A Wilhelm Scream
New Bedford's technical-punk lifers, stacking dizzying twin-guitar leads on top of full-throttle melodic hardcore. A Fest institution and one of its most reliable pits.
Three days, dozens of downtown venues, and hundreds of punk bands — Gainesville's DIY institution, 24 years running.
The Fest — this year it's Fest 24 — is Gainesville, Florida's beloved punk institution, and unlike almost every other festival on this site it isn't a field with four stages. It's a three-day takeover of downtown Gainesville, spreading hundreds of bands across a dozen-plus bars, clubs, and theaters within walking distance of each other. One wristband, a printed schedule, and a weekend of running between rooms: that's the whole ritual.
The sound is punk in the widest sense — melodic and skate punk, gruff Hot Water Music-style anthems, twinkly Midwest emo, third-wave ska, crossover thrash, folk-punk, and the occasional sludge or post-hardcore curveball. The 2026 bill leans hard on reunions and heavy hitters (PUP, Bouncing Souls, Lagwagon, The Flatliners, Sparta, Texas is the Reason, Samiam, A Wilhelm Scream) while giving huge chunks of the schedule to DIY bands, Gainesville locals, and the current ska and emo revivals.
With well over 300 acts, no single person can see it all — and that's the point. Fest rewards wandering: catching a band you've never heard in a half-full bar at 3pm is as much the experience as the marquee reunion at midnight. Use the finder below to point your weekend at the bands most worth your walking shoes.
Expect punk, alternative, rock and punk rock across 337 acts.
Fest 24 runs October 23–25, 2026, across venues in downtown Gainesville, Florida. It's a walkable, multi-venue festival rather than a single fairground — one pass gets you into shows at bars, clubs, and theaters throughout the weekend.
Well over 300 acts across the three days — everything from reunited headliners to Gainesville locals and DIY bands on their first tour. The full lineup is listed below.
Punk in every dialect: melodic and skate punk, gruff/Hot Water Music-style anthems, Midwest emo, third-wave ska, crossover thrash, folk-punk, and some post-hardcore and sludge. If you like any corner of punk, there's a room for you.
The Fest is built around a weekend pass that gets you into all the venues (subject to room capacity — popular sets fill up, so arrive early). Some individual shows may sell single tickets, but the pass is how most people do Fest. Check the official site for current pass and ticketing details.
Pick a handful of must-see bands, then leave room to wander; discovering an unknown band in a half-empty bar is the whole point. Venues are close together but the big sets fill up, so line up early for those and stay flexible for everything else.
Lollapalooza lineup →Hopscotch lineup →Rebellion lineup →III Points lineup →Lost Lands lineup →Louder Than Life lineup →All Points East lineup →Aftershock lineup →End of the Road lineup →ARC lineup →Warped Tour Orlando lineup →Austin City Limits lineup →Reading & Leeds lineup →EDC Orlando lineup →Bourbon & Beyond lineup →Riot Fest lineup →Outside Lands lineup →Green Man lineup →HARD Summer lineup →Osheaga lineup →Bass Canyon lineup →Hulaween lineup →Honcho Campout lineup →Portola lineup →Furnace Fest lineup →Shaky Knees lineup →Sick New World Texas lineup →Hinterland lineup →All Things Go DMV lineup →Raleigh Wide Open lineup →Oceans Calling lineup →Darker Waves lineup →Bumbershoot lineup →Ohana lineup →Sea.Hear.Now lineup →Iron Blossom lineup →All Things Go NYC lineup →
Going to The Fest 2026? Get tickets ↗
New Bedford's technical-punk lifers, stacking dizzying twin-guitar leads on top of full-throttle melodic hardcore. A Fest institution and one of its most reliable pits.
Miami's ska-punk agitators, welding horns to hardcore and unapologetically political lyrics. Loud, fast, and made for a downtown block that won't stay still.
Philly's twinkly-emo revivalists, whose noodly guitars and cracked vocals sent a whole generation of bands back to the Cap'n Jazz well. A reunion worth the trip.
Detroit post-hardcore that lurches between whisper and full collapse. Long-dormant and much-mythologized, so a Fest set is a genuine event.

Asbury Park's forever-young punk anthem factory — thirty-odd years of gang vocals and open-hearted singalongs. Few bands turn a room into a family faster.
Toronto punks who grew out of ska into gravel-throated, big-hearted melodic punk. A modern Fest cornerstone with a knack for the last-song-of-the-night singalong.

Born from the ashes of Braid, Bob Nanna's hookier follow-up — sharp, wordy emo with real pop instincts. A reunion for the turn-of-the-millennium emo faithful.
Edmonton duo splicing oi! stomp with synth-lit post-punk and anthemic 80s gloss. One of the more distinctive sounds on the bill.
Vinnie Caruana's post-Movielife crew, trading in the kind of scarred, shout-along punk that lands hardest at 1am with your arm around a stranger.
Austin's beloved late-'90s pop-punk/ska outfit, all sugar-rush hooks and horns — a nostalgia hit that still detonates live.
Fat Wreck royalty and skate-punk architects — Joey Cape's melodies over machine-gun drums. Three decades in, still one of the genre's tightest live acts.
Grand Rapids' third-wave ska lifers, built for skanking. Relentlessly upbeat, horns blazing, zero cynicism — exactly the palate-cleanser a punk weekend needs.
The Goleta goofballs behind 'Van Halen' and the Buffy theme — power-pop-punk with a sitcom sense of humor. Reliably one of the weekend's most fun sets.
Montreal's long-running traditional-ska party band. Horns, dance moves, and singalongs — a guaranteed good time on a sweaty Gainesville stage.
Epitaph-era skate-punk vets with pro-baseball roots and gruff, fast-melodic conviction — a deep-catalog set for the '90s SoCal-punk crowd.
Toronto's chaos-pop-punk stars — self-lacerating lyrics, unhinged energy, choruses built to be screamed back until throats give out. As big a name as this fest books.
Berkeley's bridge between 90s melodic punk and emo — Jason Beebout's ache over big, rolling hooks. Aging beautifully and criminally underrated.
Michigan's gruff, dynamic melodic-hardcore torchbearers — quiet-loud swells and a hoarse howl. Kindred spirits to the Hot Water Music lineage that runs through Fest.
Jim Ward's post-At the Drive-In vehicle, trading that band's spasms for soaring, melodic post-hardcore. A marquee draw and a rare Fest booking.
One of emo's foundational bands, gone almost as fast as they arrived — glassy guitars and yearning restraint. A reunion set that carries real historical weight.
Miami's masters of 'thunder-pop' — crushing, downtuned riffs that somehow float on major-key hooks. The heaviest, most physical set on the bill.
Chicago melodic-hardcore vets fronted by ER doctor Daryl Wilson — fast, tuneful, and still ferocious decades on, scene service in every sense.

The Lawrence Arms' motormouth bassist-singer, solo and unfiltered — bar-stool wit and self-deprecation over rough acoustic punk, half gig and half stand-up set.
Philly's breakout ska-rocksteady crew, all vintage warmth and Brittany Luna's magnetic pipes. Leading the current ska revival and built for a dancing crowd.
Carbondale's Ramones-core standard-bearers — buzzsaw guitars, whoa-ohs, and airtight two-minute hits, pop-punk done exactly right, whoa-ohs guaranteed.
Seattle's beer-soaked everyman punks, turning bars and day-jobs into gruff singalong anthems — songs about showing up when life is mid. Deeply Fest-coded.
Gainesville's own noodly, sad-but-warm emo — a hometown highlight who helped define the modern wave, equal parts twinkle and gut-punch. Expect a partisan crowd.
Fort Collins' punks-gone-country, led by ALL's Chad Price and Jon Snodgrass — whiskey-worn harmonies and heartland ache. Fest's morning-after soundtrack.

Fort Collins gruff-melodic punks with a literate, self-aware streak and choruses made for arms around shoulders — Colorado's contribution to the whiskey-punk canon.

Houston's turn-of-the-millennium pop-punk hitmakers (of 'All My Fault' fame) — snotty, catchy, and pure late-'90s nostalgia from the blink-adjacent yearbook.
Mississippi ska with a horn section and a big voice — part of the modern ska class packing Fest dance floors.

Orange County's warm, melodic post-punk mainstays — Jeff Caudill's earnest hooks over ringing guitars, underrated for decades and built to last.


Richmond crossover-thrash featuring Municipal Waste members — blistering, funny, and violently fast, thirty-song sets over before you catch your breath. The bill's designated whiplash.
Richmond punk with an activist heart and huge, communal choruses — new-ish but already a natural Fest fit, solidarity as setlist.
Asheville twinkle-emo with heart-on-sleeve delivery — part of the genre's newest wave, and one of its most promising.

DC's frantic, horn-driven ska-punk revivalists — technical, self-aware, and relentlessly fun. Core to the new ska class Fest has embraced.
Birmingham's Lee Bains and the Glory Fires — sweat-soaked Southern rock with punk lungs and pointed politics. A cathartic, gospel-loud set.
Brooklyn gruff-melodic trio with big, aching choruses and an immigrant's-eye lyric sheet — made for the last-hour singalong slot, beers raised.
Pittsburgh pop-punk survivors with a knack for shiny, earworm choruses — longtime road-dogs who still bring it, twenty-plus years deep.
Dayton's snotty, fast pop-punk workhorses — hooks first, attitude close behind, and a release schedule that never sleeps.

Cleveland's literate gruff-melodic band, threading emo warmth through punk drive — understated, quietly essential, and beloved by everyone who's caught them.
Allentown drums-and-keys duo — huge, earnest emo-pop from a deceptively small setup, married-couple chemistry included, huge sound from two chairs.
Avail's frontman solo and acoustic — freight-train stories and plainspoken Richmond grit. A quieter Fest ritual that still ends in full-throated singing.
Todd Congelliere's San Pedro melodic-punk institution (Recess Records) — off-kilter hooks and DIY-lifer charm, the scene's connective tissue.
Another Todd C. vehicle — lo-fi, hyper-catchy, gone-in-90-seconds pop-punk, pure Recess Records energy and communal chant choruses.
Baltimore's co-ed feminist hardcore — Shawna Potter's righteous fury over pummeling riffs, confrontational, necessary, and a Fest force.
Gainesville country-punk led by a strong voice and a barroom heart — the Sunday-morning end of the Fest spectrum, hangover-friendly and lovely.

St. Pete's horror-goofball pop-punk — fast, dumb-fun, and Ramones-simple, a Florida-scene good time in werewolf masks.
Gainesville gruff-melodic punk — a hometown act primed for a hometown crowd, singalongs pre-loaded and Fest-family energy guaranteed.

New Jersey gruff-melodic punk with earnest hooks and a road-worn heart — Menzingers-school singalongs for the beard-and-flannel faithful.
New Brunswick ska-core with crust in its veins — fast, dark, and rowdy, horns over hardcore drums.
The voice of Braid and Hey Mercedes, solo and intimate — foundational Midwest emo delivered up close, with the stories between songs part of the draw.
Huntsville's twinkly, sometimes-screamed emo — intricate and emotionally maximal, a cult name in the genre's online canon.


Voice of ALL and Drag the River, going it alone — that unmistakable rasp over country-tinged punk, a songwriter's set from a scene lifer.

Nashville's moody, melodic emo — hazy guitars, heavy hearts, and slow-burn dynamics in the Balance and Composure school. A mid-day set for the introspective.
Orlando gruff-melodic punks with sharp, politically charged hooks — a Florida-scene stalwart with big-hearted songwriting and no patience for the powerful.

Sacramento sisters churning out bratty, hooky garage-punk — fun, fast, and tight, with Ramones economy and sibling-locked harmonies.




Chad Matheny's brainy, restless indie-folk project — science-teacher lyrics and lo-fi urgency, songs like field recordings from a collapsing future. A left-field Fest gem.

Southern California ska with sunny keys and a charismatic frontperson — pure feel-good, third-wave optimism with real songcraft.

Long-running Chicago-via-Phoenix melodic punks — gruff, fast, and criminally slept-on, lifers with a record collection's worth of craft.






The Ergs! drummer-turned-frontman, a walking encyclopedia of pop-punk hooks — prolific, beloved, and seemingly playing five sets everywhere at Fest.

Montreal's swaggering party-punk force — riff-first, cowbell-friendly, and built to blow the roof off. One of the weekend's most kinetic sets.

DC/Baltimore chaotic hardcore fronted by Maha Shami — searing, political, and cathartic, carrying the region's screamo lineage forward.




English folk-punk troubadour with a big heart and a bigger singalong — solo, disarming, and beloved across the punk circuit.


Athens, GA punk with fuzz, hooks, and dual vocals — high-energy, road-tested, and built for the late-night slot.



Buffalo hardcore with NYHC bounce and a frontwoman who commands the pit — Fest's dose of full-contact energy, delivered with a grin.



Tampa gruff-punk vets — bar-band heart and worn-in singalongs, longtime Fest family with the crowd to prove it.









































































Milwaukee third-wave ska vets, still skanking after all these years — horns up, irony nowhere in sight.



Nashville ska-core with a political edge and hardcore muscle under the horns — skanking and moshing given equal time.







Punchy Atlanta garage-pop — singalong nihilism, clingy guitar hooks, and a swaggering lean into Aussie trash rock, made for sweaty rooms.



