Lost Lands 2026 Lineup
Excision's dinosaur-themed headbanging convention — three days at Legend Valley and the largest concentration of heavy dubstep on the calendar.
About Lost Lands 2026
Lost Lands is the largest gathering of heavy dubstep on the planet, and it is unapologetic about it. Excision built it at Legend Valley in Ohio, decorated it with animatronic dinosaurs, and books essentially nothing but bass across three days and 200-plus sets.
Excision himself takes three billings — a two-hour set, a Detox set and a b2b with Space Laces. Beneath that the top block is a full survey of the genre: Subtronics, Seven Lions, Illenium, Slander, Ganja White Night, Liquid Stranger, Zomboy, Flux Pavilion, Caspa, Funtcase, Krewella and Sullivan King. The lower block runs over a hundred deep into riddim, halftime and experimental bass.
Day splits for the main three days haven't been published. Early-entry pre-parties run on the Wednesday and Thursday beforehand, drawing from the same pool of artists.
Expect dubstep, dance, electronic and bass across 210 acts.
Up-and-comers to catch early
- Ghengar — Murky, low-slung riddim from one of the scene's newer names.
- Blossom — Heavy, dark bass and a fast-rising reputation.
- Neotek — Riddim producer squarely in the genre's heaviest lane.
- Josh Teed — Plays live violin over his own bass productions.
- Zoey808 — Deep in the undercard and worth the early arrival.
- Sqishi — One of the newer names in the lower block.
Other acts worth planning around
- Excision (2 Hour Set) — The founder's extended set — the festival's centrepiece.
- Excision B2B Space Laces — His most frequent collaborator, and the heaviest billing of the weekend.
- Subtronics — Currently dubstep's biggest draw after Excision himself.
- Seven Lions — The melodic counterweight to a very heavy bill.
- Caspa — One of dubstep's original UK architects, a long way from home.
- Krewella — Sung live over their own drops.
- Ivy Lab — The trio who effectively invented halftime.
Lost Lands 2026 lineup FAQ
When is Lost Lands 2026?
September 18–20, 2026, with early-entry pre-parties on September 16 and 17.
Where is Lost Lands held?
Legend Valley in Thornville, Ohio.
Who is headlining?
Excision, who plays three separate billings including a two-hour set and a b2b with Space Laces.
How many acts are playing?
210 acts across the weekend.
Are day-by-day lineups published?
Not for the main three days. The Wednesday and Thursday early-entry lineups are out.
How do I work out which acts I'd like?
With a bill this size that's the whole problem — type a few artists you already love into the search at the top of this page and you'll get ranked matches, with reasons.
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Lost Lands full lineup
Excision (Detox Set)
Excision B2B Space Laces
Adventure Club
Canadian duo who helped invent melodic dubstep with a run of era-defining remixes — soaring vocals over filthy-then-gorgeous drops that taught bass music how to feel.
Æon:Mode
Alleycvt
Fast-rising Denver bass producer — melodic drops with teeth, riding the front of the dubstep scene's younger, wilder generation.
Armnhmr
ATLiens
Masked Atlanta duo working the dark, alien end of festival bass — extraterrestrial lore, subterranean growls, and drops built for maximum abduction.
Audiofreq
Barely Alive
Disciple mainstays making precise, sound-design-obsessed dubstep — surgical basses and glitch detail that reward headphones as much as rail-riding.
Bear Grillz
Bear-costumed producer whose gimmick outlasted the joke because the tracks hold up — heavyweight dubstep and riddim with genuine pit credentials.
Benda
Blossom
Heavy, dark bass music from one of the scene's newer names — grinding low end and horror-tinted atmosphere aimed squarely at the headbang.
Boogie T
Louisiana producer who plays live guitar over riddim — swamp-funk licks in a robotic genre, and a genuinely funny, warm presence in a serious scene.
Borgore
Israeli producer who coined 'gorestep' — deliberately obnoxious, and very good at it, with filthy drops engineered to offend and delight simultaneously.
Bou
Manchester's jump-up juggernaut — relentless double-drops and dancefloor pressure from one of drum & bass's most in-demand new-school names.
Calcium
Canabliss
Caspa
One of dubstep's original architects — the pre-brostep London sound, wobbly and rooted in sound-system culture, straight from the scene's foundational era.
Crankdat
High-velocity festival bass designed for maximum impact in the shortest possible window — Ohio-bred drops engineered like demolition charges.
Craze
Three-time DMC world champion — a scratch DJ playing bass music, which is rarer than it should be, and the technical ceiling of any lineup he's on.
Culture Shock
The Subhumans' dub-and-ska-inflected sibling band, built for movement rather than confrontation — Dick Lucas leading the dance instead of the charge.
Cyclops
Riddim producer with a heavy, deliberately repetitive approach built for the pit — one-eyed branding, single-minded drops.
Delta Heavy
Ram Records duo making big, melodic drum and bass built for a main stage — polished drops with genuine songcraft in the builds.
Dieselboy
The most important American drum and bass DJ of his generation, and still an exceptional technician — Pittsburgh-bred precision that helped build the US scene.
Dion Timmer
Dirt Monkey
Colorado producer with a filthy, funk-inflected take on heavy bass — wonky, wobbling drops with an audible sense of humor.
Dirtyphonics
French crew who came up through drum and bass and never lost the punk energy — genre-hopping bass sets played like a rock show.
Distinct Motive
Doctor P
Circus Records co-founder — 'Sweet Shop' is effectively a foundation stone of UK dubstep, and the wobble has aged into legend.
Dr. Fresch
Drinkurwater
Effin
Emorfik
Eptic
Belgian producer with a horror-movie sensibility and some of the meanest sound design in dubstep — monster-movie drops built with real craft.
Flosstradamus
The crew who effectively launched festival trap out of Chicago's juke and footwork scene — rattling 808s with hometown rave DNA.
Flux Pavilion
Circus Records co-founder whose 'I Can't Stop' riff became one of dubstep's most-sampled moments — even Jay and Kanye borrowed it.
Funtcase
Masked UK producer dealing in the filthiest end of dubstep, and one of its most reliable live presences — DPMO sets with zero mercy.
Ganja White Night
Belgian duo trading in wobbling, psychedelic dubstep with a genuinely distinctive low-end signature — the wobble is the brand and the argument.
Ghastly
Genre-hopping producer who moves between bass house and full-on dubstep in a single hour — ghoulish branding, versatile drops.
Ghengar
Riddim producer with a distinctly murky, low-slung sound — phantom-themed bass aimed at the darkest corner of the pit.
Gladde Paling
Grabbitz
Sings and plays guitar over his own productions — closer to a band than a DJ set, melodic bass with a rock frontman's instincts.
Hairitage
Hedex
Jump-up drum & bass's loudest new star — pure warehouse chaos, double-drops stacked until the low end wins.
Heyz
HOL!
Illenium
The defining voice of melodic bass — emotional, arena-scaled drops built around real songwriting, sad songs engineered for fireworks.
Infekt
Ivy Lab
The trio who effectively invented halftime — drum and bass slowed to a swaggering crawl, sound design that rewards headphones and necks alike.
Jantsen
Long-running Colorado bass producer with roots in glitch-hop's original scene — heavyweight drops with an old head's swing.
Jessica Audiffred
Mexico's leading bass export, and a genuinely relentless live presence — heavyweight drops delivered with headliner command.
Jkyl & Hyde
Kai Wachi
Bass music with metal's aggression baked in — heavy, dark, and increasingly vocal-led, Boise drops with blast-furnace weight.
Know Good
Kompany
Classically trained, which is audible in how carefully his heaviest drops are constructed — precision-tooled dubstep with composure under the chaos.
Krewella
The Yousaf sisters singing live over their own bass drops — pop songwriting welded to heavy electronic music, a decade past 'Alive' and still swinging.
Layz
Level Up
Riddim producer with a heavy, minimal approach — a lot of space around some very large sounds, engineered for maximum stank face.
Levity
Trio riding the new melodic-bass wave — riddim with feelings, drops that aim at the chest and the heart at once.
Lil Texas
Cowboy-hatted hardcore producer pushing tempos well past 180 with a completely straight face — Texas kitsch welded to gabber punishment.
Liquid Stranger
Wakaan founder whose bass music leans psychedelic and genuinely weird rather than purely heavy — label boss of freeform bass's whole ecosystem.
Lyny
Mefjus
Austrian producer at the technical peak of neurofunk — impossibly clean, impossibly heavy, drum and bass engineered to laboratory tolerances.
NGHTMRE
Half of Gud Vibrations — heavy festival trap with a melodic streak that keeps widening, drops built for fireworks cues.
Oliverse
Passport
PhaseOne
Ravenscoon
Bay Area producer making textural, emotionally pitched bass music — heavy when it wants to be, weightless when it matters.
Ray Volpe
Coined 'Laserbeam' and turned it into one of the most recognisable drops in modern bass music — headbanger melodrama at maximum voltage.
Reaper
The Resistance
Riot Ten
Texas producer whose 'Rail Breaker' became a festival-circuit standard — hype-first dubstep with a mosh-caller's instincts.
Samplifire
Seven Lions
Melodic dubstep with a trance heart — soaring vocal tops over drops that still hit hard underneath, Ophelia-label worldbuilding included.
Sigma
UK duo who took liquid drum and bass to the top of the charts without losing the dancefloor — 'Nobody to Love' still lifts.
Sippy
Australian producer making some of the heaviest and most precise riddim going — surgical drops with zero wasted motion.
Slander
Coined 'heaven trap' and then spent a decade proving it was a real thing — gospel-sized drops with genuine ache.
Smoakland
Bay Area duo working the funky, wonky end of West Coast bass — Oakland low-end with a grin.
Sodown
Stumpi
Subtronics
Riddim-dubstep heavyweight — appearing in the GRIZTRONICS b2b with GRiZ, an hour of pure bass warfare with a funk streak.
Sullivan King
Plays guitar and screams over his own dubstep — the metal/bass crossover taken entirely seriously, pits and drops in equal measure.
Taiki Nulight
Trivecta
Ophelia-affiliated producer working the emotional, trance-leaning end of melodic bass — soaring vocals over drops with genuine lift.
Truth
New Zealand duo working the deep, sub-heavy end of dubstep — sound-system music, not festival music, and better for it.
Virtual Riot
Producer's producer — sound design so intricate that other artists study his sessions, drops built like Swiss watches.
Wax Motif
Australian producer specialising in bass-house with real swing to it — G-house slink at festival scale.
Whethan
Chicago's future-bass wunderkind, grown into a versatile electro-pop craftsman — collabs across pop's whole spectrum, festival sets with pop fluency.
The Widdler
Deep dubstep built almost entirely from sub-bass and space — the antidote to riddim, meditative pressure at chest depth.
William Black
Wonkywilla
Wooli
Swings between crushing riddim and full melodic bass, often inside the same set — mammoth branding, matching drops.
Yookie
Zingara
Zomboy
UK producer whose mid-2010s dubstep is still the reference point for a whole strand of the genre — wobble-era heaviness, undimmed.
$J
2DY4
Alienpark
All The Reason
Arlo
Au5
Melodic bass with genuine harmonic sophistication under the drops — a producer's producer whose sound design gets studied as much as danced to.
Austeria
Avello
BadKlaat
Basstripper
Bella Renee
Big Florida
Brainrack
Capochino
Casey Club
Champagne Drip
Wakaan-affiliated producer making psychedelic, texture-heavy bass music — liquid sound design that favors immersion over impact.
Chassi
Chozen
Codd Dubz
Crizzly
Crumb Pit
Crystal Skies
Darksiderz
Deadcrow
Dirtysnatcha
Distant Matter
Dodge & Fuski
Dr. Ushuu
Dream Takers
Dubscribe
Finnuh
Future Exit
Gardella
Green Matter
Haliene
Vocalist and songwriter behind a great many trance and melodic bass records, now fronting her own — the genre's most recognizable voice stepping into the spotlight.
Hershe
Hostage Situation
Hurtbox
HVDES
Hydraulix
Imanu
Dutch producer whose restless, genre-agnostic bass music keeps mutating between releases — precision sound design with zero brand loyalty.
Ivory
Newer bass producer with a clean, aggressive sound — surgical drops from the scene's rising class.
Izadi
Izzy Vadim
Jaenga
Josh Teed
Plays live violin over his own bass productions, which is as unusual as it sounds — classical chops folded into experimental low end.
Killmatter
Kliptic
KLO
Lazrus
Leotrix
Lowcation
Luci
Lumasi
Machaki
Mad Dubz
Madgrrl
Mile32
Mindset
Modal Nodes
Mozey
Mport
Muerte
Myrias
Mythm
Neotek
Newer riddim producer whose tracks land squarely in the genre's heaviest lane — no-frills drops built for rail-riders.
Neumonic
Nikita, The Wicked
Nimda
Noetika
OG Nixin
Onara
Paper Skies
Pegboard Nerds
Scandinavian duo with a bright, hyperactive take on bass music and a big Monstercat catalogue — neon drops with pop bones.
Phrva
Poni
Pretty Sweet
Probcause
Prosecute
Remk
Richard Finger
Riot
ROI*
Rsun
Ryns
Rzrkt
Saint Miller
Seth David
Shlump
Psychedelic bass producer whose sets lean weird rather than purely heavy — wonky low-end from the freeform school.
Sisto
Skilah
Space Wizard
Sportmode
Sqishi
Stoned Level
Subsonic
Super Future
Tisoki
UK producer with a bright, technically dense take on bass music — sound-design detail at party tempo.
Tokyo Machine
Monstercat producer making bright, video-game-coded bass music — 8-bit maximalism with an arcade grin, drops in primary colors.
Twopercent
Tynan
Riddim producer with an ear for the exact moment a drop should stop dead — silence weaponized.
Usaybflow
Vampa
VKTM
Warlord
Whales
Wiley
Wraz
Xotix
Yetep
YVM3
Zen Selekta
Zero
