The band that dragged heaviness toward dream-pop — Chino Moreno's croon-to-scream over guitars tuned for atmosphere as much as impact.
All Points East 2026 Lineup
Six separately-ticketed days in Victoria Park across two August weekends: Lorde, a Tyler two-nighter, Twenty One Pilots, and an Outbreak Fest takeover.
All Points East is expected back August 2027 (dates aren't announced yet). Until then, here's the full 2026 lineup and the acts you would have loved.
Find the acts you'll love at All Points East
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About All Points East 2026
All Points East isn't one festival so much as six separately-ticketed days in Victoria Park, spread across two August weekends. Each day is its own show with its own headliner and its own crowd: Jorja Smith and Tems on the 21st, Lorde on the 22nd, an Outbreak Fest takeover on the 23rd, Tyler, The Creator across both the 28th and 29th, and Twenty One Pilots on the 30th.
That structure means you buy into a day, not a weekend, and the days genuinely don't overlap in audience. The 23rd is a heavy bill: Deftones, IDLES, Amyl and The Sniffers, Interpol, Deafheaven, Show Me The Body. The 22nd is pop and club-facing: PinkPantheress, Zara Larsson, Djo, Oklou, Erika de Casier. The 28th and 29th are Tyler's own curation, running from Clipse and Vince Staples to Faye Webster and Ghostface Killah.
Set times are live. Six stages run at once (East and West are the big two, with North Arena, X Stage, Rising Stage and E3 Stage filling in around them), but never more than five at a time, and the closing headliner always plays alone: the rest of the park has gone quiet by 21:15 every night, and by 19:40 before Twenty One Pilots. The 21st's X Stage is a single continuous Shy FX takeover, seven hour-long sets of jungle, drum & bass and sound-system history from 14:00 to 21:00.
Two scheduling notes: Tyler, The Creator headlines both Friday the 28th and Saturday the 29th, and Mustard plays North Arena at 20:05 on both of those nights. Each appears once in the lineup below, on the 28th.
Expect hip-hop, r&b, pop and soul across 154 acts.
All Points East 2026 lineup & schedule: all 154 acts
Search it, filter by day, stage or genre. Save anything straight to your schedule.Browse all 154 acts →
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Walsall's great modern soul voice — restrained, jazz-schooled, and equally at home over a garage beat, 'Blue Lights' still stunning.
The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
That unmistakable smoky low register — Nigerian R&B that reshaped what afrobeats could sound like, Grammy-anointed and still rising.
Genre-agnostic arena duo — rap, ukulele, and existential dread with a devoted Clique, lore deep enough for a wiki.
Odd Future's ringleader turned auteur — every record a full costume change, every tour a proper production, Grammy-decorated and still restless.
Osaka-born cult selector Yousuke Yukimatsu — genre-shredding DJ sets that went from viral clips to worldwide bookings, anything-goes technique with total joy.
Rage-adjacent producer-vocalist making synth-heavy, blown-out digital pop for a very online audience — icy arpeggios, distorted 808s, and hooks that hit like a video-game boss theme.
Hardcore kids who became goths and then a genuinely huge rock band — Davey Havok's full-commitment melodrama riding a catalog that runs from East Bay punk to 'Miss Murder'-era anthems.
Amy Taylor might be the best frontperson alive right now — Aussie pub-punk voltage, all sprint and snarl, from a band that treats every stage like a title fight.
Wry, conversational pop songwriting from Gracie Abrams's longtime collaborator turned solo act — diaristic detail delivered with sharp comic timing.
Mavin Records star with a sharp pop instinct and a delivery that cuts straight through the mix — Gen-Z afrobeats with global-chart ambition already realized.
The family ties run deep — elastic, unpredictable rap with pgLang polish and beat-switches that keep entire songs off balance in the best way.
British '90s-worship emo — thick guitars, buried vocals, and a hold over a very specific generation that treats every appearance as an event.
Absurdist pop-rap entrepreneurship — 'edamame' energy and meme-fluent hooks, shockingly great live from a performer who takes the joke completely seriously.
London singer working a patient, conversational strain of British R&B — writing about family, faith and self-worth with unusual candour.
Hardware-driven UK techno at genuinely punishing volume — the live rig is the whole point, wrangling machines into some of the genre's most physical sound.
UK funky's defining production team — 'Do You Mind' with Kyla is a bassline an entire country can hum, and it got a second life on the charts.
Canadian R&B with gospel bones — sparse arrangements built entirely around the voice, 'Best Part' devotion delivered at a whisper.
Black metal's tremolo blur pointed at shoegaze bliss — screamed vocals over passages that keep resolving into something radiant, 'Sunbather' still the genre-argument that never ends.
Velvet-toned R&B intimacy from the Kehlani school — plush late-night vocals with an internet-native fanbase that sings every ad-lib.
Songs that sound recorded live in a crowded room by accident — ragged, intimate, and completely singular, with a live band that pushes them even further loose.
UK garage's greatest technician — decades of two-step mixing done at a speed that still looks impossible, four decks deep and never missing.
Joe Keery's psych-pop project — vocoders, fuzz, and a genuine ear for a Tame Impala-shaped hook, well past the celebrity-side-project stage.
Oxford soul singer with an old-school timbre — the kind of voice that quiets a field, drawing straight from the D'Angelo lineage.
Liverpool drill delivered in a thick Scouse accent — melodic, unhurried, and part of the wave that stopped UK rap sounding exclusively like London.
Australian band writing enormous, unembarrassed songs about faith, grief, and staying alive — Springsteen-scale sincerity delivered by one of the great live frontmen.
Long Beach trio building elaborately choreographed art-pop around genuinely funky bass — 'still feel.' and dance routines performed completely straight.
Manchester co-fronted pop-punk with a sneer inherited directly from Britpop — dual vocals, big choruses, bigger attitude.
Bristol post-punk built on solidarity and volume — a live show closer to a group therapy riot, all sweat, hugs, and howled affirmations.
Early-2000s New York at its most funereal and best-dressed — interlocking guitars, Paul Banks's monotone, and no wasted motion, 'Turn On the Bright Lights' still immaculate.
A rasp built for heartbreak, dragging country songwriting through trap drums and open-wound honesty — genre lines treated as suggestions.
Self-produced noise-rap made on a laptop — abrasive, funny, and unrepeatable live, every set a controlled demolition of its own material.
The voice that made dubstep and UK funky sound like radio pop — 'Katy on a Mission' is still the definitive pirate-radio-to-Top-5 crossover.
Hastings four-piece writing angry, funny state-of-Britain songs over big dumb riffs, affectionately meant — terrace-chant punk with a wink and a point.
UK R&B songwriter with quiet-storm control — hushed vocals and late-night restraint, minimal production leaving all the room for the voice.
Philly band swinging between shoegaze tenderness and full-throated hardcore, often inside one song — catharsis with total dynamic control.
Slow-burn Atlanta R&B — heartbreak delivered with surgical calm, ballads that cut deeper for never raising their voice.
Leeds-via-Bradford producer leading the jungle revival — breakbeats under genuinely tender songwriting, rave history reclaimed as diary.
London duo running bass through every pedal ever made — grime swagger welded to punk riffs, a two-woman wall of sound.
London R&B with an afroswing lilt — silky, unhurried, and increasingly hard to get a ticket for, word-of-mouth momentum fully underway.
Gossamer French avant-pop — choral synths and whispered melody, songs that feel lit by candles and screens at once.
Two-minute drum'n'bass-pop confections — the internet's most influential songwriter-per-second, nostalgia sampled into something brand new, hooks gone before you can replay them.
Lynn Gunn's project, drifting steadily from rock toward glossy synth-pop without losing the edge — one-woman vision at arena polish.
Welsh artist whose long-form narrative songs built an enormous audience almost entirely outside the industry — story-rap virtuosity on his own terms.
Jazz-chord bedroom pop sung slightly off the beat — earnest in a way that made it enormous, 'Loving Is Easy' warmth throughout.
Witch house's originators — screwed vocals over cavernous drones, still faintly sinister, a genre's whole aesthetic in one band.
Young British soul singer with an outsized voice and a knack for a piano ballad — Leicester's next big export.
New York hardcore built around a banjo run through a wall of distortion — genuinely unlike anything else, and heavier than it has any right to be.
Smoky-voiced UK balladeer — big-room soul at 19, torch songs with an old head's control, a debut voice that sounds decades deep.
Hardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
Eswatini-born amapiano DJ who dances harder than the crowd — the genre's most magnetic live export, log drums and choreography in one body.
Walsall polymath — a filmmaker's eye applied to left-of-centre R&B and rap, every video and verse art-directed.
Griselda's ringleader — dusty loops, ad-libs as punctuation, and an art-world obsession baked into everything, boom-bap as couture.
Shoegaze revived by someone who found it online — vocals buried so far in the wash they read as another guitar.
Raw-nerve UK rock — Cobain-worn songwriting building a serious cult, intensity that reads as truth, a band critics keep underestimating upward.
Swedish pop machinery at its shiniest — 'Lush Life' to main-character bangers, delivered with total command.
Bay Area collective making scrappy, guitar-flecked rap with a genuine band mentality — posse-cut energy and genre-blind hooks in the post-Brockhampton mold.
Glasgow-raised songwriter making dream-lit indie-pop — direct, unguarded writing wrapped in soft-focus synths, lately drifting toward cosmic Americana.
Artio
Antiguan-German songwriter making moody, sci-fi-tinted synth-pop — dark-pop atmospheres delivered in a cool, conspiratorial hush, built for late-night headphones and soundtracks alike.
Barcelona rapper whose deadpan Spanish trap arrived with an immediately recognisable sneer — viral freestyles and a delivery that turns minimalism into menace.
Long-running UK bass producer moving between drum and bass, dubstep and garage tempos — sound-system weight with an unusually light touch.
Dublin band bending neo-soul and funk into something scruffier and more Irish than either genre expects — jagged, jazzy, and completely their own.
Brooki
Roots in UK funky and grime — skippy, percussive, club-first records that never overstay their welcome.
Clarion
Pusha T and Malice, reunited — coke-rap scripture over pristine beats, one of rap's great comebacks and a masterclass in brotherly chemistry.
London psych-soul project trading in warm, weightless songwriting — hazy guitars over a rhythm section that keeps one foot in the sixties.
Detroit's most distinctive voice, literally — a yelp deployed over production nobody else would touch, from grimy underground tapes to festival-scale experimentalism.
Glasgow band with sharp, sardonic vocals over guitars that lean grunge — bratty hooks with genuine bite underneath.
Touching Bass-affiliated singer making hushed, jazz-inflected soul for very late at night — South London warmth at candle volume.
Devon Again
DJ Gummy Bear
Hushed, unhurried songwriting — a new voice with old grace.
EAR
Genre-smashing Melbourne punk-rap — riffs, bars, and zero regard for lanes, delivered with a hardcore band's physicality.
Elle Coves
Emi Grace
South London rapper writing warm, funny, unmistakably local verses over soul-leaning production — 'Peng Black Girls' announced a genuinely fresh voice.
Danish-Portuguese singer reviving late-'90s R&B production with an almost whispered delivery — soft-spoken songs with an uncanny period-perfect gloss.
Erin LeCount
Esha Tewari
Evenson
Haitian-American songwriter working in atmospheric alt-soul — confessional writing stacked into intricate vocal arrangements, a choir of one.
Paul Institute artist making immaculate '80s-leaning R&B — every synth placed exactly where it should be, session-musician bloodline audible in the detail.
UK underground rap's internet-native riser — lo-fi menace and offhand melody built for the timeline, low-lit tracks that travel by repost.
Pedal steel and yacht-rock chords under deadpan songwriting about being slightly bored and very sad — Atlanta cool that turned ennui into a signature sound.
Ezra Collective's drummer and bandleader — the engine of London's jazz resurgence, bringing gospel-hall energy to every kit he touches.
Wu-Tang's most vivid storyteller — stream-of-consciousness detail delivered at a shout, 'Supreme Clientele' still the gold standard of rap surrealism.
Headsend
Bright, funk-tinged pop-punk from a duo with an unusually sharp sense of groove — scene revival with actual rhythm-section chops.
Jael
Border-raised songwriter refusing to pick a genre — punk, rap, and shoegaze inside a single track, stitched together with pop instincts.
South London genre-blur — drill, indie, and R&B folded into diaristic collage, homemade and heartsore in equal measure.
Kels
Atlanta rapper with grunge guitars in the mix and a delivery that shifts register mid-bar — rap and alt-rock fused without visible seams.
Keyrah
Birmingham-raised, London-based selector with a Rinse FM residency — sets that move between house, R&B, rap and jazz without a seam showing.
Silky retro-modern R&B with a writer's restraint — every note placed, nothing oversung, late-night soul with a craftsman's patience.
Konyikeh
La Reezy
LEAP
LEDBYHER
Liim
Narcotic dream-pop duets — slow-motion romance in the Cigarettes After Sex register, candlelit vocals over slow-blooming guitar.
Irish-English singer with a startling rasp, moving between soul, reggae, and rap without strain — a voice that sounds lived-in twice over.
Slurred, meditative rap over his own woozy loops — grief processed at half speed, underground New York's quiet center of gravity.
Danish artist building weightless guitar-pop out of processed tones and near-whispered melody — uncanny-valley beauty rendered in high definition.
Mouth Culture
Leicester band working since 2018 in the space where alternative rock meets pop hooks.
The West Coast's ratchet-era architect — a DJ set stacked with his own hits ('Not Like Us' included), a decade of radio in an hour.
Mychelle
Nadia Loren
Natanya
Irish songwriter writing sharply about adolescence over guitar-pop that keeps getting bigger — a rising voice entirely her own.
Glittering, game-engine electronic — Australia's most inventive young club producer, chiptune sparkle at rave pressure, drops that sparkle as hard as they hit.
YouTube-to-pop-punk pipeline done properly — fast, funny songs with real hooks and a community built before the band.
Olivia C. Dacal
Olympia Vitalis
West London singer whose full-bodied tone came up through gospel choirs — soul phrased like jazz, timed like hip-hop, and a debut EP that arrived fully formed.
Overgrown
Partyof2
Pixie McCann
Short-lived Korean girl group built around a dark fairy-tale concept, working the heavier, more theatrical end of dance-pop before disbanding in 2024.
Pour La Vie
Left a YouTube career behind to make genuinely ambitious, orchestral experimental rap about death and dissolution — one of the internet's great reinventions.
German trio orbiting bassist-vocalist Peavy Wagner since the mid-eighties, welding speed-metal drive to orchestral ambition across a famously relentless run of records.
A featherweight soprano over warm, live-band R&B — Chicago's most distinctive voice in the genre, 'Love Me Not' finally making it official.
Ray Bull
Reclus.é
Grit-and-leather rock-soul riser.
Reece Young
UK-garage-inflected R&B — Kaytranada's favorite-vocalist energy, silk delivery over broken beats, two-step rhythms under velvet vocals.
East London dance-pop built for the 5am end of the night, with the songwriting to survive daylight — rave euphoria with a pop heart.
Saam Sultan
Sade Olutola
Saint Ludo
Technically sharp West Coast rapper who arrived fully formed and hasn't wasted a verse yet — the co-signs keep stacking.
St. Louis rapper whose blunt, gleefully vulgar club records became some of the most quoted hooks in recent rap — decorum optional, hooks mandatory.
Sydney trio welding rap cadences to slippery, distorted post-punk guitar — Australian art-rock that treats the mixing desk as an instrument.
Shivani Day
Jungle royalty since the mid-'90s — ragga-inflected breakbeats and one of the genre's defining catalogues, 'Original Nuttah' eternal.
Snuggle
Sofia and the Antoinettes
Sunshine Benzi
The Internet's frontwoman — feather-light vocals over basslines that do most of the seducing, neo-soul cool at a whisper.
Australian four-piece playing scrappy, funny, hook-heavy rock with a real live spark — Canberra mates with festival-sized charm.
The Femcels
Essex two-piece playing furious, funny street punk with an unmistakably local accent — two people, one wall of grievance.
Tooth
Tyler Lewis
London R&B singer built on big vocals and plainly-put heartbreak — Whitney and Luther in the phrasing, contemporary production underneath.
Villanelle
Long Beach rapper with a comedian's timing and the bleakest source material — never once sentimental, and funnier live than most comics.
Witch Post
XO
British girl group assembled by Polydor in 2024 — dance-pop with real choreography behind it and a debut EP aimed squarely at the big rooms.
A voice that stops rooms — gospel-schooled soul with astonishing control at the top of the range, 'My Mind' still the proof.
Comedian and rapper in equal measure — the jokes are real and so, annoyingly, are the songs, beats from rap's A-list included.
The headliners
Jorja Smith — Walsall's great modern soul voice — restrained, jazz-schooled, and equally at home over a garage beat, 'Blue Lights' still stunning. Opens the festival on August 21 alongside Tems.
Tems — That unmistakable smoky low register — Nigerian R&B that reshaped what afrobeats could sound like, Grammy-anointed and still rising.
Lorde — The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest. Headlining August 22: the day sold out fastest.
Deftones — The band that dragged heaviness toward dream-pop — Chino Moreno's croon-to-scream over guitars tuned for atmosphere as much as impact. Tops the Outbreak Fest takeover on August 23.
Tyler, The Creator — Odd Future's ringleader turned auteur — every record a full costume change, every tour a proper production, Grammy-decorated and still restless. Headlines both August 28 and 29; listed here on the 28th.
Twenty One Pilots — Genre-agnostic arena duo — rap, ukulele, and existential dread with a devoted Clique, lore deep enough for a wiki. Closes the festival on August 30.
Up-and-comers to catch early
Sienna Spiro — One of the 22nd's early highlights, and rising quickly.
Nell Mescal — Irish songwriter writing sharply about adolescence.
Bricknasty — Dublin band bending neo-soul into something scruffier.
Jim Legxacy — Lewisham artist blending emo guitars, drill and R&B.
Samara Cyn — West Coast rapper who arrived fully formed.
BB Trickz — Barcelona trap with an immediately recognisable sneer.
Other acts worth planning around
IDLES — Second billing on the heaviest day of the six.
Turnstile — On Tyler's Friday bill, a genuinely odd and very good pairing.
Shy FX — Takes over the X Stage for all of August 21: seven hour-long sets, his own at 18:00.
Katy B — Added in the 21st's final wave, curated with Jorja Smith's label FAMM.
The lineup by day
All Points East sells each day separately, so a ticket for one date does not admit you to the others. Tyler, The Creator and Mustard each play both August 28 and 29; both are listed once, on the 28th.
Friday lineup (August 21)
Jorja Smith, Tems, Nia Archives, KWN, Ayra Starr, Odeal + 30 more
Friday set times (36 sets)
- Rage · X Stage
- Bellah · North Arena
- Olympia Vitalis · East Stage
- Shivani Day · West Stage
- Mychelle · Rising Stage
- XO · E3 Stage
- ENNY · X Stage
- Maverick Sabre · East Stage
- Sekou · North Arena
- Wesley Joseph · West Stage
- Konyikeh · Rising Stage
- Saint Ludo · X Stage
- Destin Conrad · East Stage
- Elmiene · North Arena
- Katy B · West Stage
- Keyrah · North Arena
- Femi Koleoso · X Stage
- Demae · Rising Stage
- Tyler Lewis · E3 Stage
- Uncle Waffles · North Arena
- DJ EZ · West Stage
- KWN · East Stage
- Shy FX · X Stage
- Crazy Cousinz · North Arena
- Common Saints · Rising Stage
- Jael · E3 Stage
- Odeal · West Stage
- Westside Gunn · North Arena
- Champion · X Stage
- Tems · East Stage
- Breakage · X Stage
- Bricknasty · Rising Stage
- Kels · E3 Stage
- Nia Archives · West Stage
- Ayra Starr · North Arena
- Jorja Smith · East Stage
Saturday lineup (August 22)
Lorde, PinkPantheress, Zara Larsson, Djo, Sienna Spiro, 2hollis + 22 more
Saturday set times (28 sets)
- Olivia C. Dacal · X Stage
- Pixy · North Arena
- Alex Amor · Rising Stage
- Nell Mescal · West Stage
- Erika de Casier · East Stage
- Ninajirachi · North Arena
- Au/Ra · Rising Stage
- Esha Tewari · West Stage
- Devon Again · X Stage
- Pixie McCann · E3 Stage
- Rose Gray · East Stage
- Oklou · North Arena
- Elle Coves · Rising Stage
- Erin LeCount · West Stage
- EAR · X Stage
- Nadia Loren · E3 Stage
- Audrey Hobert · East Stage
- 2hollis · North Arena
- Sienna Spiro · West Stage
- ML Buch · X Stage
- The Femcels · Rising Stage
- Sofia and the Antoinettes · E3 Stage
- Zara Larsson · East Stage
- Snuggle · X Stage
- PinkPantheress · North Arena
- Djo · West Stage
- Fabiana Palladino · Rising Stage
- Lorde · East Stage
Sunday lineup (August 23)
Deftones, IDLES, Amyl and The Sniffers, Interpol, AFI, Esdeekid + 17 more
Sunday set times (23 sets)
- Show Me The Body · North Arena
- Basement · East Stage
- Deafheaven · North Arena
- Mannequin Pussy · West Stage
- Reclus.é · Rising Stage
- Villanelle · E3 Stage
- Clarion · X Stage
- JPEGMAFIA · East Stage
- Salem · North Arena
- Wisp · West Stage
- Overgrown · Rising Stage
- Interpol · East Stage
- Ecca Vandal · X Stage
- ¥ØU$UK€ ¥UK1MAT$U · North Arena
- AFI · West Stage
- Blawan · X Stage
- Tooth · E3 Stage
- Amyl and The Sniffers · East Stage
- Esdeekid · North Arena
- IDLES · West Stage
- Kenny Mason · X Stage
- Brooki · Rising Stage
- Deftones · East Stage
Friday lineup (August 28)
Tyler, The Creator, Rex Orange County, Turnstile, Mariah the Scientist, AG Club, BB Trickz + 18 more
Friday set times (24 sets)
- La Reezy · North Arena
- Saam Sultan · X Stage
- AG Club · East Stage
- Shady Nasty · West Stage
- Sade Olutola · X Stage
- Jean Dawson · East Stage
- Lovespells · West Stage
- Vince Staples · North Arena
- Liim · X Stage
- Ravyn Lenae · East Stage
- Evenson · E3 Stage
- Yebba · West Stage
- Fakemink · North Arena
- Pour La Vie · Rising Stage
- BB Trickz · X Stage
- Mariah the Scientist · East Stage
- Clipse · West Stage
- Sexyy Red · North Arena
- Rochelle Jordan · X Stage
- Rex Orange County · East Stage
- Mustard · North Arena
- Zack Fox · X Stage
- Turnstile · West Stage
- Tyler, The Creator · East Stage
Saturday lineup (August 29)
Daniel Caesar, Baby Keem, Dijon, Danny Brown, DJ Gummy Bear, Dove Ellis + 12 more
Saturday set times (18 sets)
- LEDBYHER · X Stage
- Quadeca · West Stage
- Partyof2 · North Arena
- Khamari · East Stage
- Natanya · X Stage
- Danny Brown · West Stage
- MIKE · North Arena
- Syd · East Stage
- Ghostface Killah · West Stage
- Samara Cyn · North Arena
- Dijon · East Stage
- Dove Ellis · X Stage
- Faye Webster · West Stage
- Jim Legxacy · North Arena
- Daniel Caesar · East Stage
- DJ Gummy Bear · X Stage
- Baby Keem · West Stage
- Sunshine Benzi · Rising Stage
Sunday lineup (August 30)
Twenty One Pilots, Wunderhorse, Ren, Gang of Youths, bbno$, PVRIS + 19 more
Sunday set times (24 sets)
- LEAP · East Stage
- Reece Young · E3 Stage
- The Meffs · Rising Stage
- half•alive · West Stage
- Dead Pony · North Arena
- Hot Milk · East Stage
- Red Leather · X Stage
- Jessie Murph · West Stage
- Kid Kapichi · North Arena
- PVRIS · East Stage
- Mouth Culture · X Stage
- Emi Grace · E3 Stage
- Gang of Youths · West Stage
- Artio · Rising Stage
- Nova Twins · North Arena
- Honey Revenge · X Stage
- Ren · East Stage
- Teen Jesus and the Jean Teasers · E3 Stage
- Witch Post · X Stage
- bbno$ · North Arena
- Wunderhorse · West Stage
- Ray Bull · Rising Stage
- NOAHFINNCE · X Stage
- Twenty One Pilots · East Stage
All Points East 2026 lineup FAQ
When is All Points East 2026?
Six days across two weekends: August 21, 22 and 23, then August 28, 29 and 30, 2026.
Where is All Points East held?
Victoria Park in Tower Hamlets, east London.
Is one ticket valid for the whole festival?
No. Each day is ticketed separately, though two-day tickets exist for the August 28 and 29 Tyler, The Creator shows.
Who is headlining?
Jorja Smith and Tems (21st), Lorde (22nd), Deftones on the Outbreak Fest day (23rd), Tyler, The Creator (28th and 29th) and Twenty One Pilots (30th).
How many acts are playing?
154 acts across the six days and six stages.
What time do specific acts play?
Set times are live. Every act's day, stage, and set time is on this page. Expand the full lineup below or check the day-by-day breakdown. One act, Headsend on the 30th, has not been given a slot yet.
Do any sets clash at All Points East?
Constantly. Up to five stages run at once through the afternoon, so an early-doors plan is worth making. The one thing that never clashes is the close: the rest of the park finishes by 21:15 every night, and by 19:40 on the 30th, so each day's headliner plays to an undivided field.
How do I work out which acts I'd like?
Type a few bands you already love into the search at the top of this page and you'll get ranked matches from this lineup, with reasons.
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