Alesso
Swedish-house heir — euphoric progressive anthems polished to a stadium shine.
Ultra Miami 2026 has already wrapped — but you can still dig through the lineup and find the acts you would have loved.
Downtown Miami's dance-music summit — Carl Cox's Megastructure, main-stage giants and the techno underground stacked across one bayfront weekend.
Search it, filter by day, stage or genre — save anything straight to your schedule.
Swedish-house heir — euphoric progressive anthems polished to a stadium shine.
Trance's tireless statesman — A State of Trance turned a genre into a global congregation.
Oh yes, oh yes — techno's most beloved ambassador, three decades deep and still the happiest man behind three decks.
Paris-born hit machine — 'Turn Down for What' to 'Taki Taki', festival main stages are his natural habitat.
Progressive house's perfectionist — HOLO visuals, Pryda melodies, and drops engineered like Swiss watchmaking.
The heaviest end of North American bass music, staged with a wall of subs and a light rig that does half the assault.
Dutch big-room veteran who returned from retirement with a harder, techno-leaning sound — main-stage architecture rebuilt at 150 BPM.
The defining voice of melodic bass — emotional, arena-scaled drops built around real songwriting, sad songs engineered for fireworks.
Chicago's own tech-house superstar — main-stage house music with hometown-hero energy and the biggest crossover run the genre has seen in years.
Diplo's dancehall-electronic party machine — pure festival serotonin, 'Lean On' and a dozen more global smashes in one set.
Made 'Animals' at seventeen and has headlined main stages essentially ever since — Dutch progressive-house polish at maximum scale.
Cake-throwing EDM showman — pure crowd-service spectacle, two decades of Dim Mak hustle behind the confetti.
'Faded' built the mystique; the falsetto-noir live show keeps it — dance music's shadowy leading man.
Italian duo whose acid-drenched, punishingly fast techno is performed live on hardware, not laptops — improvised 303 lines and kick drums that treat 150 BPM as a starting point.
Drumcode's founder and techno's most consistent brand — Swedish precision at 128 BPM.

Swiss duo trading in long, patient melodic house — sets structured like weather systems rather than setlists, building pressure for an hour before finally letting it break.
Belgium's techno figurehead — relentless, hypnotic peak-time sets that carried her from Antwerp warehouses to the genre's biggest global stages.
Argentina's session-masked producer — the BZRP Music Sessions turned a bedroom format into Latin music's biggest stage.
Montreal's helmeted apocalypse trio — cinematic electro-bass performed like a dystopian rock band.
German 'high-tech minimal' techno in a joker mask — precise, melodic, relentless, with marathon sets that build like clockwork machinery.
Alex Ridha's brand of electro is abrasive by design — hardware-driven, distorted, and consistently ahead of whatever is fashionable, two decades running.
Berlin's gabber-punk duo — screamed German vocals over pummeling club tempos, equal parts rave, hardcore show, and performance-art provocation.
Bristol techno muscle — dark, driving, and huge, a producer who crossed from tech-house into the hard stuff and doubled down.
Neapolitan techno marathon man — famous for sets that outlast the sunrise.
Trio riding the new melodic-bass wave — riddim with feelings, drops that aim at the chest and the heart at once.
Chicago duo making dance music that smiles — playful future bass with pop instincts.
A prodigy who grew into a genuine songwriter — dense, sample-stacked electropop with an unusually bright emotional register, joy engineered live.
DJ Daddy Trance himself — Berlin's cheekiest revivalist making trance cool again, hands-up euphoria played fully sincere.
Ukrainian melodic-techno force — sleek, driving, globally streamed, with sets polished into cinematic arcs, a livestream-era star proven on real floors.
Woozy, organic bass music that prizes texture and space over the drop — forest-floor sound design in the CharlestheFirst lineage.
Hard techno delivered with genuine showmanship — one of the fastest rises in the genre in years, industrial pressure with headliner presence.
The original superstar DJ duo — Northern Exposure progressive journeys, still unhurried and still unmatched.
One-third of Swedish House Mafia — arena-scale progressive house from the genre's imperial phase.
Lo-fi electroclash duo — distorted synths and detached vocals for the afterparty, Detroit cool for the post-everything generation.
Swedish House Mafia's dark third — Size Records boss with the heaviest drop of the trio.
Bronx-raised house royalty — Ibiza residencies and a groove inherited straight from the Paradise Garage lineage.
Brazil's biggest house export — melodic, festival-scaled, and unashamedly emotive, São Paulo stadiums to global main stages.
Crankdat and Wooli's tag-team alias — maximum-silliness name, maximum-damage bass.

Bass-music duo trading in sermon-heavy drops — the name is the mission statement.
Osaka's shape-shifting selector — a DJ's DJ who jumps genres mid-set with total conviction and has become a cult favorite of the global club underground.
Dutch producer whose fingerprints are on a startling share of 2010s pop radio — big-room electro-house drops and pop collaborations that made him a main-stage fixture worldwide.
LA duo dealing in feelings-first melodic bass — soaring vocal drops built for crowd-wide singalongs.
Manchester's jump-up juggernaut — relentless double-drops and dancefloor pressure from one of drum & bass's most in-demand new-school names.
Australian four-piece playing dance-pop as full choreographed comedy — costume changes, deadpan bits, and one of the best live shows on any bill anywhere.
Producer-songwriter making dance music that keeps one foot firmly in pop structure — melodic drops with verse-chorus bones.

Dubfire and Sharam's Grammy-winning partnership — the sound of American progressive house at its late-'90s peak, reunited and undimmed, marathon sets included.
Spanish producer whose rolling, sample-flecked tech-house is a Solid Grooves staple — Madrid groove-craft built for long, locked-in floors.
Live From Earth affiliate splicing trance euphoria into contemporary club music — Berlin-honed sets that treat nostalgia as fuel, not a crutch.
NYC's buzziest indie-dance trio — baggy house grooves with downtown cool, like Madchester relocated to a Chinatown basement.
Sibling NYC hyperpop chaos agents — glitchy, funny, and relentless, a live set that plays like a timeline scrolled at maximum speed.
UK bass with a dancehall bounce — the sound of a soundsystem set rather than a festival drop, 'Skanka' the breakout.
Mexico's leading bass export, and a genuinely relentless live presence — heavyweight drops delivered with headliner command.
Bass music with metal's aggression baked in — heavy, dark, and increasingly vocal-led, Boise drops with blast-furnace weight.
Ukrainian DJ whose melodic techno sets found an enormous audience through livestreams — scenic-backdrop streams turned into real-world bookings.
Dutch producer riding the big-room-to-hard-techno pipeline with real conviction — main-stage scale at underground tempos, drops built for the biggest rigs.
Live From Earth co-founder making rowdy, meme-literate club tracks — ghetto-tech cheek at Berlin volume, club chaos with a grin.
Coined 'Laserbeam' and turned it into one of the most recognisable drops in modern bass music — headbanger melodrama at maximum voltage.
Texas producer whose 'Rail Breaker' became a festival-circuit standard — hype-first dubstep with a mosh-caller's instincts.
Michigan-born, Berlin-forged — a selector as known for his opinions as his exceptional record collection, and both run deep.
Plays guitar and screams over his own dubstep — the metal/bass crossover taken entirely seriously, pits and drops in equal measure.
Brisbane warehouse techno — breakbeats and big-room adrenaline, Australia's rave revival at full charge, breaks with zero brakes.