Lorde
The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Four days and eight stages in Grant Park — pop titans on the marquee, and 170 acts deep in discoveries underneath.
Lollapalooza is the big one: four days, eight stages, and the Chicago skyline rising behind Grant Park. The 2026 edition stacks 172 acts into pop's widest tent — art-pop royalty and brat-era chaos up top, tech-house and K-pop taking over whole afternoons, and a small-print undercard that quietly holds next year's breakouts. Chicago threads itself through the weekend, from John Summit's hometown-hero main-stage set to The Smashing Pumpkins in their own backyard to the Chicago Youth Symphony Orchestra's traditional opener. It's a festival you navigate rather than simply attend — which is exactly why it pays to know your must-sees before you walk through the gates.
Expect pop, alternative, dance and electronic across 172 acts.
July 30 – August 2, 2026 — Thursday through Sunday.
Grant Park, downtown Chicago, across eight stages.
Lorde, Charli xcx, The Smashing Pumpkins, John Summit, Tate McRae, The xx, Olivia Dean, and JENNIE.
172 acts over four days — one of the deepest bills of any 2026 US festival.
Every act's day is already on this page — expand the full lineup below or check the day-by-day breakdown.
Tell the finder at the top of this page a few bands you love — it'll match you with your must-see sets, with reasons why.
Hopscotch lineup →The Fest lineup →Rebellion lineup →III Points lineup →Lost Lands lineup →Louder Than Life lineup →All Points East lineup →Aftershock lineup →End of the Road lineup →ARC lineup →Warped Tour Orlando lineup →Austin City Limits lineup →Reading & Leeds lineup →EDC Orlando lineup →Bourbon & Beyond lineup →Riot Fest lineup →Outside Lands lineup →Green Man lineup →HARD Summer lineup →Osheaga lineup →Bass Canyon lineup →Hulaween lineup →Honcho Campout lineup →Portola lineup →Furnace Fest lineup →Shaky Knees lineup →Sick New World Texas lineup →Hinterland lineup →All Things Go DMV lineup →Raleigh Wide Open lineup →Oceans Calling lineup →Darker Waves lineup →Bumbershoot lineup →Ohana lineup →Sea.Hear.Now lineup →Iron Blossom lineup →All Things Go NYC lineup →
Going to Lollapalooza 2026? Get tickets ↗
The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Chicago's own tech-house superstar — main-stage house music with hometown-hero energy and the biggest crossover run the genre has seen in years.
Moody, reverb-soaked alt-pop from a Manhattan teenager who went from bedroom demos to festival bills — heartbreak at streaming scale.
Theatrical Aussie synth-pop royalty — headdresses, spectacle, and 'Walking on a Dream' euphoria, a duo that treats every festival set as full-scale cinematic ritual.
Deadpan, hook-loaded post-punk — the Isle of Wight duo grown into a full-blast rock band, 'Chaise Longue' just the opening joke.

Dev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak from one of pop's most sought-after collaborators.
Sydney pop-rock veterans who long outgrew their boy-band billing — arena-sized hooks, real instruments, and a pop-punk past that still sneaks into the setlist.
Irish rave-house heat — big-room energy with underground credentials, breakbeats and pianos at full sprint, Galway-to-warehouse momentum fully underway.
Sweaty, saxophone-wielding Swedish post-punk satire — one of the best live bands on earth right now, 'Sports' shouted by thousands.
Wry, conversational pop songwriting from Gracie Abrams's longtime collaborator turned solo act — diaristic detail delivered with sharp comic timing.
Lo-fi electroclash duo — distorted synths and detached vocals for the afterparty, Detroit cool for the post-everything generation.
German 'high-tech minimal' techno in a joker mask — precise, melodic, relentless, with marathon sets that build like clockwork machinery.
Mythic, incantatory folk-pop — 'Labour' made her the internet's feminist bard, and the deeper catalog keeps the incantation going.
One of rap's sharpest pens, full stop — orchestral ambition and North London grit, 'Sometimes I Might Be Introvert' the modern benchmark.
Irish country-pop with a wicked sense of humor and a bigger voice — a riotous live show that swings from comedy to gut-punch inside one chorus.
Berlin electro-techno institution — heavy, distorted, and club-ruining in the best way, with credits that run from underground 12-inches to pop's A-list.
Sibling duo making fuzzy, playful alt-pop with internet-era intimacy — lo-fi textures and hooks that sound DM'd directly to you.
UK garage revival heat — skippy drums and low-end pressure, two-step engineered for the new generation of dancefloors.
Irish folk trio — hushed three-part harmonies and homesick story-songs that have been quietly filling rooms far bigger than anyone expected.
Anthemic Irish folk-rock — banjo-driven singalongs built for fields, Limerick lads on a steep national rise.
Glittering, game-engine electronic — Australia's most inventive young club producer, chiptune sparkle at rave pressure, drops that sparkle as hard as they hit.
Dark, cinematic bass and techno crossovers from the LA underground — trap-schooled drops recast in warehouse shadows.
The Philippines' biggest pop group — precision choreography and a ferociously devoted fanbase, P-pop pride at global scale.
Genre-smashing Melbourne punk-rap — riffs, bars, and zero regard for lanes, delivered with a hardcore band's physicality.
Hyperspeed UK power-pop — Ramones velocity with Strokes melody, two-minute songs played like the venue is on fire.
Moroccan-Canadian vocal powerhouse — dramatic, belt-heavy pop with runs that stop scrollers mid-thumb, technique that turns ballads into main events.

Belfast noise-dance — industrial techno pulse under post-punk vocals, engineered to blur the line between gig and rave.
Warm Spanish-language indie-pop from Venezuela via Miami — breezy, guitar-led songs with café intimacy, easygoing charm that translates in any language.
Pop's reigning vanguardist — the brat era's architect bringing club-pop chaos to the main stage, a decade of underground experiments finally cashing out at scale.
Chicago's alt-rock monument — Mellon Collie-scale guitars at home in Grant Park, Corgan drama at full wingspan.
Mosh-pit-summoning Philly superstar — melodic rage rap at festival scale, with a hits run that turns fields into trampolines.
UK alt-rock provocateur — theatrical, communal, and louder every year, a fanbase that treats shows like family reunions.
Diplo's dancehall-electronic party machine — pure festival serotonin, 'Lean On' and a dozen more global smashes in one set.
Swedish pop precision — big voice, bigger choruses, Stockholm songcraft at maximum gleam, pop engineering at its cleanest.
Gangsta rap's most technically devastating voice — cold-blooded bars over soul loops, with 'Alfredo' and 'Bandana' as modern-classic proof.
Hazy, vintage-toned dream-pop — cinematic sad-girl songs with a wink, screen-star mystique earning its music credentials.
Self-producing K-pop hitmakers (formerly (G)I-DLE) — swaggering concept queens who write their own statements and back them with hooks.
The West Coast's ratchet-era architect — a DJ set stacked with his own hits ('Not Like Us' included), a decade of radio in an hour.
Gossamer French avant-pop — choral synths and whispered melody, songs that feel lit by candles and screens at once.
Berlin's masked 'farmcore' phenomenon — giddy barnyard-trance house played dead serious, 'My Barn My Rules' as manifesto.
Modern pop-punk standard-bearers — gruff, fast, and beloved, Walnut Creek's chip-on-shoulder anthems in full stride, pits and singalongs in equal measure.
Liverpool heaviness that swings between crushing metalcore and gorgeous shoegaze drift — Deftones lineage carried somewhere genuinely new.
Gen-Z underground rage — distorted, chaotic, and inexplicably magnetic, the sound of the internet's id at full volume.
Grammy-nominated house duo — greasy basslines and instant grooves, 'On My Mind' the calling card, grooves greasy enough to require napkins.
UK breakout with a smoky retro-soul voice and diaristic pop instincts — old-soul phrasing on new-school subjects.
UK bass and garage — clean, physical, dancefloor-first, drops with surgical timing and low-end pressure without a wasted bar.

Kiwi brothers making slinky, falsetto-led alt-funk — Auckland groove-pop polished to a late-night sheen, with basslines that do most of the flirting.
Vancouver's TikTok-resurrected art-rockers — quirky harmonies and a huge devoted crowd, a back catalog rediscovered by a generation that made it theirs.
Moody, guitar-flecked alt-pop with a whisper-to-hook delivery — quiet verses that detonate into choruses, diary-page lyrics under the gloss.
Glitter-and-grit dance-pop — Y2K excess reborn as main-stage camp, played with total commitment to the fantasy.
Breezy bedroom-pop hooks from the 'Backyard Boy' breakout, all grown up — TikTok-era beginnings matured into proper songcraft.
UK hardcore with baggy Britpop swagger — working-class catharsis that turned the scene's head, then everyone else's.
Yes, that Finn Wolfhard — scrappy, sincere indie rock beyond the Stranger Things shadow, garage-band instincts played without celebrity gloss.


The UK's warmest new pop-soul voice — effortless, jazz-schooled songwriting that's conquered charts on both sides of the Atlantic, charm fully intact live.
BLACKPINK's coolest-in-the-room star gone solo — sleek K-pop, R&B, and fashion-week poise at main-stage scale, with solo hits that stand on their own.
Monochrome California moodiness — 'Sweater Weather' and a decade of slow-burn alt-pop, reunited for a generation that streamed them into legend.
Southern-gothic epics — hymn-like, haunted Americana that turns festival fields reverent, the 'Preacher's Daughter' mythology unfolding at its own patient pace.
Technicolor disco-house — relentless fun, zero pretension, hooks big enough to convert whoever wandered past the stage.
'Mutt' made him R&B's breakout craftsman — a producer-writer's touch with a showman's voice, years of behind-the-scenes credits finally center stage.
Pusha T and Malice, reunited — coke-rap scripture over pristine beats, one of rap's great comebacks and a masterclass in brotherly chemistry.
Unhinged Brooklyn art-rock — yelping, swaggering, and critically adored, like the Stones reassembled by art students mid-fever.
Emotional bass music from one of dance's most beloved live presences — raw, diaristic vocals over heavyweight drops, delivered like a confession at festival volume.
The drag superstar behind the decks — camp, pop edits, and pure joy, a set built for singing along in sunglasses.
Absurdist pop-rap entrepreneurship — 'edamame' energy and meme-fluent hooks, shockingly great live from a performer who takes the joke completely seriously.
Sun-soaked tech house on the rise — California grooves tuned for pool decks and peak hour alike.
Perth indie-rock with aching hooks — Australia's biggest new guitar band, 'Booster Seat' devotion at full volume.
Mercury-winning UK alt-rock — from whispered folk to full-throated fuzz in one set, Ellie Rowsell commanding every register.
Chicago's future-bass wunderkind, grown into a versatile electro-pop craftsman — collabs across pop's whole spectrum, festival sets with pop fluency.
HYBE's youngest boy band — self-producing K-pop upstarts on a rocket trajectory, writing and arranging their own material from debut.
Backflipping former pipefitter with a howl — raw-nerve folk-country redemption songs delivered with gymnastic stage energy and zero polish where it counts.

Bouncy, bass-heavy tech house built for peak hour — San Diego swagger engineered for the biggest room available.
Silky retro-modern R&B with a writer's restraint — every note placed, nothing oversung, late-night soul with a craftsman's patience.
YouTube rapper turned genuine experimentalist — ghostly, orchestral, self-produced worlds that critics had to take seriously.
Dual-frontwoman fuzz-rock resurrecting the '90s — big hooks, deadpan cool, and twin guitar harmonies straight from the alt-rock golden age.
Sibling NYC hyperpop chaos agents — glitchy, funny, and relentless, a live set that plays like a timeline scrolled at maximum speed.

Austin's instrument-swapping all-women punk-metal wrecking crew — everyone plays everything, and it all lands at full force.

South London genre-blur — drill, indie, and R&B folded into diaristic collage, homemade and heartsore in equal measure.
'Beanie' broke him everywhere — woozy, warm bedroom soul from Baton Rouge, falsetto sighs over underwater guitar.
Sleek, funny, funk-forward R&B on the rise — bounce-first records with a comic's pen, grooves polished for late-night replay.
Gauzy, nostalgic dream-rock — exactly what the name promises, Mazzy Star haze for a new decade.

Korean-American country-blues revivalist — National steel guitar and dust-bowl holler, prewar blues played like breaking news.



Chicago's own youth symphony bringing full orchestral firepower to Grant Park — a Lolla tradition, and reliably one of the weekend's most disarming sets.
Dancer-first pop stardom — precision choreography and inescapable hooks, delivered at full sprint with a dance captain's discipline.
Whispered minimalism that somehow fills a festival field — intimacy at headline scale, 'Intro' still raising arm hair.
Hardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
Fuzzy '90s-leaning indie-pop grown into lush, easy songcraft — from bedroom demos to Rick Rubin sessions without losing the diary-page intimacy.
Hyper-futurist K-pop — metallic drops, AI-avatar lore, and immaculate execution, with 'Next Level' and 'Supernova' proving experimental concepts can still conquer charts.
EDM-pop juggernauts — the closers everyone knows every word to, 'Closer' included, obviously, a hits run that never left the radio.
Life-affirming queer synth-pop — 'Silk Chiffon' joy with serious writing chops, and the best live banter in pop included.
Midwest emo's chaotic favorites — screamed choruses, absurd song titles, real feelings, and a crowd that knows every word including the yelps.
Japan's novel-into-song hitmakers — 'Idol' broke every record; the live band goes harder than you'd guess, J-pop precision with rock muscle.
Japan's masked vocal phenomenon — an anonymous silhouette with a voice that swings from guttural growl to glass-shattering belt, performing chart-conquering J-pop from behind a screen.
Little Mix's Jade gone gloriously weird — 'Angel of My Dreams' announced a real pop auteur, camp and chaos with A-list polish.
Bristol techno muscle — dark, driving, and huge, a producer who crossed from tech-house into the hard stuff and doubled down.
UK house classicist — 'Ocean Drive' sunsets guaranteed, with 'Need U (100%)' and a decade of chart-house craft behind them.
French-touch house with a permanent grin — filtered disco loops and rubber-band basslines in the proud national tradition.
Houston rap firecracker — funny, ferocious, and hometown-proud, with punchlines that hit like haymakers and Houston pride in every ad-lib.

Raw-nerve UK rock — Cobain-worn songwriting building a serious cult, intensity that reads as truth, a band critics keep underestimating upward.
Globe-trotting soul-pop — a rich, agile voice over self-produced grooves, folding the percussion and texture of everywhere she's lived into modern R&B.
NYC tech house — punchy, playful peak-time tools with remix-radar ubiquity, reliability with personality.
Velvet-toned R&B intimacy from the Kehlani school — plush late-night vocals with an internet-native fanbase that sings every ad-lib.
LSE-grad-turned-dance-pop-star — chatty, clever club-pop that sounds like a group chat set to four-on-the-floor, wit-first songs with genuine club instincts.
Teenage Arkansas country prodigy — porch-honest writing in the Zach Bryan lineage, wise beyond the birth certificate.
Deadpan Brooklyn experimentalism — Matador-signed art-rock puzzles that groove, absurdist and airtight at once, strangeness with a beat you can trust.
Oxnard bedroom balladry — '70s soft-soul romance on vintage keys, one-man-band craft with a crooner's patience.
Moody melodic electronic with live-instrument warmth — Vancouver atmosphere in the ODESZA lineage, drops that glow rather than strike.
Yes, that Beckham — scrappy young rock band earning its stripes on the small-print circuit, with famous-family curiosity doing the marketing.



Brooklyn R&B veteran of the purple-haired era, sharper than ever — sleek vocals with a decade of industry survival behind them.

Chicago alt-country charmers — loose, warm, and unhurried, twang-flecked songs with a next-door intimacy, porch-light music in city clothes.

Philly street-corner brass-funk party — impossible not to dance, a second line that took over the city.