Charli XCX
Pop's reigning vanguardist — the brat era's architect bringing club-pop chaos to the main stage, a decade of underground experiments finally cashing out at scale.
The August bank-holiday rite of passage — one giant bill, two cities, and the UK's loudest end to summer.
Reading & Leeds is the UK's August bank-holiday rite of passage: one giant lineup played across two cities at once, where every British teenager's first festival memories are made and the main stage has minted headliners for half a century. The 2026 edition makes history — six headliners (Charli xcx, RAYE, Dave, Florence + The Machine, Fontaines D.C., and Chase & Status) that are all British or Irish for the first time in 25 years — over a bill that sprints from grime and drum & bass warehouses to indie's next wave. This page tracks the Reading site's days; the same acts play Leeds on rotated dates.
Expect pop, alternative, UK rap and dance across 111 acts.
Days shown are for the Reading site (August 28–30). The same bill plays Leeds with days rotated — check your ticket's site for exact days.
August 27–30, 2026, over the UK bank-holiday weekend. Main-stage days at Reading run Friday–Sunday (August 28–30).
Two sites at once: Richfield Avenue in Reading and Bramham Park outside Leeds, with the bill rotating between them.
Charli xcx, RAYE, Dave, Florence + The Machine, Fontaines D.C., and Chase & Status — the first all-British-and-Irish headline slate in 25 years.
111 announced so far across five stages, with more to come.
Yes — the same acts play both sites, with days rotated. This page shows Reading's days; flip them for Leeds.
Tell the finder at the top of this page a few bands you love — it'll match you with your must-see sets, with reasons why.
Lollapalooza lineup →Hopscotch lineup →The Fest lineup →Rebellion lineup →III Points lineup →Lost Lands lineup →Louder Than Life lineup →All Points East lineup →Aftershock lineup →End of the Road lineup →ARC lineup →Warped Tour Orlando lineup →Austin City Limits lineup →EDC Orlando lineup →Bourbon & Beyond lineup →Riot Fest lineup →Outside Lands lineup →Green Man lineup →HARD Summer lineup →Osheaga lineup →Bass Canyon lineup →Hulaween lineup →Honcho Campout lineup →Portola lineup →Furnace Fest lineup →Shaky Knees lineup →Sick New World Texas lineup →Hinterland lineup →All Things Go DMV lineup →Raleigh Wide Open lineup →Oceans Calling lineup →Darker Waves lineup →Bumbershoot lineup →Ohana lineup →Sea.Hear.Now lineup →Iron Blossom lineup →All Things Go NYC lineup →
Going to Reading & Leeds 2026? Get tickets ↗
Pop's reigning vanguardist — the brat era's architect bringing club-pop chaos to the main stage, a decade of underground experiments finally cashing out at scale.
UK drum & bass institution in full live mode — twenty years of rave history delivered with a band's punch, still peerless at festival scale.

South London's laureate — novelistic UK rap that fills stadiums without raising its voice, Mercury-winning storytelling with a pianist's touch.
The high priestess of festival headline sets — barefoot, feral, hymn-sized, sprinting the barricade while 'Dog Days' detonates.
Dublin's poet-punks grown into arena-scale alt-rock — 'Romance' made them era-defining, swagger and melancholy in equal Irish measure.
Britain's Grammy-and-BRIT-sweeping songwriter freed from label limbo — big-band soul-pop with real stakes, and a live show that earns every award.
Moody, reverb-soaked alt-pop from a Manhattan teenager who went from bedroom demos to festival bills — heartbreak at streaming scale.
Atlanta's melodic-trap stylist — liquid flows and designer-drip anthems, delivered with barely a raised pulse and total control.
Confessional South London hip-hop — jazz-warm, tender, and quietly huge, verses about family and flaws delivered like conversation.
Heartthrob pop with indie manners — 'Sally, When the Wine Runs Out' made him a festival fixture, and the crowd brings the wine.
Grime's global ambassador — Konnichiwa-era bars and a DJ's instincts, London energy at any scale, 'Shutdown' still a detonation.
'Brazil' wunderkind grown into a glam-flecked festival veteran at 27 — big-hearted indie-pop with a political streak and a wardrobe to match.
Belfast's bilingual rap provocateurs — republican mischief, mosh-pit energy, real bars, and a film's worth of mythology already.
Sweaty, saxophone-wielding Swedish post-punk satire — one of the best live bands on earth right now, 'Sports' shouted by thousands.
Unhinged Brooklyn art-rock — yelping, swaggering, and critically adored, like the Stones reassembled by art students mid-fever.
Montreal's velvet dream-pop trio — bass-forward calm that somehow moves fields, whisper-quiet records that became streaming giants.
UK breakout with a smoky retro-soul voice and diaristic pop instincts — old-soul phrasing on new-school subjects.
Manchester house on the rise — rolling, minimal grooves for sunset slots, one of the UK underground's fastest-moving names.
Irish rave-house heat — big-room energy with underground credentials, breakbeats and pianos at full sprint, Galway-to-warehouse momentum fully underway.
Amsterdam's minimal-house standard-bearer — deep, warm, relentless grooves that made him one of Europe's most booked underground names.
Brothers back-to-back — UK tech-house's cheekiest rising pair, trading grooves with sibling telepathy, four hands and one groove.
Grime royalty meets rave revivalists — a one-off collision built for The Warehouse, bars over breakbeats until the room gives out.
Liquid drum & bass at its most emotional — festival fields turned choir, soaring vocals over rolling breaks.
Rising UK pop songwriter on the main-stage undercard.
Lo-fi house graduate turned rave heavyweight — Jordon Alexander's peak-time pressure, from blog-house hiss to full warehouse assault.
Jump-up drum & bass's loudest new star — pure warehouse chaos, double-drops stacked until the low end wins.
Little Mix's Jade gone gloriously weird — 'Angel of My Dreams' announced a real pop auteur, camp and chaos with A-list polish.

UK house groover — bumpy, bassline-led sets with a garage-revival spring in the step, grooves that bump exactly as intended.
Manchester's jump-up juggernaut — relentless double-drops and dancefloor pressure from one of drum & bass's most in-demand new-school names.
Anthemic Irish folk-rock — banjo-driven singalongs built for fields, Limerick lads on a steep national rise.
UK house classicist — 'Ocean Drive' sunsets guaranteed, with 'Need U (100%)' and a decade of chart-house craft behind them.
Diary-entry pop with a novelist's detail — the 'Good Witch' faithful sing every word, British wit sharpening every heartbreak.
Bruised, cinematic alt-pop — Grantham's bedroom-to-BRIT-Award story, small-town detail sung in a fog of reverb, intimacy that scales to festival fields.
YouTuber-turned-legitimate indie rocker — wry, anthemic, and self-aware, with a built-in audience now singing real choruses.
Mythic, incantatory folk-pop — 'Labour' made her the internet's feminist bard, and the deeper catalog keeps the incantation going.
New-school UKG — swung drums and sub-bass pressure from the garage revival's next rank, two-step engineered for new floors.

Glitter-and-grit dance-pop — Y2K excess reborn as main-stage camp, played with total commitment to the fantasy.
Manchester's whispered R&B-electronica — internet-cult intimacy gone big, hushed vocals drifting over UK garage shadows, long-lost demos turned devotional catalog.
Moody, guitar-flecked alt-pop with a whisper-to-hook delivery — quiet verses that detonate into choruses, diary-page lyrics under the gloss.
Milton Keynes's deadpan comic rapper — 'Who's That What's That' absurdism, small-town Britain narrated in perfect deadpan.
Irish indie four-piece — harmony-rich guitar pop on a steep rise, carrying the Cranberries torch for a new generation.
Snarling internet-era electroclash — bratty vocals over blown-out bass, reviving the genre's trashy Berlin glamour for a generation that missed it the first time.
Amsterdam tech-house workhorse — dark, rolling, precise, and seemingly booked every weekend somewhere in Europe, grooves with total technical control.
Birmingham lads making festival-ready indie rock singalongs — lager-in-the-air choruses in the great British tradition, a rising band already at home on big stages.
York's queer-pop firecracker — TikTok-honed hooks backed by real band energy and a live show that outruns the algorithm that found her.


Club-circuit electronic project.
UK bass and garage — clean, physical, dancefloor-first, drops with surgical timing and low-end pressure without a wasted bar.

Liverpool DJ-producer pushing bassline-flecked house — Merseyside heat in the garage revival's slipstream, club momentum rising fast.



Sydney hardcore's global ambassadors — pit-commanding, community-first, and living proof the genre's next chapter is worldwide.
Sibling NYC hyperpop chaos agents — glitchy, funny, and relentless, a live set that plays like a timeline scrolled at maximum speed.
London's elusive trio — murmured vocals and tangled guitars that made Matador come calling, with a mystique maintained by saying almost nothing in public.
Wry, glossy indie-pop — 2026's buzziest new writer-performer, with hooks polished enough for radio and lyrics sharp enough to sting.

Digicore prodigy turned noise-pop auteur — abrasive and gorgeous at once, walls of distortion hiding devastating melody.
Hushed UK bedroom-pop — lowercase songs, uppercase feelings, whisper-close vocals over soft guitar loops made for headphones at 1 a.m.


Cork's melodica-toting indie romantics — Fontaines-adjacent and rising fast, with a windswept, literary streak all their own.
Melbourne post-punks — wiry, literate, buzzing, in the great Australian art-school tradition, sharp songs delivered with nervous energy.
Manchester's buzzy new guitar gang — scrappy, hook-first, rising fast on word of mouth, and the hype is earning itself.
UK post-hardcore upstarts with arena ambition — Architects-school heaviness with a new generation's polish, ones to watch, loudly.

Yes, Dave's daughter — and a genuinely arresting voice striking her own path, closer to torch song than stadium rock.
Anthemic young alt band.


Oldham's protest-pop songwriter — TikTok-viral, guitar-first, state-of-the-nation verses with a busker's directness, folk-club politics for the comment section.
Yes, that Beckham — scrappy young rock band earning its stripes on the small-print circuit, with famous-family curiosity doing the marketing.





Minneapolis shoegaze-pop with a devoted early cult — gauzy vocals over slow-blooming walls of guitar, patience rewarded in full.

