Mitski
The internet's patron saint of yearning — theatrical, precise, devastating, every stage gesture placed like choreography because it is.
The flagship All Things Go weekend at Merriweather Post Pavilion — indie-pop's biggest tent, pitched just outside DC.
All Things Go's flagship weekend is indie-pop's biggest tent, pitched at Merriweather Post Pavilion just outside DC — three September days where the internet's favorite songwriters headline and the group chat plans outfits weeks ahead. The 2026 bill is the festival's thesis in full: Mitski, The Hayley Williams Show, and Brandi Carlile as anchors; Ethel Cain, MUNA, and Lola Young carrying the torch; and an undercard dense with the sharpest young pens in folk-pop and synth-pop. It's queer-forward, songwriter-obsessed, and unusually kind for a festival — with a comedy detour (Robby Hoffman) tucked in for good measure.
Expect pop, indie pop, folk-pop and singer-songwriter across 47 acts.
September 25–27, 2026 — Friday through Sunday.
Merriweather Post Pavilion in Columbia, MD, just outside Washington, DC.
Mitski, Ethel Cain, The Hayley Williams Show, MUNA, Brandi Carlile, and Lola Young.
47 acts across three days, plus comedy.
Every act's day is already on this page — expand the full lineup below or check the day-by-day breakdown.
Same weekend, two cities: the DMV flagship runs three days and multiple stages at Merriweather, while the NYC edition is a single-stage, all-female-and-nonbinary bill at Forest Hills Stadium. Several artists play both.
Lollapalooza lineup →Hopscotch lineup →The Fest lineup →Rebellion lineup →III Points lineup →Lost Lands lineup →Louder Than Life lineup →All Points East lineup →Aftershock lineup →End of the Road lineup →ARC lineup →Warped Tour Orlando lineup →Austin City Limits lineup →Reading & Leeds lineup →EDC Orlando lineup →Bourbon & Beyond lineup →Riot Fest lineup →Outside Lands lineup →Green Man lineup →HARD Summer lineup →Osheaga lineup →Bass Canyon lineup →Hulaween lineup →Honcho Campout lineup →Portola lineup →Furnace Fest lineup →Shaky Knees lineup →Sick New World Texas lineup →Hinterland lineup →Raleigh Wide Open lineup →Oceans Calling lineup →Darker Waves lineup →Bumbershoot lineup →Ohana lineup →Sea.Hear.Now lineup →Iron Blossom lineup →All Things Go NYC lineup →
Going to All Things Go DMV 2026? Get tickets ↗
The internet's patron saint of yearning — theatrical, precise, devastating, every stage gesture placed like choreography because it is.
Southern-gothic epics — hymn-like, haunted Americana that turns festival fields reverent, the 'Preacher's Daughter' mythology unfolding at its own patient pace.
Genre-fluid Boone collective — rapid-fire folk-rock with communal fervor, harmonies stacked high and crowds louder still.
'Imaginal Disk' made them art-pop's darlings — retro-futurist synth worlds, dazzling live, a full audiovisual universe per tour.
Glitter-and-grit dance-pop — Y2K excess reborn as main-stage camp, played with total commitment to the fantasy.

Deadpan stand-up sharpshooter — the festival's comedy detour, delivered with tailored-suit precision and jokes engineered like watchworks.
Kiwi brothers making slinky, falsetto-led alt-funk — Auckland groove-pop polished to a late-night sheen, with basslines that do most of the flirting.
Glittering, game-engine electronic — Australia's most inventive young club producer, chiptune sparkle at rave pressure, drops that sparkle as hard as they hit.
Sugar-trap screamo-rap pioneer — DMV hometown chaos, joyfully unhinged, whisper-to-shriek whiplash as a signature and a live show running on pure adrenaline.
Hushed piano-folk for held breath — 'Where's My Love' softness, cinematic quiet built for closed eyes.

Rising pop songwriter opening the Merriweather weekend.
Paramore's force of nature in her solo era — billed as a 'show' because it's more than a set, deep cuts and reinventions included.
Life-affirming queer synth-pop — 'Silk Chiffon' joy with serious writing chops, and the best live banter in pop included.
Swedish pop machinery at its shiniest — 'Lush Life' to main-character bangers, delivered with total command.
Hazy, vintage-toned dream-pop — cinematic sad-girl songs with a wink, screen-star mystique earning its music credentials.
Heartthrob indie-pop — leather-jacket romanticism with pop craft, swooners engineered for the barricade and the long drive home.
Zooey Deschanel and M. Ward's timeless retro-pop postcard — '60s AM-radio warmth performed with total sincerity.
Toronto's gang-of-girlfriends rock band — 'Blame Brett' and unstoppable momentum, breakup revenge served with a smirk.
Auckland's harmony-stacked power-pop treasures — jazz-school chops, huge hearts, and 'Expert in a Dying Field' proof of mastery.
Haitian-French-American pop — island rhythms, viral hooks, and a passport's worth of influences in every chorus.
Gleefully off-kilter synth-pop — the med-school-dropout-to-viral-star pipeline, '80s drama sung with total abandon, homemade pop that sounds like nobody else's.
Genre-hopping duo bringing club heat.
Scrappy, hook-stuffed bedroom electro-pop with real wit — Brooklyn miniatures that do more in two minutes than most albums manage.
Cinematic sapphic pop — music videos with lore, hooks with teeth, a whole universe per single.
Narcotic dream-pop duets — slow-motion romance in the Cigarettes After Sex register, candlelit vocals over slow-blooming guitar.
Austin-bred indie pop — 'Cowboys Cry Too' era momentum, wry heartbreak with a country shadow and a pen sharp enough to draw blood.
Buzzy indie newcomer on the Merriweather bill.
Tender queer folk-pop storytelling — hushed, confessional songs that turn small intimacies into gut-punches, a For-You-page discovery turned devoted following.
Americana's reigning voice — eleven Grammys of thunder and grace, with a catalog that moves from whisper to belt like weather changing.
'Messy' made her unavoidable — raw South London soul-pop with a busted-heart snarl and a voice that earns the Winehouse comparisons.
Smoky-voiced UK balladeer — big-room soul at 19, torch songs with an old head's control, a debut voice that sounds decades deep.
Josh Tillman's lounge-lizard prophet act — gorgeous orchestration, acid wit, and a crooner's delivery that sells every barbed line.
Criminally consistent R&B auteur — 'Nasty' finally made the world match her freak, a decade of underrated catalog now vindicated.
Florida indie rock built for festival fields — 'August' euphoria, surging choruses, and a live energy that outruns the recordings.
Mercury-winning UK alt-rock — from whispered folk to full-throated fuzz in one set, Ellie Rowsell commanding every register.
Irish country-pop with a wicked sense of humor and a bigger voice — a riotous live show that swings from comedy to gut-punch inside one chorus.
Scalpel-precise songwriting — one of the sharpest young pens in folk-pop, with a voice that lands every carefully chosen word.
'Calico' proved him one of pop's finest quiet craftsmen — BROCKHAMPTON's secret melodist gone pastoral, all pedal steel and patience.
UK-garage-inflected R&B — Kaytranada's favorite-vocalist energy, silk delivery over broken beats, two-step rhythms under velvet vocals.
Berklee-born harmony trio — three voices braided into one instrument, close-harmony precision with dorm-room warmth, harmony nerds turned headliners.
LA harmony-pop trio — sunlit, sisterly, huge-voiced, three-part choruses that sound genetically engineered, country-pop warmth with conservatory chops.
Yes, Dave's daughter — and a genuinely arresting voice striking her own path, closer to torch song than stadium rock.
Bedroom-pop riser on the All Things Go bill.
Playful indie newcomers closing the undercard.
Guitar-and-heartbreak folk from the For-You page — small-room songs that made the algorithm cry first, earnest writing that outlasts the scroll.