Swedish-house heir — euphoric progressive anthems polished to a stadium shine.
Ultra Miami 2027 Lineup
Ultra's 27th edition takes over Bayfront Park for three days of dance music in downtown Miami. Lineup TBA.
The 2027 lineup hasn't dropped yet — below is the full 2026 bill to explore in the meantime.
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About Ultra Miami 2026
Ultra is downtown Miami's dance-music summit: three March days in Bayfront Park with the skyline as a backdrop and a headline row deeper than most festivals' entire bills. The 2026 edition ran thirteen names across the top: Carl Cox, Eric Prydz, Martin Garrix, Hardwell, Armin van Buuren, DJ Snake, Major Lazer, Alesso, John Summit, Excision, ILLENIUM, Steve Aoki and Zhu.
The depth was in the wings. Ultra's Resistance side carried the techno and house weight (Carl Cox's Megastructure plus Adam Beyer, Amelie Lens, Sasha & John Digweed, a reunited Deep Dish, Seth Troxler and The Martinez Brothers), while the wider bill made room for hardstyle (D-Sturb, Da Tweekaz, Coone), Latin phenomenon Bizarrap, and left-field bookings like Confidence Man, Brutalismus 3000 and Osaka selector YØU$UK€ ¥UK1MAT$U.
Expect dance, techno, electronic and dubstep across 111 acts.
Ultra Miami 2026 lineup: all 111 acts
Search it, filter by day, stage or genre. Save anything straight to your schedule.Browse all 111 acts →
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Trance's tireless statesman — A State of Trance turned a genre into a global congregation.
Oh yes, oh yes — techno's most beloved ambassador, three decades deep and still the happiest man behind three decks.
Paris-born hit machine — 'Turn Down for What' to 'Taki Taki', festival main stages are his natural habitat.
Progressive house's perfectionist — HOLO visuals, Pryda melodies, and drops engineered like Swiss watchmaking.
The heaviest end of North American bass music, staged with a wall of subs and a light rig that does half the assault.
Dutch big-room veteran who returned from retirement with a harder, techno-leaning sound — main-stage architecture rebuilt at 150 BPM.
The defining voice of melodic bass — emotional, arena-scaled drops built around real songwriting, sad songs engineered for fireworks.
Chicago's own tech-house superstar — main-stage house music with hometown-hero energy and the biggest crossover run the genre has seen in years.
Diplo's dancehall-electronic party machine — pure festival serotonin, 'Lean On' and a dozen more global smashes in one set.
Made 'Animals' at seventeen and has headlined main stages essentially ever since — Dutch progressive-house polish at maximum scale.
Cake-throwing EDM showman — pure crowd-service spectacle, two decades of Dim Mak hustle behind the confetti.
'Faded' built the mystique; the falsetto-noir live show keeps it — dance music's shadowy leading man.
Italian duo whose acid-drenched, punishingly fast techno is performed live on hardware, not laptops — improvised 303 lines and kick drums that treat 150 BPM as a starting point.
Drumcode's founder and techno's most consistent brand — Swedish precision at 128 BPM.
Swiss duo trading in long, patient melodic house — sets structured like weather systems rather than setlists, building pressure for an hour before finally letting it break.
Belgium's techno figurehead — relentless, hypnotic peak-time sets that carried her from Antwerp warehouses to the genre's biggest global stages.
Argentina's session-masked producer — the BZRP Music Sessions turned a bedroom format into Latin music's biggest stage.
Montreal's helmeted apocalypse trio — cinematic electro-bass performed like a dystopian rock band.
German 'high-tech minimal' techno in a joker mask — precise, melodic, relentless, with marathon sets that build like clockwork machinery.
Alex Ridha's brand of electro is abrasive by design — hardware-driven, distorted, and consistently ahead of whatever is fashionable, two decades running.
Berlin's gabber-punk duo — screamed German vocals over pummeling club tempos, equal parts rave, hardcore show, and performance-art provocation.
Bristol techno muscle — dark, driving, and huge, a producer who crossed from tech-house into the hard stuff and doubled down.
Neapolitan techno marathon man — famous for sets that outlast the sunrise.
Trio riding the new melodic-bass wave — riddim with feelings, drops that aim at the chest and the heart at once.
Chicago duo making dance music that smiles — playful future bass with pop instincts.
A prodigy who grew into a genuine songwriter — dense, sample-stacked electropop with an unusually bright emotional register, joy engineered live.
DJ Daddy Trance himself — Berlin's cheekiest revivalist making trance cool again, hands-up euphoria played fully sincere.
Ukrainian melodic-techno force — sleek, driving, globally streamed, with sets polished into cinematic arcs, a livestream-era star proven on real floors.
Woozy, organic bass music that prizes texture and space over the drop — forest-floor sound design in the CharlestheFirst lineage.
Hard techno delivered with genuine showmanship — one of the fastest rises in the genre in years, industrial pressure with headliner presence.
The original superstar DJ duo — Northern Exposure progressive journeys, still unhurried and still unmatched.
One-third of Swedish House Mafia — arena-scale progressive house from the genre's imperial phase.
Lo-fi electroclash duo — distorted synths and detached vocals for the afterparty, Detroit cool for the post-everything generation.
Swedish House Mafia's dark third — Size Records boss with the heaviest drop of the trio.
Bronx-raised house royalty — Ibiza residencies and a groove inherited straight from the Paradise Garage lineage.
Brazil's biggest house export — melodic, festival-scaled, and unashamedly emotive, São Paulo stadiums to global main stages.
Crankdat and Wooli's tag-team alias — maximum-silliness name, maximum-damage bass.
Bass-music duo trading in sermon-heavy drops — the name is the mission statement.
Osaka-born cult selector Yousuke Yukimatsu — genre-shredding DJ sets that went from viral clips to worldwide bookings, anything-goes technique with total joy.
Afrobeta
Dutch producer whose fingerprints are on a startling share of 2010s pop radio — big-room electro-house drops and pop collaborations that made him a main-stage fixture worldwide.
Alan Fitzpatrick
Norwegian producer who turned the hooded-silhouette persona and the melodic drop of 'Faded' into a global template for streaming-era electronic pop.
Alt8
Drum & bass royalty — the Ram Records founder whose double-drop mixing largely defined what a D&B set sounds like.
Greek producer with a long history in minimal and tech house, more recently reappearing in the widescreen melodic sound that fills main-stage sets.
LA duo dealing in feelings-first melodic bass — soaring vocal drops built for crowd-wide singalongs.
Ukrainian duo whose melodic techno went from small rooms to main stages on the back of a handful of enormous records.
Australian producer working the harder end of the spectrum — hardstyle kicks and wide-open melodies engineered for peak-hour rooms.
Manchester's jump-up juggernaut — relentless double-drops and dancefloor pressure from one of drum & bass's most in-demand new-school names.
Australian melodic house from deep inside RÜFÜS DU SOL's orbit — polished, emotive, engineered for the sunset slot.
Berlin-based DJ whose sets tear across techno, trance and electro at speed without losing the thread.
Australian four-piece playing dance-pop as full choreographed comedy — costume changes, deadpan bits, and one of the best live shows on any bill anywhere.
Dutch hardstyle veteran and founder of the Dirty Workz label — euphoric kick-driven sets from one of the scene's longest-serving architects.
Raw hardstyle producer and label head whose sets run on relentless, driving kick patterns.
Norwegian hardstyle duo trading in euphoric kick-and-melody anthems and knowingly ridiculous cover versions — festival-scale silliness played dead serious.
Producer-songwriter making dance music that keeps one foot firmly in pop structure — melodic drops with verse-chorus bones.
Darksiderz
Dubfire and Sharam's Grammy-winning partnership — the sound of American progressive house at its late-'90s peak, reunited and undimmed, marathon sets included.
Spanish producer whose rolling, sample-flecked tech-house is a Solid Grooves staple — Madrid groove-craft built for long, locked-in floors.
Melodic big-room house from a producer who was making festival anthems as a teenager — 'Five Hours' is the one the whole field still knows.
Distinct Motive
Live From Earth affiliate splicing trance euphoria into contemporary club music — Berlin-honed sets that treat nostalgia as fuel, not a crutch.
Dual Damage
NYC's buzziest indie-dance trio — baggy house grooves with downtown cool, like Madchester relocated to a Chinatown basement.
Canadian producer working the bright, melodic side of dance music — festival-scale drops with a pop songwriter's ear for a hook.
Sibling NYC hyperpop chaos agents — glitchy, funny, and relentless, a live set that plays like a timeline scrolled at maximum speed.
GorillaT
UK bass with a dancehall bounce — the sound of a soundsystem set rather than a festival drop, 'Skanka' the breakout.
German producer and live performer whose melodic techno leans cinematic and unsettled — atmosphere and narrative pacing over straightforward peak-time payoff.
Weaponised trap built for a festival's loudest twenty minutes — bright, brutal drops from one of the sharpest young producers in American bass.
Mexico's leading bass export, and a genuinely relentless live presence — heavyweight drops delivered with headliner command.
Dutch producer and DJ who builds sets as long melodic arcs rather than a run of peaks, with Detroit techno and deep house underpinning the whole thing.
Julian Cross
Australian DJ and producer working the harder, more propulsive end of the club spectrum — long, relentless sets built for late rooms.
Bass music with metal's aggression baked in — heavy, dark, and increasingly vocal-led, Boise drops with blast-furnace weight.
Charlotte de Witte's hooded alias, built for the material that sits outside her main techno lane — looser, more melodic, and deliberately anonymous.
Ukrainian DJ whose melodic techno sets found an enormous audience through livestreams — scenic-backdrop streams turned into real-world bookings.
Dutch producer and DJ who helped define the big-room electro house sound of the late 2000s — a technical mixer with a long-running mentorship streak.
LAYZ
DJ working the fast, hard, rave-facing end of techno — peak-time sets built for volume rather than subtlety.
Linney
Loud Luxury
Luca Testa
Italian producer working the harder end of dance music, where hardstyle kicks meet big unsubtle melodic hooks aimed squarely at peak time.
Dutch producer riding the big-room-to-hard-techno pipeline with real conviction — main-stage scale at underground tempos, drops built for the biggest rigs.
Italian DJ and producer behind the UNCAGE label, building sets from raw drum tracks and long, patient grooves rather than obvious peaks.
British producer working the melodic techno lane with more percussive muscle than most of it — long, patient builds that stay dark rather than sugary.
Live From Earth co-founder making rowdy, meme-literate club tracks — ghetto-tech cheek at Berlin volume, club chaos with a grin.
Detroit pop songwriter behind 'Cooler Than Me' and 'I Took a Pill in Ibiza' who walked across America and came back writing plainer, more confessional songs.
Italian brothers based in Berlin, building slow-burning club tracks that lean on mood, texture and patience rather than on any obvious payoff.
Miss Bashful
Danish producer whose big-room instincts helped define future rave — melodic hooks welded to hard, festival-scaled kick drums.
Dutch producer and Protocol Recordings founder whose big-room progressive house broke wide with 'Toulouse' and the Avicii team-up 'I Could Be the One' — festival-scale melody, built in the studio first.
Vancouver producer who raps over her own tracks — club-built bass house with a vocalist's swagger sitting on top of it.
Olympe
American producer out of the first wave of festival trap, since widened into house and vocal-led material written and sung himself.
Los Angeles producer at the murkier end of bass music — slow, cavernous dubstep engineered for large rigs and small rooms alike.
Dutch-Moroccan producer with a release schedule that never lets up — clean, radio-shaped dance-pop on a big-room chassis.
Coined 'Laserbeam' and turned it into one of the most recognisable drops in modern bass music — headbanger melodrama at maximum voltage.
Texas producer whose 'Rail Breaker' became a festival-circuit standard — hype-first dubstep with a mosh-caller's instincts.
Rivo
Michigan-born, Berlin-forged — a selector as known for his opinions as his exceptional record collection, and both run deep.
SHIMA
SIDEQUEST
Plays guitar and screams over his own dubstep — the metal/bass crossover taken entirely seriously, pits and drops in equal measure.
Riddim's most theatrical figure — slow, mechanical, deliberately punishing drops, with the VOYD alias for when he wants to go heavier still.
Sir Bob Cornelius Rifo's masked electro-house project, born in the blog-house years and still built on distortion, punk aggression and Venetian theatre.
French hard techno played fast and loud — one of the sound's most in-demand exports.
The Israeli duo who dragged psytrance onto main stages worldwide — full-on, fast, and completely unashamed about it.
Brisbane warehouse techno — breakbeats and big-room adrenaline, Australia's rave revival at full charge, breaks with zero brakes.
The headliners
Carl Cox — Oh yes, oh yes — techno's most beloved ambassador, three decades deep and still the happiest man behind three decks.
Eric Prydz — Progressive house's perfectionist — HOLO visuals, Pryda melodies, and drops engineered like Swiss watchmaking.
Armin van Buuren — Trance's tireless statesman — A State of Trance turned a genre into a global congregation.
Hardwell — Dutch big-room veteran who returned from retirement with a harder, techno-leaning sound — main-stage architecture rebuilt at 150 BPM.
John Summit — Chicago's own tech-house superstar — main-stage house music with hometown-hero energy and the biggest crossover run the genre has seen in years.
DJ Snake — Paris-born hit machine — 'Turn Down for What' to 'Taki Taki', festival main stages are his natural habitat.
Major Lazer — Diplo's dancehall-electronic party machine — pure festival serotonin, 'Lean On' and a dozen more global smashes in one set.
Martin Garrix — Made 'Animals' at seventeen and has headlined main stages essentially ever since — Dutch progressive-house polish at maximum scale.
Alesso — Swedish-house heir — euphoric progressive anthems polished to a stadium shine.Excision — The heaviest end of North American bass music, staged with a wall of subs and a light rig that does half the assault.
ILLENIUM — The defining voice of melodic bass — emotional, arena-scaled drops built around real songwriting, sad songs engineered for fireworks.
Steve Aoki — Cake-throwing EDM showman — pure crowd-service spectacle, two decades of Dim Mak hustle behind the confetti.
Zhu — 'Faded' built the mystique; the falsetto-noir live show keeps it — dance music's shadowy leading man.
Up-and-comers to catch early
Fcukers — Indie kids making house records, the downtown-cool booking of the weekend.
Frost Children — Sibling hyperpop chaos, a palate cleanser between techno marathons.
Levity — The new-school bass trio whose crowds keep doubling.
Hamdi — UK bass with a dancehall spring: the sound that jumped the Atlantic this cycle.
X CLUB. — Brisbane warehouse energy: breakbeat techno with zero polish and total intent.
MCR-T — Berlin ghetto-tech mischief, the internet's favorite club provocateur.
Other acts worth planning around
- Sasha & John Digweed — The progressive blueprint: still patient, still peerless.
Deep Dish — Dubfire and Sharam back behind one booth, a reunion worth the flight alone.
Bizarrap — Latin music's most influential producer, armed with a mask and a laptop.Confidence Man — The rare live band that out-parties the DJs.
Brutalismus 3000 — Gabber-punk: the most confrontational booking on the bill.
YØU$UK€ ¥UK1MAT$U — Osaka's genre-hopping secret weapon. Walk in with no expectations.Andy C — Drum & bass's fastest hands: three decades of double-drops.
Ultra Miami 2026 lineup FAQ
Who headlined Ultra Miami 2026?
Thirteen acts shared headline billing: Carl Cox, Eric Prydz, Martin Garrix, Hardwell, Armin van Buuren, DJ Snake, Major Lazer, Alesso, John Summit, Excision, ILLENIUM, Steve Aoki and Zhu.
When was Ultra Miami 2026?
March 27–29, 2026: Friday through Sunday in downtown Miami.
Where does Ultra take place?
Bayfront Park, on Biscayne Bay in downtown Miami.
What is Resistance at Ultra?
Ultra's techno-and-house wing, anchored in 2026 by Carl Cox's Megastructure stage, with Adam Beyer, Amelie Lens, Sasha & John Digweed, Deep Dish and The Martinez Brothers among the selectors.
How many acts played Ultra Miami 2026?
111 acts are tracked here, from the thirteen-deep headline row to the club-stage bookings.
How do I find the acts I'd have liked?
Type a few artists you love into the finder at the top of this page. It matches them against this lineup and explains each pick.
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