Jorja Smith
Walsall's great modern soul voice — restrained, jazz-schooled, and equally at home over a garage beat, 'Blue Lights' still stunning.
All Points East 2026 Lineup
Six separately-ticketed days in Victoria Park across two August weekends — Lorde, a Tyler two-nighter, Twenty One Pilots, and an Outbreak Fest takeover.
About All Points East 2026
All Points East isn't one festival so much as six separately-ticketed days in Victoria Park, spread across two August weekends. Each day is its own show with its own headliner and its own crowd: Jorja Smith and Tems on the 21st, Lorde on the 22nd, an Outbreak Fest takeover on the 23rd, Tyler, The Creator across both the 28th and 29th, and Twenty One Pilots on the 30th.
That structure means you buy into a day, not a weekend, and the days genuinely don't overlap in audience. The 23rd is a heavy bill — Deftones, IDLES, Amyl and The Sniffers, Interpol, Deafheaven, Show Me The Body. The 22nd is pop and club-facing — PinkPantheress, Zara Larsson, Djo, Oklou, Erika de Casier. The 28th and 29th are Tyler's own curation, running from Clipse and Vince Staples to Faye Webster and Ghostface Killah. Every act's day is published, so this is straightforward to plan.
One scheduling note: Tyler, The Creator headlines both Friday the 28th and Saturday the 29th. He appears once in the lineup below, on the 28th.
Expect hip-hop, pop, r&b and alternative across 144 acts.
The headliners
- Jorja Smith — Walsall's great modern soul voice — restrained, jazz-schooled, and equally at home over a garage beat, 'Blue Lights' still stunning.
- Tems — That unmistakable smoky low register — Nigerian R&B that reshaped what afrobeats could sound like, Grammy-anointed and still rising.
- Lorde — Reshaping mainstream pop from the inside since 'Pure Heroine' — minimal arrangements, maximal writing, and 'Ribs' still wrecking everyone at the barrier.
- Deftones — The band that dragged heaviness toward dream-pop — Chino Moreno's croon-to-scream over guitars tuned for atmosphere as much as impact.
- Tyler, The Creator — Odd Future's ringleader turned auteur — every record a full costume change, every tour a proper production, Grammy-decorated and still restless.
- Twenty One Pilots — Two people making an implausible amount of noise — ukulele, rap verses, and a fanbase that knows every word, backflips off the piano included.
Up-and-comers to catch early
- Sienna Spiro — One of the 22nd's early highlights, and rising quickly.
- Nell Mescal — Irish songwriter writing sharply about adolescence.
- Bricknasty — Dublin band bending neo-soul into something scruffier.
- Jim Legxacy — Lewisham artist blending emo guitars, drill and R&B.
- Samara Cyn — West Coast rapper who arrived fully formed.
- BB Trickz — Barcelona trap with an immediately recognisable sneer.
Other acts worth planning around
- Lorde — Headlining August 22 — the day sold out fastest.
- Tyler, The Creator — Headlines both August 28 and 29; listed here on the 28th.
- Deftones — Tops the Outbreak Fest takeover on August 23.
- Twenty One Pilots — Closes the festival on August 30.
- IDLES — Second billing on the heaviest day of the six.
- Turnstile — On Tyler's Friday bill — a genuinely odd and very good pairing.
- Jorja Smith — Opens the festival on August 21 alongside Tems.
The lineup by day
All Points East sells each day separately — a ticket for one date does not admit you to the others. Tyler, The Creator headlines both August 28 and 29; he is listed once, on the 28th.
- Friday, August 21: Jorja Smith, Tems, Nia Archives, KWN, Ayra Starr, Odeal + 21 more
- Saturday, August 22: Lorde, PinkPantheress, Zara Larsson, Djo, Sienna Spiro, 2hollis + 21 more
- Sunday, August 23: Deftones, IDLES, Amyl and The Sniffers, Interpol, AFI, Esdeekid + 17 more
- Friday, August 28: Tyler, The Creator, Rex Orange County, Turnstile, Mariah the Scientist, AG Club, BB Trickz + 17 more
- Saturday, August 29: Daniel Caesar, Baby Keem, Dijon, Danny Brown, DJ Gummy Bear, Dove Ellis + 12 more
- Sunday, August 30: Twenty One Pilots, Wunderhorse, Ren, Gang of Youths, bbno$, PVRIS + 20 more
All Points East 2026 lineup FAQ
When is All Points East 2026?
Six days across two weekends: August 21, 22 and 23, then August 28, 29 and 30, 2026.
Where is All Points East held?
Victoria Park in Tower Hamlets, east London.
Is one ticket valid for the whole festival?
No. Each day is ticketed separately, though two-day tickets exist for the August 28 and 29 Tyler, The Creator shows.
Who is headlining?
Jorja Smith and Tems (21st), Lorde (22nd), Deftones on the Outbreak Fest day (23rd), Tyler, The Creator (28th and 29th) and Twenty One Pilots (30th).
How many acts are playing?
144 acts across the six days.
How do I work out which acts I'd like?
Type a few bands you already love into the search at the top of this page and you'll get ranked matches from this lineup, with reasons.
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Going to All Points East 2026? Get tickets ↗
▸ Browse the full lineup (144 acts)▾ Hide full lineup
All Points East full lineup
Tems
That unmistakable smoky low register — Nigerian R&B that reshaped what afrobeats could sound like, Grammy-anointed and still rising.
Nia Archives
Leeds-via-Bradford producer leading the jungle revival — breakbeats under genuinely tender songwriting, rave history reclaimed as diary.
KWN
UK R&B songwriter with quiet-storm control — hushed vocals and late-night restraint, minimal production leaving all the room for the voice.
Ayra Starr
Mavin Records star with a sharp pop instinct and a delivery that cuts straight through the mix — Gen-Z afrobeats with global-chart ambition already realized.
Odeal
London R&B with an afroswing lilt — silky, unhurried, and increasingly hard to get a ticket for, word-of-mouth momentum fully underway.
Elmiene
Oxford soul singer with an old-school timbre — the kind of voice that quiets a field, drawing straight from the D'Angelo lineage.
Destin Conrad
Velvet-toned R&B intimacy from the Kehlani school — plush late-night vocals with an internet-native fanbase that sings every ad-lib.
Westside Gunn
Griselda's ringleader — dusty loops, ad-libs as punctuation, and an art-world obsession baked into everything, boom-bap as couture.
Uncle Waffles
Eswatini-born amapiano DJ who dances harder than the crowd — the genre's most magnetic live export, log drums and choreography in one body.
DJ EZ
UK garage's greatest technician — decades of two-step mixing done at a speed that still looks impossible, four decks deep and never missing.
Wesley Joseph
Walsall polymath — a filmmaker's eye applied to left-of-centre R&B and rap, every video and verse art-directed.
Sekou
Young British soul singer with an outsized voice and a knack for a piano ballad — Leicester's next big export.
Bellah
Shy FX
Jungle royalty since the mid-'90s — ragga-inflected breakbeats and one of the genre's defining catalogues, 'Original Nuttah' eternal.
Breakage
Champion
ENNY
South London rapper writing warm, funny, unmistakably local verses over soul-leaning production — 'Peng Black Girls' announced a genuinely fresh voice.
Femi Koleoso
Ezra Collective's drummer and bandleader — the engine of London's jazz resurgence, bringing gospel-hall energy to every kit he touches.
Rage
Saint Ludo
Bricknasty
Dublin band bending neo-soul and funk into something scruffier and more Irish than either genre expects — jagged, jazzy, and completely their own.
Demae
Touching Bass-affiliated singer making hushed, jazz-inflected soul for very late at night — South London warmth at candle volume.
Konyikeh
Maverick Sabre
Irish-English singer with a startling rasp, moving between soul, reggae, and rap without strain — a voice that sounds lived-in twice over.
Mychelle
Shivani Day
Lorde
Reshaping mainstream pop from the inside since 'Pure Heroine' — minimal arrangements, maximal writing, and 'Ribs' still wrecking everyone at the barrier.
PinkPantheress
Two-minute songs over drum-and-bass and garage breaks — the most influential British pop debut of the decade, 'Boy's a liar' just the biggest.
Zara Larsson
Swedish pop built to Scandinavian standards — enormous choruses, no wasted seconds, a hit factory's discipline with a diva's delivery.
Djo
Joe Keery's psych-pop project — vocoders, fuzz, and a genuine ear for a Tame Impala-shaped hook, well past the celebrity-side-project stage.
Sienna Spiro
Smoky-voiced UK balladeer — big-room soul at 19, torch songs with an old head's control, a debut voice that sounds decades deep.
2hollis
Rage-adjacent producer-vocalist making synth-heavy, blown-out digital pop for a very online audience — icy arpeggios, distorted 808s, and hooks that hit like a video-game boss theme.
Oklou
French producer-singer making crystalline, faintly medieval electronic pop — hymnal melodies rendered in glass, fragile songs with cathedral acoustics.
Audrey Hobert
Wry, conversational pop songwriting from Gracie Abrams's longtime collaborator turned solo act — diaristic detail delivered with sharp comic timing.
Rose Gray
East London dance-pop built for the 5am end of the night, with the songwriting to survive daylight — rave euphoria with a pop heart.
Ninajirachi
Australian producer making bright, hyperactive club music with a pop songwriter's ear for structure — sugar-rush drops with actual architecture.
Erin LeCount
Erika de Casier
Danish-Portuguese singer reviving late-'90s R&B production with an almost whispered delivery — soft-spoken songs with an uncanny period-perfect gloss.
Esha Tewari
EAR
ML Buch
Danish artist building weightless guitar-pop out of processed tones and near-whispered melody — uncanny-valley beauty rendered in high definition.
Nell Mescal
Irish songwriter writing sharply about adolescence over guitar-pop that keeps getting bigger — a rising voice entirely her own.
Snuggle
Fabiana Palladino
Paul Institute artist making immaculate '80s-leaning R&B — every synth placed exactly where it should be, session-musician bloodline audible in the detail.
Devon Again
Sofia and the Antoinettes
The Femcels
Elle Coves
Pixie McCann
Au/Ra
Antiguan-German songwriter making moody, sci-fi-tinted synth-pop — dark-pop atmospheres delivered in a cool, conspiratorial hush, built for late-night headphones and soundtracks alike.
Nadia Loren
Pixy
Olivia C. Dacal
Deftones
The band that dragged heaviness toward dream-pop — Chino Moreno's croon-to-scream over guitars tuned for atmosphere as much as impact.
IDLES
Bristol post-punk built on solidarity and volume — a live show closer to a group therapy riot, all sweat, hugs, and howled affirmations.
Amyl and The Sniffers
Amy Taylor fronting Australian pub-punk with the sharpest elbows and best mullets in the genre — forty-minute sets that hit like a bar fight you're glad you were in.
Interpol
New York post-punk revival at its most tailored — interlocking guitars under Paul Banks's monotone, suits pressed, gloom immaculate.
AFI
Hardcore kids who became goths and then a genuinely huge rock band — Davey Havok's full-commitment melodrama riding a catalog that runs from East Bay punk to 'Miss Murder'-era anthems.
Esdeekid
JPEGMAFIA
Self-produced noise-rap made on a laptop — abrasive, funny, and unrepeatable live, every set a controlled demolition of its own material.
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Tokyo cult selector Yousuke Yukimatsu — genre-shredding DJ sets that went from viral clips to worldwide bookings, anything-goes technique with total joy.
Salem
Witch house's originators — screwed vocals over cavernous drones, still faintly sinister, a genre's whole aesthetic in one band.
Basement
British '90s-worship emo — thick guitars, buried vocals, and a hold over a very specific generation that treats every appearance as an event.
Wisp
Shoegaze revived by someone who found it online — vocals buried so far in the wash they read as another guitar.
Deafheaven
Black metal's tremolo blur pointed at shoegaze bliss — screamed vocals over passages that keep resolving into something radiant, 'Sunbather' still the genre-argument that never ends.
Show Me The Body
Banjo-driven New York hardcore — genuinely unlike anything else, and unpleasant in the best way, Corpus community in tow.
Mannequin Pussy
Philly band swinging between shoegaze tenderness and full-throated hardcore, often inside one song — catharsis with total dynamic control.
Blawan
Hardware-driven UK techno at genuinely punishing volume — the live rig is the whole point, wrangling machines into some of the genre's most physical sound.
Ecca Vandal
Melbourne artist welding punk, hip-hop, and industrial into something genuinely confrontational — a one-woman collision the genre map can't place.
Brooki
Clarion
Kenny Mason
Atlanta rapper with grunge guitars in the mix and a delivery that shifts register mid-bar — rap and alt-rock fused without visible seams.
Overgrown
Reclus.é
Tooth
Villanelle
Tyler, The Creator
Odd Future's ringleader turned auteur — every record a full costume change, every tour a proper production, Grammy-decorated and still restless.
Rex Orange County
Jazz-chord bedroom pop sung slightly off the beat — earnest in a way that made it enormous, 'Loving Is Easy' warmth throughout.
Turnstile
Hardcore rebuilt with dream-pop textures and actual dance moves — the rare crossover that didn't cost them the pit, Grammy nods and all.
Mariah the Scientist
Atlanta R&B with a conversational, slightly nasal delivery and unusually vicious lyrics — love songs with autopsy-level detail.
AG Club
Bay Area collective making scrappy, guitar-flecked rap with a genuine band mentality — posse-cut energy and genre-blind hooks in the post-Brockhampton mold.
BB Trickz
Barcelona rapper whose deadpan Spanish trap arrived with an immediately recognisable sneer — viral freestyles and a delivery that turns minimalism into menace.
Clipse
Pusha T and Malice over Neptunes minimalism — the most quotable coke-rap ever committed to tape, 'Grindin'' still rattling trunks two decades on.
Fakemink
UK underground rap's internet-native riser — lo-fi menace and offhand melody built for the timeline, low-lit tracks that travel by repost.
Jean Dawson
Border-raised songwriter refusing to pick a genre — punk, rap, and shoegaze inside a single track, stitched together with pop instincts.
La Reezy
Liim
Lovespells
Narcotic dream-pop duets — slow-motion romance in the Cigarettes After Sex register, candlelit vocals over slow-blooming guitar.
Mustard
The producer who defined a decade of West Coast radio — spare, bouncing beats you can identify in two bars.
Pour La Vie
Ravyn Lenae
Chicago singer with a feather-light upper register floating over Zero Fatigue-adjacent production — a decade of promise fully arrived.
Rochelle Jordan
R&B built on garage and house rhythms — club-facing without ever losing the intimacy, a vocalist producers fight over.
Saam Sultan
Sade Olutola
Sexyy Red
St. Louis rapper whose chants are engineered for maximum crowd participation and minimum decorum — the loudest call-and-response on any bill.
Shady Nasty
Vince Staples
Long Beach rapper with a comedian's timing and the bleakest source material — never once sentimental, and funnier live than most comics.
Yebba
A voice that stops rooms — gospel-schooled soul with astonishing control at the top of the range, 'My Mind' still the proof.
Zack Fox
Comedian and rapper in equal measure — the jokes are real and so, annoyingly, are the songs, beats from rap's A-list included.
Daniel Caesar
Canadian R&B with gospel bones — sparse arrangements built entirely around the voice, 'Best Part' devotion delivered at a whisper.
Baby Keem
Erratic, beat-switching rap delivered with total confidence — pgLang's sharpest young writer, swerving flows mid-bar like the song might get bored otherwise.
Dijon
Songs that sound recorded live in a crowded room by accident — ragged, intimate, and completely singular, with a live band that pushes them even further loose.
Danny Brown
Detroit's most distinctive voice, literally — a yelp deployed over production nobody else would touch, from grimy underground tapes to festival-scale experimentalism.
DJ Gummy Bear
Dove Ellis
Hushed, unhurried songwriting — a new voice with old grace.
Faye Webster
Pedal steel and yacht-rock chords under deadpan songwriting about being slightly bored and very sad — Atlanta cool that turned ennui into a signature sound.
Ghostface Killah
Wu-Tang's most vivid storyteller — stream-of-consciousness detail delivered at a shout, 'Supreme Clientele' still the gold standard of rap surrealism.
Jim Legxacy
Lewisham artist blending emo guitars, drill, and R&B into something distinctly South London — diaristic collage with real emotional stakes.
Khamari
Boston singer working a warm, guitar-led strain of R&B — patient, retro-modern songcraft in the Daniel Caesar lineage.
LEDBYHER
MIKE
Slurred, meditative rap over his own woozy loops — grief processed at half speed, underground New York's quiet center of gravity.
Natanya
Partyof2
Quadeca
Left YouTube rap behind for genuinely ambitious art-pop records that few saw coming — ghostly, orchestral, and entirely self-produced.
Samara Cyn
Technically sharp West Coast rapper who arrived fully formed and hasn't wasted a verse yet — the co-signs keep stacking.
Sunshine Benzi
Syd
The Internet's frontwoman — feather-light vocals over basslines that do most of the seducing, neo-soul cool at a whisper.
Twenty One Pilots
Two people making an implausible amount of noise — ukulele, rap verses, and a fanbase that knows every word, backflips off the piano included.
Wunderhorse
Jacob Slater's band, gone from hushed to genuinely ferocious across two records — UK rock's most convincing recent ascent.
Ren
Welsh artist whose long-form narrative songs built an enormous audience almost entirely outside the industry — story-rap virtuosity on his own terms.
Gang of Youths
Australian band writing enormous, unembarrassed songs about faith, grief, and staying alive — Springsteen-scale sincerity delivered by one of the great live frontmen.
bbno$
Vancouver rapper whose entire career is a very committed joke that keeps producing actual hits — self-aware bangers marketed with more wit than most labels can manage.
PVRIS
Lynn Gunn's project, drifting steadily from rock toward glossy synth-pop without losing the edge — one-woman vision at arena polish.
Jessie Murph
Alabama singer welding country twang to trap production and an unusually raw delivery — bar-fight ballads for the streaming era.
half•alive
Long Beach trio building elaborately choreographed art-pop around genuinely funky bass — 'still feel.' and dance routines performed completely straight.
Hot Milk
Manchester co-fronted pop-punk with a sneer inherited directly from Britpop — dual vocals, big choruses, bigger attitude.
Nova Twins
London duo running bass through every pedal ever made — grime swagger welded to punk riffs, a two-woman wall of sound.
Kid Kapichi
Hastings four-piece writing angry, funny state-of-Britain songs over big dumb riffs, affectionately meant — terrace-chant punk with a wink and a point.
NOAHFINNCE
YouTube-to-pop-punk pipeline done properly — fast, funny songs with real hooks and a community built before the band.
Honey Revenge
Bright, funk-tinged pop-punk from a duo with an unusually sharp sense of groove — scene revival with actual rhythm-section chops.
Dead Pony
Glasgow band with sharp, sardonic vocals over guitars that lean grunge — bratty hooks with genuine bite underneath.
Mouth Culture
Royal & the Serpent
Ryan Santiago's project — anxious, theatrical alt-pop with a punk streak surfacing more each record, 'Overwhelmed' the breakout.
LEAP
Ray Bull
Red Leather
Grit-and-leather rock-soul riser.
Teen Jesus and the Jean Teasers
Australian four-piece playing scrappy, funny, hook-heavy rock with a real live spark — Canberra mates with festival-sized charm.
Witch Post
Artio
Emi Grace
Headsend
Reece Young
The Meffs
Essex two-piece playing furious, funny street punk with an unmistakably local accent — two people, one wall of grievance.