Charli xcx
Pop's reigning vanguardist — the brat era's architect bringing club-pop chaos to the main stage, a decade of underground experiments finally cashing out at scale.
Two October weekends in Zilker Park for ACL's 25th anniversary — most of the lineup plays both, weekend-only sets are marked.
Austin City Limits turns 25 in 2026, and the format that made it famous is intact: two October weekends in Zilker Park with the Austin skyline across the water, most of the lineup playing both weekends, and a bill that runs from pop's biggest names to the songwriter circuit the city is built on. The 123-act lineup leans wide rather than niche — Charli xcx and Lorde next to Kings of Leon and Twenty One Pilots, a heavyweight dance undercard, and a Texas streak that keeps Zilker feeling like Austin instead of Anywhere Festival, USA. Weekend-only acts are marked throughout this page, so double-check before you buy the other weekend's wristband for one set.
Expect pop, alternative, alt-pop and rock across 123 acts.
Most acts play both weekends and are listed under their Weekend 1 date (October 2–4). Acts listed under October 9–11 play Weekend 2 only.
Two weekends: October 2–4 and October 9–11, 2026, for the festival's 25th anniversary.
Zilker Park, Austin, TX — across the river from downtown.
Charli xcx, Lorde, Twenty One Pilots, Kings of Leon, Skrillex, RÜFÜS DU SOL, Turnstile, The xx, Young Miko, Lola Young, Geese, and SOFI TUKKER anchor the two weekends.
123 acts across the two weekends.
Most of the lineup plays both weekends. Weekend-only acts are marked on this page — check before choosing your weekend.
Tell the finder at the top of this page a few bands you love — it'll match you with your must-see sets, with reasons why.
Lollapalooza lineup →Hopscotch lineup →The Fest lineup →Rebellion lineup →III Points lineup →Lost Lands lineup →Louder Than Life lineup →All Points East lineup →Aftershock lineup →End of the Road lineup →ARC lineup →Warped Tour Orlando lineup →Reading & Leeds lineup →EDC Orlando lineup →Bourbon & Beyond lineup →Riot Fest lineup →Outside Lands lineup →Green Man lineup →HARD Summer lineup →Osheaga lineup →Bass Canyon lineup →Hulaween lineup →Honcho Campout lineup →Portola lineup →Furnace Fest lineup →Shaky Knees lineup →Sick New World Texas lineup →Hinterland lineup →All Things Go DMV lineup →Raleigh Wide Open lineup →Oceans Calling lineup →Darker Waves lineup →Bumbershoot lineup →Ohana lineup →Sea.Hear.Now lineup →Iron Blossom lineup →All Things Go NYC lineup →
Going to Austin City Limits 2026? Get tickets ↗
Pop's reigning vanguardist — the brat era's architect bringing club-pop chaos to the main stage, a decade of underground experiments finally cashing out at scale.
Bass music's shape-shifting elder — from brostep infamy to festival-set transcendence, reinvention as a permanent state. Weekend 1 only (Oct 2–4).
Tennessee arena-rock dynasty — 'Sex on Fire' still combusts on cue, with a garage-era back catalog for the faithful. Weekend 2 only (Oct 9–11).
Hardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
The Euphoria score come to life — falsetto gospel-pop maximalism, orchestral drama built by one of pop's most in-demand studio minds.
EDM-pop juggernauts — the closers everyone knows every word to, 'Closer' included, obviously, a hits run that never left the radio.
'Mutt' made him R&B's breakout craftsman — a producer-writer's touch with a showman's voice, years of behind-the-scenes credits finally center stage.
The Killers' frontman stepping out solo — heartland-leaning synth-rock from one of the great arena voices of his generation. Weekend 1 only (Oct 2–4).
Amy Taylor might be the best frontperson alive right now — Aussie pub-punk voltage, all sprint and snarl, from a band that treats every stage like a title fight.
Cake-throwing EDM showman — pure crowd-service spectacle, two decades of Dim Mak hustle behind the confetti.
The internet's protest-folk bard — a new topical song every week, Dylan-grade wit aimed at whatever the news cycle just did.
Banjo-house crossover — folk samples and organic textures with festival-sized drops, stomping the line between hoedown and main stage.
Weekend 2 only (Oct 9–11).
Mythic, incantatory folk-pop — 'Labour' made her the internet's feminist bard, and the deeper catalog keeps the incantation going.
'Lost on You' — that whistle, that voice, a global word-of-mouth phenomenon with a rock lifer's catalog behind it.
Madrid's blissed-out bedroom-pop futurist — Spain's new wave in full flight, autotune used like watercolor, bedroom experiments gone continental.
'Unwritten' is having its renaissance — feel the rain on your skin, ironically then sincerely. Weekend 2 only (Oct 9–11).
Brothers making breezy, jazz-flecked bedroom pop — soft chords, shuffling drums, and a sun-warmed melancholy built for golden hour. Weekend 2 only (Oct 9–11).
Bass-forward producer on the rise. Weekend 1 only (Oct 2–4).
Irish country-pop with a wicked sense of humor and a bigger voice — a riotous live show that swings from comedy to gut-punch inside one chorus.
'Friday' survivor turned genuinely credible hyperpop artist — a reinvention the internet actually respects. Weekend 1 only (Oct 2–4).
Weekend 1 only (Oct 2–4).
Weekend 1 only (Oct 2–4).

Weekend 2 only (Oct 9–11).
Moroccan-Canadian vocal powerhouse — dramatic, belt-heavy pop with runs that stop scrollers mid-thumb, technique that turns ballads into main events.
Bratty queercore bubblegum-punk — trashy, campy, joyous, a glitter-smeared garage party. Weekend 1 only (Oct 2–4).
Weekend 1 only (Oct 2–4).
Texas western-swing institution — more than fifty years keeping Bob Wills's songbook alive with Grammy-stacked musicianship; a Zilker rite. Weekend 1 only (Oct 2–4).
Kentucky drawl, punk heart — swampy Southern storytelling with teeth, farm-town detail and DIY conviction. Weekend 2 only (Oct 9–11).
American Idol alum with an ethereal, aching voice — hushed, cinematic singer-songwriter material. Weekend 2 only (Oct 9–11).
Pompadoured Chicago romantics — Roy Orbison croon over Smiths jangle, retro-pop drama sung completely straight. Weekend 2 only (Oct 9–11).

Weekend 2 only (Oct 9–11).
Weekend 1 only (Oct 2–4).

Weekend 1 only (Oct 2–4).

Weekend 2 only (Oct 9–11).
Weekend 2 only (Oct 9–11).
Weekend 2 only (Oct 9–11).
Weekend 1 only (Oct 2–4).
Weekend 1 only (Oct 2–4).
Weekend 2 only (Oct 9–11).

Harlem blues guitar prodigy — big-band chops and old-school warmth, a young player with a veteran's poise. Weekend 1 only (Oct 2–4).
Weekend 2 only (Oct 9–11).
Weekend 1 only (Oct 2–4).
Emotional stadium-scale melodic house — sunset-slot perfection from the Australian trio, 'Innerbloom' as the communal cry.
The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
'Messy' made her unavoidable — raw South London soul-pop with a busted-heart snarl and a voice that earns the Winehouse comparisons.
Puerto Rico's coolest export — playful, queer, effortlessly viral reggaeton, delivered with a skater's shrug and charisma that needs no translation.
Jack Antonoff's sax-blasting Jersey heart — every set a Springsteen homage with confetti, played by pop's busiest producer like it's the only band that matters.
Swedish heartbreak in slow motion — from 'I Follow Rivers' to sadcore chanteuse, a decade-plus of gorgeous ache.
Trio riding the new melodic-bass wave — riddim with feelings, drops that aim at the chest and the heart at once.
Hazy, vintage-toned dream-pop — cinematic sad-girl songs with a wink, screen-star mystique earning its music credentials.
Smoky-voiced UK balladeer — big-room soul at 19, torch songs with an old head's control. Weekend 2 only (Oct 9–11).
Lo-fi electroclash duo — distorted synths and detached vocals for the afterparty, Detroit cool for the post-everything generation.
Feel-good house edits gone huge — crowd-pleasing flips built for hands-up moments, a set with zero pretension and full commitment.
UK underground rap's internet-native riser — lo-fi menace and offhand melody built for the timeline, low-lit tracks that travel by repost.
Aching London indie — reverb-soaked and devotional, falsetto choruses for closed eyes. Weekend 1 only (Oct 2–4).
Tokyo cult selector Yousuke Yukimatsu — genre-shredding DJ sets that went from viral clips to worldwide bookings, anything-goes technique with total joy.
UK breakout with a smoky retro-soul voice and diaristic pop instincts — old-soul phrasing on new-school subjects.
Two acoustic guitars, metal souls — percussion, shred, and joy, thrash riffs reborn as flamenco fireworks.
Kiwi brothers making slinky, falsetto-led alt-funk — Auckland groove-pop polished to a late-night sheen, with basslines that do most of the flirting.
UK-garage-inflected R&B — Kaytranada's favorite-vocalist energy, silk delivery over broken beats. Weekend 1 only (Oct 2–4).
Attic-band indie rock with barefoot summer energy — loose, breezy Long Island guitar songs that built a word-of-mouth following from DIY beginnings.
Yes, that Finn Wolfhard — scrappy, sincere indie rock beyond the Stranger Things shadow, garage-band instincts played without celebrity gloss.
'Calico' proved him one of pop's finest quiet craftsmen — BROCKHAMPTON's secret melodist gone pastoral, all pedal steel and patience.
Rising indie voice on the Zilker bill.
Austin locals repping the hometown undercard.
Weekend 2 only (Oct 9–11).
Gauzy London dream-pop — midnight-drive music, synths blurred to streetlight smears, soft-focus songs that glow in the dark.
Weekend 1 only (Oct 2–4).
Weekend 1 only (Oct 2–4).
Korean-American country-blues revivalist — National steel guitar and dust-bowl holler, prewar blues played like breaking news. Weekend 2 only (Oct 9–11).
Wry, glossy indie-pop — 2026's buzziest new writer-performer, hooks polished enough for radio, lyrics sharp enough to sting. Weekend 2 only (Oct 9–11).
Weekend 1 only (Oct 2–4).
Weekend 1 only (Oct 2–4).

Weekend 2 only (Oct 9–11).

Weekend 1 only (Oct 2–4).

Weekend 2 only (Oct 9–11).
Weekend 1 only (Oct 2–4).
Weekend 2 only (Oct 9–11).

Weekend 2 only (Oct 9–11).

Weekend 1 only (Oct 2–4).
Weekend 2 only (Oct 9–11).
Genre-agnostic arena duo — rap, ukulele, and existential dread with a devoted Clique, lore deep enough for a wiki.
Whispered minimalism that somehow fills a festival field — intimacy at headline scale, 'Intro' still raising arm hair.
Unhinged Brooklyn art-rock — yelping, swaggering, and critically adored, like the Stones reassembled by art students mid-fever.
Jungle-pop party duo — bilingual bangers and permanent grins, 'Purple Hat' chaos with actual guitar chops.
Daft Punk-approved Aussie disco — immaculate grooves, live-band tightness, five-part harmonies over four-on-the-floor, played tight enough to pass a studio audit.
Motorik heartland rock — Springsteen refracted through a synth haze, transcendent live, 'Under the Pressure' as the long exhale.
Dev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak from one of pop's most sought-after collaborators.
Oregon folk-country riser — earnest, streaming-era troubadour with a fanbase that found him one chorus at a time.
Dreamy LA synth-pop — velvet vocals gliding over neon retro-wave grooves, 'Fire for You' the breakout. Weekend 1 only (Oct 2–4).
Wry, conversational pop songwriting from Gracie Abrams's longtime collaborator turned solo act — diaristic detail delivered with sharp comic timing.
Brassy, retro-cinematic indie pop — 'My Type' still swings, a horn section and a matinee-idol grin.
'Sedona' and campfire-rock warmth from the Indiana border — loose, nostalgic Americana with harmonies to spare. Weekend 2 only (Oct 9–11).
Weekend 1 only (Oct 2–4).
Bay Area hyperpop auteur — glitchy, hooky, scene-defining, 'Wallsocket' worldbuilding included. Weekend 1 only (Oct 2–4).
Breezy bedroom-pop hooks from the 'Backyard Boy' breakout, all grown up — TikTok-era beginnings matured into proper songcraft.
Percussive art-pop with attitude to burn — whip-crack delivery and choreography-grade live command, Tel Aviv beats with global swagger.

Hazy California duo — beachside indie-soul.

Weekend 1 only (Oct 2–4).
Weekend 2 only (Oct 9–11).
Hyperspeed UK power-pop — Ramones velocity with Strokes melody, two-minute songs played like the venue is on fire. Weekend 2 only (Oct 9–11).
Moody LA pop with model-off-duty cool — smoky low-register vocals over sleek late-night production. Weekend 2 only (Oct 9–11).

Gauzy, nostalgic dream-rock — exactly what the name promises, Mazzy Star haze for a new decade.
Weekend 2 only (Oct 9–11).

Nashville pop-country charmer — big-tent warmth with Orville Peck-adjacent glamour and a showman's polish. Weekend 1 only (Oct 2–4).
Soulful singer-songwriter riser. Weekend 1 only (Oct 2–4).
Weekend 1 only (Oct 2–4).
Weekend 1 only (Oct 2–4).
Tender queer folk-pop storytelling — hushed, confessional songs that turn small intimacies into gut-punches. Weekend 2 only (Oct 9–11).
TikTok-launched pop balladeer — big feelings, bigger streaming numbers. Weekend 2 only (Oct 9–11).
Weekend 1 only (Oct 2–4).
Confident, queer-forward pop with a party streak — Kesha-school hooks and swagger. Weekend 1 only (Oct 2–4).
Weekend 2 only (Oct 9–11).

South London soul with a smoky low register — barroom grit under the velvet. Weekend 2 only (Oct 9–11).

Weekend 1 only (Oct 2–4).

Louisville R&B with hushed, heartfelt writing — Summer Walker-school intimacy with a gospel undertow. Weekend 2 only (Oct 9–11).

Weekend 2 only (Oct 9–11).

Weekend 1 only (Oct 2–4).
Austin's HBCU jazz ensemble bringing student big-band firepower to the festival stage. Weekend 2 only (Oct 9–11).