demand vocalists, now fronting sets of her own.
Acyan
Tel Aviv producer whose melodic house leans Mediterranean, sun-warmed synth lines over a groove that takes its time arriving.
Alex Chapman B2B Zoe Gitter
All The Reason
Andruss B2B Juos
AniMe - No Boundaries
Italian hardcore producer working at the uptempo end, kicks distorted past recognition and a tempo that only ever climbs.
American DJ who spent a decade on widescreen club techno, then made a synth-pop record under her own name and kept doing both.
One of the fastest-rising names in Europe's hard-techno surge — relentless BPMs aimed straight at the warehouse.
Manchester's jump-up juggernaut — relentless double-drops and dancefloor pressure from one of drum & bass's most in-demand new-school names.
Cat & Maomi
Tunisian-born, Berlin-based DJ who plays fast: breakbeat, hard trance and gabber threaded together at speeds most techno rooms avoid.
Roots in UK funky and grime — skippy, percussive, club-first records that never overstay their welcome.
Chrysalis
Berlin-based DJ whose sets tear across techno, trance and electro at speed without losing the thread.
Two hard dance lifers in one booth: Coone's Dirty Workz melody against the harder, older end DJ Isaac has worked since the 90s.
Riddim producer with a heavy, deliberately repetitive approach built for the pit — one-eyed branding, single-minded drops.
Not a fixed act — an open-call talent search whose winner takes the slot, so the name behind it changes each time it appears.
Berlin project mining 90s rave nostalgia for hard, quick-footed techno shot through with trance melody — euphoria delivered at speed.
Italian selector and Life and Death boss whose sets wander from slow-burn house into indie rock without ever breaking stride.
LA producer working the space where house bounce meets bass-music weight — g-house grooves cut with hip-hop swagger.
ero808
Dutch hardstyle from the genre's melodic wing, euphoric leads riding the reverse bass rather than burying it in distortion.
Funk Assault
Berlin duo whose hard techno keeps a body-music swing, EBM basslines and industrial edges held under club-functional drums.
British producer who kept happy hardcore alive through its unfashionable decade, then found a Monstercat audience willing to go that fast.
HerShe
The mashup kid made good — viral edits turned into a real touring house act with a bottomless crate of pop flips.
South African beat scientist — glitchy, off-grid bass that rewards close listening as much as headbanging.
JSMN
k?d presents: Kill The Kid
Bass music with metal's aggression baked in — heavy, dark, and increasingly vocal-led, Boise drops with blast-furnace weight.
Kana Hishiya
Kloud
American producer working the heavier end of festival electronic music — bass-forward drops built for large rooms rather than headphones.
Know Good
Norwegian brothers making melodic, festival-facing house — polished grooves engineered for golden-hour main stages, sleek Scandinavian craft with real emotional lift.
Lady Faith B2B LNY TNZ
Los Angeles hard dance meeting Dutch hard bass, two acts from opposite ends of the same map trading on one rig.
Riddim producer with a heavy, minimal approach — a lot of space around some very large sounds, engineered for maximum stank face.
LUMI
MALUGI
Producer out of North Rhine-Westphalia working the harder, faster end of German club music.
Mish
MODAL NODES
Morelia
Wonky, bass-heavy house — the other half of the HYPERBEAM b2b with Odd Mob, edits engineered for double-takes.
PEDROZ
Pixie Dust
Rommii
Fast-rising producer with a knack for a hook that survives being played at 128 BPM — peak-time tools with real earworms.
Berlin DJ with a magpie's range, moving between breaks, electro and Anatolian psych without letting the floor notice the seams.
Silvie Loto
LA trio splicing live instruments into radio-friendly melodic dance.
Trancemaster Krause
French hard techno played fast and loud — one of the sound's most in-demand exports.
VNSSA B2B ????
Los Angeles house DJ with a Dirtybird streak and a taste for the rowdier end of it. The bill has not named her partner for this one yet.
Yanamaste
Bass music with a wrestling-heel swagger — heavy edits and heavier drops.
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