Brainfeeder's founder — jazz lineage, hip-hop drums, and electronics that keep dissolving into each other, with Coltrane family blood and a 3D live rig.
III Points 2026 Lineup
Miami's art-and-music sprawl across five Wynwood blocks: techno, experimental rock and hip-hop up top, and a local B2B undercard that runs past 200 names.
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About III Points 2026
III Points is the least classifiable festival on this list. It takes over Mana Wynwood (five Miami city blocks of warehouses and yards) for two October days, and books across techno, experimental rock, hip-hop, drone metal and Latin club without treating any of it as a novelty. Underworld, Flying Lotus and Four Tet headline; SUNN O))) and Bone Thugs-n-Harmony are also on the bill.
What makes it distinctive is the undercard, which is enormous and heavily local. Well over a hundred of the billings are b2b pairings drawn from Miami's own DJ community, which is why the lineup runs past 200 names. Day splits haven't been published.
Expect electronic, house, dance and hip-hop across 223 acts.
III Points 2026 lineup: all 223 acts
Search it, filter by day, stage or genre. Save anything straight to your schedule.Browse all 223 acts →
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Kieran Hebden's glowing folk-tronic universe — patient builds that hit like revelation, two decades of textures that make dance music feel handmade.
Karl Hyde's stream-of-consciousness vocals over Rick Smith's builds — 'Born Slippy' was only ever the doorway into a much stranger catalogue.
Dev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak from one of pop's most sought-after collaborators.
Melodic-rap architects — the first to make harmony singing and double-time flow one seamless thing, with 'Tha Crossroads' still landing like a hymn.
KNTXT founder and the most visible face of modern hard techno — relentless, acid-inflected, absolutely locked in, headlining the global boom she helped create.
British tech-house producer with a knack for the rolling bassline that empties the bar and fills the floor — label-boss instincts tuned for peak time.
Detroit's most distinctive voice, literally — a yelp deployed over production nobody else would touch, from grimy underground tapes to festival-scale experimentalism.
Caribou's Dan Snaith in club mode — joyous, loop-drunk house edits that chase the exact moment a groove becomes euphoria.
Balearic disco lifer whose sets run long, loose, and completely against the grain of modern festival programming — a cult figure worth rearranging your day for.
Neuroscientist-turned-producer moving between orchestral ambient and genuinely propulsive dance floors — equally at home with Pharoah Sanders and a peak-time rave.
GZA performing Liquid Swords
Wu-Tang's chess-minded lyricist, unhurried where the rest of the crew were frantic. 'Liquid Swords' is the record, all cold RZA beats and dense, patient rhyming.
Chicago house pedigree carried onto fashion-world stages — a DJ who plays for dancers, not the camera, with Grammy-winning production credits to match.
Digicore prodigy turned noise-pop auteur — abrasive and gorgeous at once, walls of distortion hiding devastating melody.
Avant-R&B's velvet futurist — club pressure and whispered intimacy in one voice, every reappearance treated as an event.
Queen Bee — the blueprint a very large share of modern women in rap are still working from, hard-won Brooklyn royalty status intact.
Breakcore-punk duo whose live shows are closer to a hardcore gig than a DJ set — stage dives at 200 BPM.
Quebec trio making impossibly smooth bedroom dream-pop — bass-forward, hushed, and quietly enormous online, a headphone act that scaled to festivals.
Daft Punk-approved Aussie disco — immaculate grooves, live-band tightness, five-part harmonies over four-on-the-floor, played tight enough to pass a studio audit.
Megan James's high, clear voice over Corin Roddick's pitch-shifted, chime-heavy production — future-pop that invented a sound the 2010s ran with.
Michigan-born, Berlin-forged — a selector as known for his opinions as his exceptional record collection, and both run deep.
Robed drone metal played at physically overwhelming volume — less a concert than a weather event, fog machines running from doors.
Dominican rapper whose raw, deliberately provocative dembow made her a genuine cultural flashpoint — underground Santo Domingo carried to global stages.
Trip-hop's shadow king — the whispered menace of 'Maxinquaye' live, Bristol paranoia thickened by three decades.
Osaka-born cult selector Yousuke Yukimatsu — genre-shredding DJ sets that went from viral clips to worldwide bookings, anything-goes technique with total joy.
1-800-Lolita B2B Xana
Australian duo splitting the difference between dance and hip-hop — party-facing, built around a chant more than a chorus.
619!
Italian duo whose acid-drenched, punishingly fast techno is performed live on hardware, not laptops — improvised 303 lines and kick drums that treat 150 BPM as a starting point.
Aabel B2B Siegel
Ackdaddy
Adam At The Door
Keinemusik co-founder whose polished, Afro-tinged melodic house helped turn the Berlin label into a global brand — warm, percussive, and engineered for golden-hour sets.
Ahmed Spins B2B OMRI.
Ale Acosta B2B Hazón
Alejo
Alexx In Chainss B2B Soltek
Alezsandro B2B Dalva
Allnightkev B2B Lo-G
Amar
Aphex Twink B2B Foreseer
Artime B2B Mystic Bill
Ashley Venom B2B Souls Departed
b0yg1rl
Baby Jesus B2B Chaos!
Bakke
Snarling internet-era electroclash — bratty vocals over blown-out bass, reviving the genre's trashy Berlin glamour for a generation that missed it the first time.
Beltran B2B Ben Sterling
Bill Patrick B2B Bort
Bonita Applebumz B2B Toni Shardai
Bozito B2B Gabo Escalona
Bricolage B2B Day/Dem
Brunello B2B Rafael
Cami Di Marzo
Camp Blu
Carter Jackson-Brown
Shane Lavers's project — smeared, sample-strewn pop that keeps resisting a clean shape, beloved by the corner of indie that prizes texture over tidiness.
Chasewest
Coffintexts B2B DJ Fuckoff
Cole Knight B2B Dreya V
New Zealand oddball making woozy, sensual guitar-pop that sounds slightly melted — whispered falsetto and bent notes beamed in from a stranger dimension.
Corridos Ketamina
Cumbiamba
D.Luxe B2B Dennis Baker
Daizy
Dan Molinari
Danny Daze B2B DJ Godfather
Dutch DJ and producer with a taste for the raw, hardware-driven end of electro and italo — crate-digger sets that keep the grit in.
Dean Turnley
Deep Cleansing
Differ
Discip
Technicolor disco-house — relentless fun, zero pretension, hooks big enough to convert whoever wandered past the stage.
DJ Ray B2B EZ Dee
DJ Sabi B2B Grue5ome
DJ Three B2B Sister System
Domnrob
Doris Dana
Dr. Rubinstein B2B Ultrathem
Duality B2B Gumthewrapper
Dude Skywalker
Duun B2B Sleepy C
EAR
Eco-Sistema
Eli Escobar B2B Jubilee
Elias Garcia B2B Mila Gama
Ellynora
Eveava B2B Jovigibs
Extra Andrew B2B Mutant Pete
Faith Leazae
UK underground rap's internet-native riser — lo-fi menace and offhand melody built for the timeline, low-lit tracks that travel by repost.
Feph B2B Mr. Tron
Fiin
Fine
Fiuza B2B Madison Kay
Generous B B2B Hakuna
Gio Elia B2B Meghan Lee
Godblessjai
Godisound
Grace Arribas B2B Marte
Grant Sabadash B2B Shir Miya
Australian-born, London-based — psychedelic, live-leaning sets that resist an obvious genre label, texture-heavy techno with a crate-digger's curiosity.
UK bass with a dancehall bounce — the sound of a soundsystem set rather than a festival drop, 'Skanka' the breakout.
Heidi Lawden
Berlin's masked 'farmcore' phenomenon — giddy barnyard-trance house played dead serious, 'My Barn My Rules' as manifesto.
Idriss D B2B Danyelino
Manchester producer who co-wrote the garage revival's biggest crossover single — 'B.O.T.A.' bounce with deep scene credentials.
Miami duo making raw, hardware-driven Latin club music with genuine local roots — dembow and techno melted together live.
The trio who effectively invented halftime — drum and bass slowed to a swaggering crawl, sound design that rewards headphones and necks alike.
Montreal producer whose chopped-vocal house helped define a whole strand of the 2010s — 'Another Girl' glow, still radiating.
Jason Rault
JBZ
Jencarlos
Jeremy Ismael
Jigitz
Jinks B2B Romulo Del Castillo
jinn_pr
Joanna Kuchta B2B Robyn Sin Love
Joss Dean
Jump Source
Katie Ox B2B Nat Siriani
Irish rave-house heat — big-room energy with underground credentials, breakbeats and pianos at full sprint, Galway-to-warehouse momentum fully underway.
Khami
Amsterdam's hard-trance revivalist — acid lines and 150 BPM joy, rave classicism played with total exuberance.
KinAhau
Kujo B2B Rara
Kumi
La BB
Lady Narcisse B2B Racci
Ladyboy
Lagrimas De Oro
Lauren Palma
Levity B2B Taiki Nulight
Liquid Dinosaurs
lizzie_mcguire
Lotusoph B2B Julia Saturno
Loukeman
Lousy Lover B2B Lucaz
Lupreme B2B Santo
Maccabi B2B Pezlo MD
Maher Daniel B2B Mai Iachetti
Malóne B2B Miluhska
Mango B2B Mister Lo
Marco Carola B2B Franky Rizardo
Marie Qrie B2B Viva Vidal
Marsolo
Genre-agnostic selector moving between breaks, house, and hip-hop in a single set — turntablist chops under the party instincts.
Mason Norris B2B Mia Vendetta
Brothers back-to-back — UK tech-house's cheekiest rising pair, trading grooves with sibling telepathy, four hands and one groove.
Max Styler B2B Vintage Culture
Megusta B2B Migs
MGNA Crrrta
Miguel Clark B2B Naim Zarzour
Miguelle & Tons B2B Saraga
Mila Gama B2B X3butterfly
Milo Ziro B2B Xilla
Andrea Tirone's Italo-disco project — glossy, bass-forward dance-pop with a distinctly Mediterranean streak, engineered for strutting.
Danish artist building weightless guitar-pop out of processed tones and near-whispered melody — uncanny-valley beauty rendered in high definition.
Monoky
Disco Halal founder blending Middle Eastern melody into slow, hypnotic dance music — cosmic disco with a wanderer's ear.
UK garage revival heat — skippy drums and low-end pressure, two-step engineered for the new generation of dancefloors.
Mr. Bitch
Mr. Brown
Natalia Roth B2B Max Stern
Nate Sib
Nicholas G. Padilla
Nick León B2B Safety Trance
Nicole Gallamini B2B Nikita Green
Nii Tei
Nikole
Australian house heater — half of the HYPERBEAM b2b with OMNOM, flip-happy edits with festival-scale bounce.
Oma Totem B2B True Vine
The British singer and songwriter widely credited with laying the foundations of UK soul as its own thing — decades of work that never chased the American template.
P1no B2B Trippie Hippie
Patch+
British tech-house producer with a taste for rolling basslines and vocal loops that lodge in your head for a week.
Peach B2B Shanti Celeste
Phiphi B2B Winter Wrong
Pressure Point B2B Berrakka
Proletar B2B Zamurai
Puma
R/V Calypso
Ragie Ban
Raje B2B Slugg
Mexican producer trading in slow, druggy cosmic disco with an outsized sense of drama — leather-jacket mystique at 105 BPM.
Israeli duo whose live sets bring guitars and post-punk grit to a dance stage — Tel Aviv cool with krautrock stamina.
Rello
Rental Snakes
RES_ (Live)
Rimaye B2B Inbal
Roddy Lima
German producer with a thirty-year catalogue and a taste for the deliberately odd — house and techno with an art-school wink.
Rude Boy B2B SDRV
Madrid's blissed-out bedroom-pop futurist — Spain's new wave in full flight, autotune used like watercolor, bedroom experiments gone continental.
Saint & Romero
Sam Alfred
Melbourne producer and DJ threading UK garage and breaks through house sets — club music with a rolling, low-slung swing.
Santiago Villu
Saturnsarii B2B Suz
Sel.6 B2B Playshado
Serafitz B2B Sol Discos
Shinobi
Silvie Loto B2B Ms. Mada
Sosa
Spice Crime B2B Violeta
Sportswax
Tech G1rls
Terence Tabeau
Tiffy Vera B2B Thunderpony
Montreal's arch electroclash survivor — deadpan vocals, filthy synths, and a sense of humor most techno lacks, 'Sunglasses at Night' included.
Uchi
Ultrathem
V1fro
Vania Junco
Velora
Vsyana
Polish techno provocateur — fast, hard, and gleefully irreverent, rave intensity with an internet-native sense of humor.
Vvilhelm
Whitesquare
Will Buck B2B Taimur
Will Renuart
Willikens & Ivkovic
NYC's most confrontational new band — spasmodic percussion-punk that levels rooms in twenty-minute bursts, and nothing else sounds like it.
Zep
The headliners
Underworld — Karl Hyde's stream-of-consciousness vocals over Rick Smith's builds — 'Born Slippy' was only ever the doorway into a much stranger catalogue. One of two US festival appearances this autumn.
Flying Lotus — Brainfeeder's founder — jazz lineage, hip-hop drums, and electronics that keep dissolving into each other, with Coltrane family blood and a 3D live rig. Brainfeeder's founder, headlining.
Four Tet — Kieran Hebden's glowing folk-tronic universe — patient builds that hit like revelation, two decades of textures that make dance music feel handmade. Kieran Hebden, still one of the most reliably great live electronic acts.
Up-and-comers to catch early
INVT — Miami duo making raw, hardware-driven Latin club music.
Chanel Beads — Smeared, sample-strewn experimental pop.
YHWH Nailgun — One of the most physical live acts in current experimental rock.
Horsegiirl — Absurdist rave-pop with a fully committed bit.
Bassvictim — Hyperpop-adjacent club project with a growing following.
Rusowsky — Spanish artist making woozy, genre-slippery pop.
Other acts worth planning around
SUNN O))) — Drone metal at physically overwhelming volume, an extraordinary booking for a dance festival.
Blood Orange — Dev Hynes, on a bill that suits him better than most.
DJ Harvey — Balearic disco played long and loose.Machine Girl — Breakcore-punk closer to a hardcore gig than a DJ set.
III Points 2026 lineup FAQ
When is III Points 2026?
October 16–17, 2026 (Friday and Saturday).
Where is III Points held?
Mana Wynwood, a five-block venue in the heart of Miami's Wynwood district.
Who is headlining?
Underworld, Flying Lotus and Four Tet.
How many acts are playing?
218 billings, though many are b2b pairings drawn from Miami's local DJ community.
Are day-by-day lineups published?
Not yet: the festival has published one combined lineup.
How do I work out which acts I'd like?
Type a few artists you already love into the search at the top of this page and you'll get ranked matches from this lineup, with reasons.
Are III Points 2026 set times out yet?
Not yet. The lineup is out with 223 acts, and the day-by-day schedule is still to come. The alert on this page emails you the day it drops.
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