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Browse the whole Glastonbury lineup — anything you save lands on this schedule.
Neil Young
The godfather of grunge, unbowed — ragged glory guitar and a songbook that spans half a century of American unease.
Olivia Rodrigo
Gen-Z's laureate of the breakup — SOUR bedroom confessionals grown into GUTS pop-punk stadium catharsis.
The 1975
Manchester's self-aware pop provocateurs — 80s gloss, terminally online lyrics, and a frontman who treats every show like performance art.
Alanis Morissette
Jagged Little Pill at festival scale — the '90s' most cathartic songbook, still sung full-throated by everyone in the field.
Amyl and the Sniffers
Amy Taylor might be the best frontperson alive right now — Aussie pub-punk voltage, all sprint and snarl, from a band that treats every stage like a title fight.
Anohni and the Johnsons
beabadoobee
Fuzzy '90s-leaning indie-pop grown into lush, easy songcraft — from bedroom demos to Rick Rubin sessions without losing the diary-page intimacy.
Biffy Clyro
Scotland's shirtless festival warriors — knotty math-rock instincts wired to enormous singalong choruses.
Brandi Carlile
Americana's reigning voice — eleven Grammys of thunder and grace, with a catalog that moves from whisper to belt like weather changing.
Burning Spear
Roots reggae's living conscience — Marcus Garvey hymns delivered with unshakeable calm.
Busta Rhymes
Three decades of the fastest, most physically committed delivery in rap, and none of it has slowed down — a hits catalog that turns any field into a block party.
Caribou
Celeste
Smoke-voiced British soul — torch songs with modern nerve, a BRIT-anointed voice built for the spotlight and the string section.
Charli XCX
Pop's reigning vanguardist — the brat era's architect bringing club-pop chaos to the main stage, a decade of underground experiments finally cashing out at scale.
CMAT
Irish country-pop with a wicked sense of humor and a bigger voice — a riotous live show that swings from comedy to gut-punch inside one chorus.
Doechii
Ezra Collective
Four Tet
Kieran Hebden's glowing folk-tronic universe — patient builds that hit like revelation, two decades of textures that make dance music feel handmade.
Franz Ferdinand
Glasgow's art-school dance-punks — 'Take Me Out' still detonates a field two decades on, and the deep cuts still make people dance.
Gracie Abrams
Inhaler
John Fogerty
The voice of Creedence — swamp-rock standards that never left the radio, sung by the man who wrote them.
Jorja Smith
Walsall's great modern soul voice — restrained, jazz-schooled, and equally at home over a garage beat, 'Blue Lights' still stunning.
Joy Crookes
Kaiser Chiefs
'I Predict a Riot' still starts one — Leeds lads keeping mid-2000s indie's terrace-chant energy alive.
Lewis Capaldi
Scotland's self-deprecating balladeer — arena-filling heartbreak delivered between stand-up-quality banter.
Loyle Carner
Confessional South London hip-hop — jazz-warm, tender, and quietly huge, verses about family and flaws delivered like conversation.
Maribou State
Nadine Shah
Nile Rodgers & Chic
The most sampled guitar in history — 'Good Times' to 'Get Lucky', a nonstop masterclass in why disco never died.
Noah Kahan
New England folk-pop about small towns and staying put, delivered with the kind of full-throated chorus that turns an amphitheatre into a choir.
Overmono
Welsh brothers making the decade's defining UK bass — tender vocals over hard breaks, 'So U Kno' still a shared euphoria.
Pulp
Jarvis Cocker's common people, still uncommon — Britpop's sharpest wit in glorious late-era form, 'Common People' still detonating class rage.
RAYE
Britain's Grammy-and-BRIT-sweeping songwriter freed from label limbo — big-band soul-pop with real stakes, and a live show that earns every award.
Rizzle Kicks
Rod Stewart
Six decades of gravel and swagger — from the Faces to the Great American Songbook, still rock's raspiest showman.
Scissor Sisters
Shaboozey
'A Bar Song (Tipsy)' made him the crossover story of the decade — country hooks over hip-hop bones.
Skepta
Grime's global ambassador — Konnichiwa-era bars and a DJ's instincts, London energy at any scale, 'Shutdown' still a detonation.
Snow Patrol
Supergrass
Britpop's cheekiest survivors — 'Alright' forever young, the catalog sneakily one of the era's best.
The Libertines
Albion's prodigal poets — Doherty and Barât still shambolic, still romantic, still the best bad idea British rock ever had.
The Maccabees
The Prodigy
Firestarters, still — the UK's rave-punk institution hits harder than bands half their age, three decades of menace intact.
The Script
Dublin's arena-pop reliables — 'Breakeven' and a decade of radio-rock comfort food.
The Selecter
2 Tone originals — Pauline Black fronting ska's sharpest political dance party since 1979.
Turnstile
Hardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
Weezer
Wet Leg
Deadpan, hook-loaded post-punk — the Isle of Wight duo grown into a full-blast rock band, 'Chaise Longue' just the opening joke.
Wolf Alice
Mercury-winning UK alt-rock — from whispered folk to full-throated fuzz in one set, Ellie Rowsell commanding every register.
AJ Tracey
West London grime star gone festival-sized — melodic flexes, 'Ladbroke Grove' garage bounce, and a UK-rap versatility that moves between road and radio without strain.
Alabama 3
Ani DiFranco
Ash
Northern Irish power-pop with an absurd hit rate in the late 90s and no interest in slowing the tempo since.
BADBADNOTGOOD
Bear's Den
Beth Gibbons
Billie Marten
Hushed English folk with a river-water voice — quietly one of the best writers of her generation, turning small domestic details into devastating songs.
Billy Bragg
Black Country, New Road
Black Uhuru
Blossoms
Bob Vylan
Cymande
Denzel Curry
Dhani Harrison
En Vogue
English Teacher
Father John Misty
Josh Tillman's lounge-lizard prophet act — gorgeous orchestration, acid wit, and a crooner's delivery that sells every barbed line.
Faye Webster
Pedal steel and yacht-rock chords under deadpan songwriting about being slightly bored and very sad — Atlanta cool that turned ennui into a signature sound.
Floating Points
Neuroscientist-turned-producer moving between orchestral ambient and genuinely propulsive dance floors — equally at home with Pharoah Sanders and a peak-time rave.
Future Islands
Gary Numan
The man who made synthesisers sound alien, then spent his second act making them sound industrial — 'Cars' to Nine Inch Nails gravity, one career.
girl in red
Glass Beams
Goat
grandson
Protest-minded alt-rock with trap production underneath — agitprop you can actually move to, delivered with genuine live-wire intensity.
Greentea Peng
HAIM
Hard-Fi
Hothouse Flowers
JADE
Little Mix's Jade gone gloriously weird — 'Angel of My Dreams' announced a real pop auteur, camp and chaos with A-list polish.
Jade Bird
Kae Tempest
Kate Nash
Kneecap
Belfast's bilingual rap provocateurs — republican mischief, mosh-pit energy, real bars, and a film's worth of mythology already.
Lola Young
'Messy' made her unavoidable — raw South London soul-pop with a busted-heart snarl and a voice that earns the Winehouse comparisons.
Lorde
The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Nick Lowe
Nilüfer Yanya
Nova Twins
London duo running bass through every pedal ever made — grime swagger welded to punk riffs, a two-woman wall of sound.
Orla Gartland
Osees
Parcels
Daft Punk-approved Aussie disco — immaculate grooves, live-band tightness, five-part harmonies over four-on-the-floor, played tight enough to pass a studio audit.
PinkPantheress
Two-minute drum'n'bass-pop confections — the internet's most influential songwriter-per-second, nostalgia sampled into something brand new, hooks gone before you can replay them.
Rachel Chinouriri
British indie-pop with a sharp lyrical edge — bright arrangements carrying much darker subject matter, Croydon storytelling on the rise.
Rhiannon Giddens
Sam Ryder
Self Esteem
Shed Seven
St. Vincent
Terrorvision
The Big Moon
The Brian Jonestown Massacre
The Fratellis
The Magic Numbers
The Searchers
Tom Odell
Piano ballads sung at full throat — one enormous heartbreak single and a catalogue that keeps getting starker, braver by the record.
Tom Walker
TV on the Radio
Vieux Farka Touré
Wunderhorse
Raw-nerve UK rock — Cobain-worn songwriting building a serious cult, intensity that reads as truth, a band critics keep underestimating upward.
Yussef Dayes
