Missouri songwriter turned drag-inflected pop maximalist, pairing big synth choruses with full costume and greasepaint. 'Pink Pony Club,' 'Good Luck, Babe!'
Lollapalooza Argentina 2027 Lineup
Three March days back at the Hipodromo de San Isidro in Buenos Aires. Lineup TBA.
The 2027 lineup hasn't dropped yet — below is the full 2026 bill to explore in the meantime.
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About Lollapalooza Argentina 2026
Lollapalooza Argentina 2026 was three March days at the Hipódromo de San Isidro with around 300,000 people through the gates and ten names across the top row. Friday put Tyler, the Creator and Turnstile over Lorde's return to Buenos Aires, Saturday ran Chappell Roan, Skrillex and Lewis Capaldi alongside Paulo Londra's home-country slot, and Sunday closed on Sabrina Carpenter, Doechii and Deftones.
The bill kept moving after the announcement. d4vd and Lola Young came off in late 2025 with Blood Orange and Ruel joining in their place, The Dare scrapped every South American date, and Aitana's slot went to Ángela Torres. What performed was a deeply Argentine mix under the imports: Ratones Paranoicos' legacy rock, folklore star Soledad on a bill built for trap kids, Six Sex's neoperreo, and a Perry's stage running from GORDO to 2hollis. KATSEYE and RIIZE gave the weekend a real K-pop presence for the first time.
Expect pop, dance, pop latino and hip-hop across 73 acts.
Lollapalooza Argentina 2026 lineup & schedule: all 73 acts
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The band that dragged heaviness toward dream-pop — Chino Moreno's croon-to-scream over guitars tuned for atmosphere as much as impact.
Switches cadence mid-bar like she's changing characters — theatrical, technically ferocious rap that never sits still long enough to be filed.
Scotland's self-deprecating balladeer — arena-filling heartbreak delivered between stand-up-quality banter.
The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Argentine trap star who came up through freestyle battles and returned from a long contractual silence intact — Córdoba's comeback king.
Former Disney kid turned arena-filling pop force, trading in winking innuendo, retro-leaning production, and hooks engineered for maximum singalong — fully caffeinated live.
Bass music's shape-shifting elder — from brostep infamy to festival-set transcendence, reinvention as a permanent state.
Hardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
Odd Future's ringleader turned auteur — every record a full costume change, every tour a proper production, Grammy-decorated and still restless.
Osaka-born cult selector Yousuke Yukimatsu — genre-shredding DJ sets that went from viral clips to worldwide bookings, anything-goes technique with total joy.
Reinvented from short-form-video ubiquity into a genuinely well-made art-pop project — breathy vocals, early-2000s dance production, and co-signs from pop's most discerning corners.
Berlin melodic-house romantic — the hot-air-balloon Cercle set guy, whose gorgeous live performances turn synth washes into genuine emotional events.
Dev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak from one of pop's most sought-after collaborators.
Berlin's gabber-punk duo — screamed German vocals over pummeling club tempos, equal parts rave, hardcore show, and performance-art provocation.
Venezuelan singer who self-released "Me Rehúso" and watched it travel worldwide, pairing reggaeton rhythm with a soft, unhurried vocal.
Joe Keery's psych-pop project — vocoders, fuzz, and a genuine ear for a Tame Impala-shaped hook, well past the celebrity-side-project stage.
Early-2000s New York at its most funereal and best-dressed — interlocking guitars, Paul Banks's monotone, and no wasted motion, 'Turn On the Bright Lights' still immaculate.
The global girl group assembled through a televised search, built on K-pop discipline but writing for a Western pop chart.
Kygo
Norwegian producer who built tropical house around piano hooks, playing the keys himself live. The Ed Sheeran remix that started it, then 'Firestone'.
Electra Heart's creator, a decade on — theatrical art-pop with cult-classic devotion behind it.
Seoul-born, Berlin-forged selector — '(It Goes Like) Nanana' made her house music's biggest global fashion-crossover star.
Buenos Aires rock band going since 1983, built on Stones-shaped riffs and Juanse's rasp. A fixture of Argentine rock for four decades.
Sydney duo making breezy, slightly stoned jangle-pop, plus a sideline in covers that keep outrunning their originals — 'Murder on the Dancefloor' included.
Argentine folklore singer known at home as La Sole, carrying chacareras and zambas with a voice built for open-air crowds.
Brad Petering's sample-collage project: lifted loops, spoken-word snippets and flat, unbothered vocals about relationships going wrong. Bedroom records that found a mass audience years later.
143leti
Rage-adjacent producer-vocalist making synth-heavy, blown-out digital pop for a very online audience — icy arpeggios, distorted 808s, and hooks that hit like a video-game boss theme.
Amigo de Artistas
Ángela Torres
Kiwi brothers making slinky, falsetto-led alt-funk — Auckland groove-pop polished to a late-night sheen, with basslines that do most of the flirting.
Banjo-house crossover — folk samples and organic textures with festival-sized drops, stomping the line between hoedown and main stage.
Cerounno
Easykid
Ezequiel Arias
Félix Vestre
Formerly Carnage, rebuilt as a tech-house producer with a Latin percussion streak and a much better record collection — a genuine second act.
Álvaro Lafuente's project, folding copla and flamenco phrasing into fingerpicked Spanish folk-pop. Voice out front, arrangements kept sparse.
UK bass with a dancehall bounce — the sound of a soundsystem set rather than a festival drop, 'Skanka' the breakout.
Berlin's masked 'farmcore' phenomenon — giddy barnyard-trance house played dead serious, 'My Barn My Rules' as manifesto.
Imbermind
Jero Jones
Venezuelan singer-songwriter working in plainspoken, diaristic pop, and a Latin Grammy winner for Best New Artist.
Spanish singer from the Cádiz coast, folding flamenco melisma into hushed, digital pop production. Born in 2003 and singing like someone twice that.
Paul Klein's Los Angeles band, soft-focus synth-pop about romance going sideways, with 'ILYSB' as the calling card.
Little Boogie
Ludmila Di Pasquale
Marttein
Massacre
Quebec trio making impossibly smooth bedroom dream-pop — bass-forward, hushed, and quietly enormous online, a headphone act that scaled to festivals.
Militantes del Climax
Mora Fisz
Nasa Histoires
Paula OS
Reybruja
SM Entertainment boy group launched in 2023, working a lighter, guitar-flecked strain of K-pop on singles like "Get A Guitar" and "Love 119."
Rommulas
RØZ
Australian singer who arrived as a teenager with a voice pitched far below his age, heard on 'Younger'. Pop-soul ballads carried on falsetto and restraint.
Ryan
Saramalacara
Argentine club provocateur — neoperreo heat with hyperpop gloss, Buenos Aires underground gone international, provocation with pop precision.
Spaghetti Western
Terra
Three sisters from Monterrey out-rocking everyone — Mexico's hard-rock pride, a family band that grew into arena-grade virtuosity.
Tiger Mood
TIMØ
Tobika
Buenos Aires group going since the mid-90s, built on Joaquin Levinton's deadpan delivery and hooks borrowed from British guitar pop.
Sweaty, saxophone-wielding Swedish post-punk satire — one of the best live bands on earth right now, 'Sports' shouted by thousands.
Victoria Whynot
Yami Safdie
Argentine singer-songwriter working in plainspoken Latin pop, heartbreak lyrics carried by guitar and voice before the production arrives.
Zell
The headliners
Tyler, the Creator — Odd Future's ringleader turned auteur — every record a full costume change, every tour a proper production, Grammy-decorated and still restless. Friday's closer, the biggest rap booking on the year's bill.
Turnstile — Hardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one. Baltimore hardcore promoted to the top row of a South American mega-festival.
Lorde — The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Chappell Roan — Missouri songwriter turned drag-inflected pop maximalist, pairing big synth choruses with full costume and greasepaint. 'Pink Pony Club,' 'Good Luck, Babe!'
Skrillex — Bass music's shape-shifting elder — from brostep infamy to festival-set transcendence, reinvention as a permanent state.
Lewis Capaldi — Scotland's self-deprecating balladeer — arena-filling heartbreak delivered between stand-up-quality banter.
Paulo Londra — Argentine trap star who came up through freestyle battles and returned from a long contractual silence intact — Córdoba's comeback king. The Córdoba rapper in the headline row on home soil.
Sabrina Carpenter — Former Disney kid turned arena-filling pop force, trading in winking innuendo, retro-leaning production, and hooks engineered for maximum singalong — fully caffeinated live. The weekend's biggest pop draw, closing Sunday on the Flow stage.
Doechii — Switches cadence mid-bar like she's changing characters — theatrical, technically ferocious rap that never sits still long enough to be filed. Sunday's other marquee name, arriving as the most talked-about rapper of the moment.
Deftones — The band that dragged heaviness toward dream-pop — Chino Moreno's croon-to-scream over guitars tuned for atmosphere as much as impact. The heaviest thing on the poster, and the reason Sunday skewed loud.
Up-and-comers to catch early
Judeline — The Cádiz-born singer bringing Andalusian mysticism to left-field pop, one of Spain's most-watched new voices.
Six Sex — Buenos Aires club provocation going international; the hometown crowd knew every word.
Joaquina — Venezuelan songwriter with a Latin Grammy Best New Artist win already on the shelf.
Other acts worth planning around
Ratones Paranoicos — Argentine rock institution holding down the local-legend slot.
Soledad — Folklore royalty on a lineup otherwise built around pop and trap.
Peggy Gou — The weekend's most fashionable dance booking, on the same Friday as ¥ØU$UK€ ¥UK1MAT$U.
The lineup by day
Friday lineup (March 13)
Tyler, the Creator, Turnstile, Lorde, Djo, Peggy Gou, KATSEYE + 18 more
Saturday lineup (March 14)
Chappell Roan, Skrillex, Lewis Capaldi, Paulo Londra, Addison Rae, MARINA + 19 more
Sunday lineup (March 15)
Sabrina Carpenter, Doechii, Deftones, Blood Orange, Kygo, Interpol + 18 more
Lollapalooza Argentina 2026 lineup FAQ
Who headlined Lollapalooza Argentina 2026?
Tyler, the Creator, Turnstile and Lorde on Friday; Chappell Roan, Skrillex, Lewis Capaldi and Paulo Londra on Saturday; Sabrina Carpenter, Doechii and Deftones on Sunday.
When and where was Lollapalooza Argentina 2026?
March 13–15, 2026 at the Hipódromo de San Isidro in Buenos Aires, across four stages.
Is Lollapalooza Argentina coming back in 2027?
Yes. The festival has confirmed March 12–14, 2027 at the same venue; the lineup usually lands in the September or October before.
How many acts played Lollapalooza Argentina 2026?
73 acts across the three days, including the late replacements Blood Orange, Ruel, Turf, GORDO and Ángela Torres.
How does this relate to Lollapalooza Chile?
The two run the same weekend and share most of the touring bill in a different order. The Santiago edition has its own page here, with the Chilean day splits.
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