Artists
Every act on every lineup we track, 2,951 of them, each with a page: which festivals they play, what time they go on once the festival says, and what they sound like if the name is new to you. Look up someone you love, or read the season off the lists below.
Booked the most in 2026
The hardest-working names on this year's bills. Go to more than one festival and you have probably already seen a few of these, whether or not you went for them.
GeeseUnhinged Brooklyn art-rock — yelping, swaggering, and critically adored, like the Stones reassembled by art students mid-fever.
TurnstileHardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
¥ØU$UK€ ¥UK1MAT$UOsaka-born cult selector Yousuke Yukimatsu — genre-shredding DJ sets that went from viral clips to worldwide bookings, anything-goes technique with total joy.Blood OrangeDev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak from one of pop's most sought-after collaborators.
LordeThe NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
HamdiUK bass with a dancehall bounce — the sound of a soundsystem set rather than a festival drop, 'Skanka' the breakout.
KETTAMAIrish rave-house heat — big-room energy with underground credentials, breakbeats and pianos at full sprint, Galway-to-warehouse momentum fully underway.
Wet LegDeadpan, hook-loaded post-punk — the Isle of Wight duo grown into a full-blast rock band, 'Chaise Longue' just the opening joke.
CMATIrish country-pop with a wicked sense of humor and a bigger voice — a riotous live show that swings from comedy to gut-punch inside one chorus.
Zara LarssonSwedish pop machinery at its shiniest — 'Lush Life' to main-character bangers, delivered with total command.
FcukersNYC's buzziest indie-dance trio — baggy house grooves with downtown cool, like Madchester relocated to a Chinatown basement.
Frost ChildrenSibling NYC hyperpop chaos agents — glitchy, funny, and relentless, a live set that plays like a timeline scrolled at maximum speed.
NinajirachiGlittering, game-engine electronic — Australia's most inventive young club producer, chiptune sparkle at rave pressure, drops that sparkle as hard as they hit.
Snow StrippersLo-fi electroclash duo — distorted synths and detached vocals for the afterparty, Detroit cool for the post-everything generation.
Balu BrigadaKiwi brothers making slinky, falsetto-led alt-funk — Auckland groove-pop polished to a late-night sheen, with basslines that do most of the flirting.
Boys NoizeAlex Ridha's brand of electro is abrasive by design — hardware-driven, distorted, and consistently ahead of whatever is fashionable, two decades running.
Die SpitzAustin's instrument-swapping all-women punk-metal wrecking crew — everyone plays everything, and it all lands at full force.
Disco LinesTechnicolor disco-house — relentless fun, zero pretension, hooks big enough to convert whoever wandered past the stage.
horsegiirLBerlin's masked 'farmcore' phenomenon — giddy barnyard-trance house played dead serious, 'My Barn My Rules' as manifesto.
Hot MulliganMidwest emo's chaotic favorites — screamed choruses, absurd song titles, real feelings, and a crowd that knows every word including the yelps.
KI/KIAmsterdam's hard-trance revivalist — acid lines and 150 BPM joy, rave classicism played with total exuberance.
LevityTrio riding the new melodic-bass wave — riddim with feelings, drops that aim at the chest and the heart at once.
MPHUK garage revival heat — skippy drums and low-end pressure, two-step engineered for the new generation of dancefloors.
SubtronicsRiddim-dubstep heavyweight — appearing in the GRIZTRONICS b2b with GRiZ, an hour of pure bass warfare with a funk streak.
The xxWhispered minimalism that somehow fills a festival field — intimacy at headline scale, 'Intro' still raising arm hair.
Other ways to read the season
The season has more than one main character. Here is who closed the stages, who crossed the most borders, and who the people using this site are actually listening to.
On stage this week
Someone is soundchecking for one of these right now. The closest thing here to a live feed, and the fastest way to find a set worth the drive.
Zara LarssonSwedish pop machinery at its shiniest — 'Lush Life' to main-character bangers, delivered with total command.
Lola Young'Messy' made her unavoidable — raw South London soul-pop with a busted-heart snarl and a voice that earns the Winehouse comparisons.
Twenty One PilotsGenre-agnostic arena duo — rap, ukulele, and existential dread with a devoted Clique, lore deep enough for a wiki.
Mumford & SonsBanjo-driven crescendos that defined a decade of festival folk, now delivered with the electric guitars left plugged in — the singalongs never optional.
Pierce The VeilSan Diego post-hardcore romantics enjoying a massive TikTok-era second act — the scene's most swooned-over comeback.
The StrokesThe band that rebooted New York rock — a deep catalog of deadpan cool, still untouchable live when the engine catches.
Ethel CainSouthern-gothic epics — hymn-like, haunted Americana that turns festival fields reverent, the 'Preacher's Daughter' mythology unfolding at its own patient pace.
GorillazDamon Albarn's animated universe — a genre-omnivorous hits machine and guest-star carousel, two decades of cartoon cover for some of pop's best songwriting.
TiëstoThe elder statesman of big-tent dance music — trance godfather turned arena-house fixture, still detonating 'The Business'-sized hooks three decades in.
IlleniumThe defining voice of melodic bass — emotional, arena-scaled drops built around real songwriting, sad songs engineered for fireworks.
Most upcoming bookings
Everything still ahead of us. If you have festivals left on your calendar, these are the names most likely to turn up on one of them.
LevityTrio riding the new melodic-bass wave — riddim with feelings, drops that aim at the chest and the heart at once.
¥ØU$UK€ ¥UK1MAT$UOsaka-born cult selector Yousuke Yukimatsu — genre-shredding DJ sets that went from viral clips to worldwide bookings, anything-goes technique with total joy.HamdiUK bass with a dancehall bounce — the sound of a soundsystem set rather than a festival drop, 'Skanka' the breakout.
HaywireNewer West Coast hardcore working the same fast, mean seam as its Bay Area peers — no-frills aggression built for short, violent sets.
KETTAMAIrish rave-house heat — big-room energy with underground credentials, breakbeats and pianos at full sprint, Galway-to-warehouse momentum fully underway.
ALLEYCVTFast-rising Denver bass producer — melodic drops with teeth, riding the front of the dubstep scene's younger, wilder generation.
CMATIrish country-pop with a wicked sense of humor and a bigger voice — a riotous live show that swings from comedy to gut-punch inside one chorus.
Disco LinesTechnicolor disco-house — relentless fun, zero pretension, hooks big enough to convert whoever wandered past the stage.
KI/KIAmsterdam's hard-trance revivalist — acid lines and 150 BPM joy, rave classicism played with total exuberance.
Lola Young'Messy' made her unavoidable — raw South London soul-pop with a busted-heart snarl and a voice that earns the Winehouse comparisons.
Most headline slots
The names printed in the biggest type. Playing a lot of festivals and closing them are different careers, and these are the acts trusted to send everyone home.
LordeThe NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
SkrillexBass music's shape-shifting elder — from brostep infamy to festival-set transcendence, reinvention as a permanent state.
Twenty One PilotsGenre-agnostic arena duo — rap, ukulele, and existential dread with a devoted Clique, lore deep enough for a wiki.
DeftonesThe band that dragged heaviness toward dream-pop — Chino Moreno's croon-to-scream over guitars tuned for atmosphere as much as impact.
GorillazDamon Albarn's animated universe — a genre-omnivorous hits machine and guest-star carousel, two decades of cartoon cover for some of pop's best songwriting.
Lewis CapaldiScotland's self-deprecating balladeer — arena-filling heartbreak delivered between stand-up-quality banter.
The StrokesThe band that rebooted New York rock — a deep catalog of deadpan cool, still untouchable live when the engine catches.
TiëstoThe elder statesman of big-tent dance music — trance godfather turned arena-house fixture, still detonating 'The Business'-sized hooks three decades in.
TurnstileHardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
Charli XCXPop's reigning vanguardist — the brat era's architect bringing club-pop chaos to the main stage, a decade of underground experiments finally cashing out at scale.
Most places played
Acts who spent the year in airports. Their summer reads like a world tour that happened to be made of festivals.
Blood OrangeDev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak from one of pop's most sought-after collaborators.
LordeThe NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
GeeseUnhinged Brooklyn art-rock — yelping, swaggering, and critically adored, like the Stones reassembled by art students mid-fever.
TurnstileHardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
CMATIrish country-pop with a wicked sense of humor and a bigger voice — a riotous live show that swings from comedy to gut-punch inside one chorus.
Zara LarssonSwedish pop machinery at its shiniest — 'Lush Life' to main-character bangers, delivered with total command.
¥ØU$UK€ ¥UK1MAT$UOsaka-born cult selector Yousuke Yukimatsu — genre-shredding DJ sets that went from viral clips to worldwide bookings, anything-goes technique with total joy.Balu BrigadaKiwi brothers making slinky, falsetto-led alt-funk — Auckland groove-pop polished to a late-night sheen, with basslines that do most of the flirting.
FcukersNYC's buzziest indie-dance trio — baggy house grooves with downtown cool, like Madchester relocated to a Chinatown basement.
HamdiUK bass with a dancehall bounce — the sound of a soundsystem set rather than a festival drop, 'Skanka' the breakout.
Most favorited by readers
What people here actually listen to. Some of them are not booked anywhere we track, which tells you something about what the festivals are missing.
Fontaines D.C.Dublin's poet-punks grown into arena-scale alt-rock — 'Romance' made them era-defining, swagger and melancholy in equal Irish measure.
Charli XCXPop's reigning vanguardist — the brat era's architect bringing club-pop chaos to the main stage, a decade of underground experiments finally cashing out at scale.
Tame ImpalaKevin Parker's Perth psych project, written and played almost entirely alone in the studio then rebuilt on stage as a five-piece under a wall of lasers.
Olivia RodrigoGen-Z's laureate of the breakup — SOUR bedroom confessionals grown into GUTS pop-punk stadium catharsis.
Phoebe BridgersLos Angeles songwriter with a near-whispered delivery and a gift for the devastating small detail, also a third of boygenius.
- RadioheadOxford five-piece who abandoned guitar-rock at the height of it for drum programming, Ondes Martenot and Thom Yorke's falsetto over collapsing rhythms.
Sylvan EssoAmelia Meath's plainspoken hooks over Nick Sanborn's modular synth pulses: Durham electronic pop that clicks in a club and still sings in a field.
Big ThiefAdrianne Lenker's trembling songcraft in band form — the most quietly devastating live act in indie rock.
Billie EilishWhispered close-mic vocals over bass that shakes the floor, written and produced with her brother Finneas in a Los Angeles bedroom.
GeeseUnhinged Brooklyn art-rock — yelping, swaggering, and critically adored, like the Stones reassembled by art students mid-fever.
Most saved to a plan
The acts people are building a Saturday around. A star is an opinion. A saved act is a plan.
HorsegirlYoung Chicago trio channeling '80s–'90s indie — deadpan harmonies over jangling guitar pop, Sonic Youth homework turned into something their own.
Mannequin PussyPhilly band swinging between shoegaze tenderness and full-throated hardcore, often inside one song — catharsis with total dynamic control.
Wolf AliceMercury-winning UK alt-rock — from whispered folk to full-throated fuzz in one set, Ellie Rowsell commanding every register.
Adult DVDLeeds lads making hardware-driven post-punk bangers about mundane dread — deadpan vocals over squelching synths, pitched somewhere between a big night out and an existential crisis.
Cate Le BonWelsh art-pop's crooked genius — angular, elegant songs bent at fascinating angles, and a home-turf hero on any Welsh bill.
Four TetKieran Hebden's glowing folk-tronic universe — patient builds that hit like revelation, two decades of textures that make dance music feel handmade.
Truth ClubRaleigh's own knotty indie rock — trembling, wiry guitars and confessional intensity that snaps from whisper to burst, homegrown and critically adored.
Dry CleaningDeadpan spoken-word over wiry post-punk — Florence Shaw's found-text poetry delivered motionless while the band churns behind her.
FcukersNYC's buzziest indie-dance trio — baggy house grooves with downtown cool, like Madchester relocated to a Chinatown basement.
Getdown ServicesBristol's absurdist funk-punk duo — crisps, capitalism, and cowbell, mundane British life set to grooves that genuinely slap.
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All artists
Every act with a page here, all 2,951 of them, in one long alphabet. For browsing with no particular name in mind.