Excision
The heaviest end of North American bass music, staged with a wall of subs and a light rig that does half the assault.
Excision's dubstep pilgrimage at the Gorge — three days of nothing but bass, in the most spectacular amphitheatre in America.
Bass Canyon is Excision's own festival, held at the Gorge Amphitheatre — a natural bowl above the Columbia River that is arguably the most spectacular concert setting in North America. Three days, one genre, no pretence of breadth: this is dubstep and its immediate relatives, played very loud on a stack Excision designs himself.
Excision plays all three days in different configurations — solo on Friday, a Detox set and a b2b with Slander on Sunday. Around him the bill is a survey of where heavy bass currently sits: Illenium b2b Dabin and Ganja White Night on Saturday, ATLiens and Svdden Death's VOYD alias on Sunday, and a Friday undercard leaning toward the genre's UK originators. Every act's day is published.
Expect dubstep, electronic, dance and riddim across 88 acts.
August 14–16, 2026 — Friday, Saturday and Sunday.
The Gorge Amphitheatre in George, Washington.
Excision, who plays all three days — solo on Friday, plus a Detox set and a b2b with Slander on Sunday.
88 acts across three days.
Yes — the daily lineup poster is out and every act's day is shown here.
Type a few artists you already love into the search at the top of this page and you'll get ranked matches from this lineup, with reasons.
Lollapalooza lineup →Hopscotch lineup →The Fest lineup →Rebellion lineup →III Points lineup →Lost Lands lineup →Louder Than Life lineup →All Points East lineup →Aftershock lineup →End of the Road lineup →ARC lineup →Warped Tour Orlando lineup →Austin City Limits lineup →Reading & Leeds lineup →EDC Orlando lineup →Bourbon & Beyond lineup →Riot Fest lineup →Outside Lands lineup →Green Man lineup →HARD Summer lineup →Osheaga lineup →Hulaween lineup →Honcho Campout lineup →Portola lineup →Furnace Fest lineup →Shaky Knees lineup →Sick New World Texas lineup →Hinterland lineup →All Things Go DMV lineup →Raleigh Wide Open lineup →Oceans Calling lineup →Darker Waves lineup →Bumbershoot lineup →Ohana lineup →Sea.Hear.Now lineup →Iron Blossom lineup →All Things Go NYC lineup →
Going to Bass Canyon 2026? Get tickets ↗
The heaviest end of North American bass music, staged with a wall of subs and a light rig that does half the assault.
Half of Gud Vibrations — heavy festival trap with a melodic streak that keeps widening, drops built for fireworks cues.
Live saxophone and drums over electronic production — Colorado's most durable livetronica act, turning festival sets into brass-led communal uplift.
Plays guitar and screams over his own dubstep — the metal/bass crossover taken entirely seriously, pits and drops in equal measure.
Producer's producer — sound design so intricate that other artists study his sessions, drops built like Swiss watches.

Disciple mainstays making precise, sound-design-obsessed dubstep — surgical basses and glitch detail that reward headphones as much as rail-riding.
Bear-costumed producer whose gimmick outlasted the joke because the tracks hold up — heavyweight dubstep and riddim with genuine pit credentials.
Israeli producer who coined 'gorestep' — deliberately obnoxious, and very good at it, with filthy drops engineered to offend and delight simultaneously.
Masked UK producer dealing in the filthiest end of dubstep, and one of its most reliable live presences — DPMO sets with zero mercy.
Newer bass producer with a clean, aggressive sound — surgical drops from the scene's rising class.
Riddim producer with a heavy, minimal approach — a lot of space around some very large sounds, engineered for maximum stank face.
Scandinavian duo with a bright, hyperactive take on bass music and a big Monstercat catalogue — neon drops with pop bones.

Ophelia-affiliated producer working the emotional, trance-leaning end of melodic bass — soaring vocals over drops with genuine lift.
Long-running Minneapolis dubstep producer from the genre's first American wave — an OG still swinging, first-wave credibility fully intact.
Coined 'Laserbeam' and turned it into one of the most recognisable drops in modern bass music — headbanger melodrama at maximum voltage.
The Subhumans' dub-and-ska-inflected sibling band, built for movement rather than confrontation — Dick Lucas leading the dance instead of the charge.
Jump-up drum and bass with an unusually funky low end — rave weaponry with actual swing.
Fast-rising Denver bass producer — melodic drops with teeth, riding the front of the dubstep scene's younger, wilder generation.


French crew who came up through drum and bass and never lost the punk energy — genre-hopping bass sets played like a rock show.

American drum and bass producer with a melodic, song-led approach — stateside proof the genre's next wave crossed the Atlantic.
UK producer at the jump-up end of drum and bass — big, rowdy, and built for a rave, double-drops thrown like confetti.
Newer riddim producer whose tracks land squarely in the genre's heaviest lane — no-frills drops built for rail-riders.


Bay Area duo working the funky, wonky end of West Coast bass — Oakland low-end with a grin.
Halftime-leaning bass with a lot of negative space and a very deep sub — restraint as the flex.
Riddim producer with an ear for the exact moment a drop should stop dead — silence weaponized.
Masked Atlanta duo working the dark, alien end of festival bass — extraterrestrial lore, subterranean growls, and drops built for maximum abduction.
Genre-hopping producer who moves between bass house and full-on dubstep in a single hour — ghoulish branding, versatile drops.

Former competitive hockey player turned producer, making trap with unusual emotional range — heavy drops with a bruised heart.

Colorado duo making warped, psychedelic bass with genuine melodic instincts — squelchy, playful sound design from the experimental-bass underground.
Riddim producer with a distinctly murky, low-slung sound — phantom-themed bass aimed at the darkest corner of the pit.
Heavy, percussive dubstep with a distinct Latin rhythmic influence — San Diego drops with extra swing in the kick pattern.
Psychedelic bass producer whose 'Overthinker' became an unlikely streaming phenomenon — Alan Watts samples and warm, curling melody.

