Twenty One Pilots
Genre-agnostic arena duo — rap, ukulele, and existential dread with a devoted Clique, lore deep enough for a wiki.
Osheaga 2026 Lineup
Montreal's biggest weekend — three days of island stages on Parc Jean-Drapeau with the skyline across the Saint Lawrence.
About Osheaga 2026
Osheaga is Canada's biggest festival weekend and still one of the best-situated on earth: three days on Parc Jean-Drapeau's island stages, with the Saint Lawrence on every side and Montreal's skyline across the water. The 2026 edition — the festival's 19th — runs 89 acts deep, with Twenty One Pilots, Tate McRae, and Lorde up top and a bill that mirrors the city itself: anglo indie rock and UK post-punk, francophone pop and pan-African club nights, techno tents and Cree folk-pop. Come for the headliners, stay for the metro ride home with ten thousand new friends.
Expect indie rock, hip-hop, house and pop across 89 acts.
The headliners
- Twenty One Pilots — Genre-agnostic arena duo — rap, ukulele, and existential dread with a devoted Clique, lore deep enough for a wiki.
- Tate McRae — Dancer-first pop stardom — precision choreography and inescapable hooks, one province over from home and treating it accordingly.
- Lorde — The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Up-and-comers to catch early
- SOFIA ISELLA — Viral dark art-pop — spoken-word menace over strings, Gen Z's gothic conscience.
- Bambii — Toronto's genre-splicing club force — dancehall, jungle, and R&B collide in her JELLY world.
- Malcolm Todd — Funk-flecked Gen-Z bedroom pop — 'Chest Pain (I Love)' and a fast-rising live reputation.
- Tia Wood — Cree and Salish singer weaving Indigenous roots into warm folk-pop and R&B.
- AVIV — Toronto's teenage alt-pop riser — bedroom-written songs with pop-punk teeth.
- Super Plage — Montreal's sunniest synth-pop — francophone disco warmth for the home crowd.
Other acts worth planning around
- Wolf Parade — Montreal indie rock institution — jittery, anthemic songs with home-field advantage.
- Blood Orange — Dev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak.
- YOASOBI — Japan's novel-into-song hitmakers — the live band goes harder than you'd expect.
- Little Simz — One of rap's sharpest pens, full stop — orchestral ambition and North London grit.
- Viagra Boys — Sweaty, saxophone-wielding Swedish post-punk satire — one of the best live bands on earth.
- Amelie Lens — Belgium's techno figurehead — relentless, hypnotic peak-time sets for the tent faithful.
- Trixie Mattel — The drag superstar behind the decks — camp, pop edits, and pure joy.
The lineup by day
- Friday, July 31: Twenty One Pilots, The xx, The Neighbourhood, Geese, Wet Leg, Amelie Lens + 23 more
- Saturday, August 1: Tate McRae, Sombr, Turnstile, Empire of the Sun, Mt. Joy, Franz Ferdinand + 24 more
- Sunday, August 2: Lorde, Gunna, Major Lazer, Clipse, Subtronics, Zara Larsson + 24 more
Osheaga 2026 lineup FAQ
When is Osheaga 2026?
July 31 – August 2, 2026 — Friday through Sunday.
Where does Osheaga take place?
Parc Jean-Drapeau on Montreal's Île Sainte-Hélène — a quick ride from downtown on the metro's yellow line.
Who is headlining Osheaga 2026?
Twenty One Pilots (Friday), Tate McRae (Saturday), and Lorde (Sunday).
How many acts are playing Osheaga 2026?
89 acts across three days and multiple island stages.
What days do specific acts play?
Every act's day is already on this page — expand the full lineup below or check the day-by-day breakdown.
How do I figure out which of the 89 acts I'd actually like?
Tell the finder at the top of this page a few bands you love — it'll match you with your must-see sets, with reasons why.
More festival lineups
Lollapalooza lineup →Hopscotch lineup →The Fest lineup →Rebellion lineup →III Points lineup →Lost Lands lineup →Louder Than Life lineup →All Points East lineup →Aftershock lineup →End of the Road lineup →ARC lineup →Warped Tour Orlando lineup →Austin City Limits lineup →Reading & Leeds lineup →EDC Orlando lineup →Bourbon & Beyond lineup →Riot Fest lineup →Outside Lands lineup →Green Man lineup →HARD Summer lineup →Bass Canyon lineup →Hulaween lineup →Honcho Campout lineup →Portola lineup →Furnace Fest lineup →Shaky Knees lineup →Sick New World Texas lineup →Hinterland lineup →All Things Go DMV lineup →Raleigh Wide Open lineup →Oceans Calling lineup →Darker Waves lineup →Bumbershoot lineup →Ohana lineup →Sea.Hear.Now lineup →Iron Blossom lineup →All Things Go NYC lineup →
Going to Osheaga 2026? Get tickets ↗
▸ Browse the full lineup (89 acts)▾ Hide full lineup
Osheaga full lineup
The xx
Whispered minimalism that somehow fills a festival field — intimacy at headline scale, 'Intro' still raising arm hair.
The Neighbourhood
Monochrome California moodiness — 'Sweater Weather' and a decade of slow-burn alt-pop, reunited for a generation that streamed them into legend.
Geese
Unhinged Brooklyn art-rock — yelping, swaggering, and critically adored, like the Stones reassembled by art students mid-fever.
Wet Leg
Deadpan, hook-loaded post-punk — the Isle of Wight duo grown into a full-blast rock band, 'Chaise Longue' just the opening joke.
Amelie Lens
Belgium's techno figurehead — relentless, hypnotic peak-time sets that carried her from Antwerp warehouses to the genre's biggest global stages.
Brutalismus 3000
Berlin's gabber-punk duo — screamed German vocals over pummeling club tempos, equal parts rave, hardcore show, and performance-art provocation.
JID
Dreamville's technician — one of rap's most gymnastic voices, devastating live, syllables stacked like a man showing off because he can.
YOASOBI
Japan's novel-into-song hitmakers — 'Idol' broke every record; the live band goes harder than you'd guess, J-pop precision with rock muscle.
Max McNown
Oregon folk-country riser — earnest, streaming-era troubadour with a fanbase that found him one chorus at a time.
Bob Moses
Canadian duo blurring house music and moody guitar-band songwriting — church-dark grooves played live, splitting the difference between a DJ set and a rock show.
Wolf Alice
Mercury-winning UK alt-rock — from whispered folk to full-throated fuzz in one set, Ellie Rowsell commanding every register.
VTSS
Polish techno provocateur — fast, hard, and gleefully irreverent, rave intensity with an internet-native sense of humor.
Amber Mark
Globe-trotting soul-pop — a rich, agile voice over self-produced grooves, folding the percussion and texture of everywhere she's lived into modern R&B.
Billie Marten
Hushed English folk with a river-water voice — quietly one of the best writers of her generation, turning small domestic details into devastating songs.
Jim Legxacy
South London genre-blur — drill, indie, and R&B folded into diaristic collage, homemade and heartsore in equal measure.
MPH
UK garage revival heat — skippy drums and low-end pressure, two-step engineered for the new generation of dancefloors.
Wunderhorse
Raw-nerve UK rock — Cobain-worn songwriting building a serious cult, intensity that reads as truth, a band critics keep underestimating upward.
Vandelux
Moody melodic electronic with live-instrument warmth — Vancouver atmosphere in the ODESZA lineage, drops that glow rather than strike.
Avenoir
WHATMORE
Super Plage
Montreal's sunniest synth-pop — francophone disco warmth from Jules Henry's beach-party project, SPF-rated grooves, Montreal summer bottled.
Rio Kosta
Hazy California duo — beachside indie-soul.
Baalti
Moses Belanger
Lou Val
Berlam
Oliver Forest
Blood Orange
Dev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak from one of pop's most sought-after collaborators.
Tate McRae
Dancer-first pop stardom — precision choreography and inescapable hooks, one province over from home and treating it accordingly.
Sombr
Moody, reverb-soaked alt-pop from a Manhattan teenager who went from bedroom demos to festival bills — heartbreak at streaming scale.
Turnstile
Hardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
Empire of the Sun
Theatrical Aussie synth-pop royalty — headdresses, spectacle, and 'Walking on a Dream' euphoria, a duo that treats every festival set as full-scale cinematic ritual.
Mt. Joy
Philly folk-rockers grown into amphitheater singalongs — warm, road-tested, communal, with 'Silver Lining' as the nightly high-water mark.
Malcolm Todd
Funk-flecked Gen-Z bedroom pop — 'Chest Pain (I Love)' and a fast-rising live rep, Steve Lacy instincts with his own snap.
Franz Ferdinand
Glasgow's art-school dance-punks — 'Take Me Out' still detonates a field two decades on, and the deep cuts still make people dance.
KETTAMA
Irish rave-house heat — big-room energy with underground credentials, breakbeats and pianos at full sprint, Galway-to-warehouse momentum fully underway.
Little Simz
One of rap's sharpest pens, full stop — orchestral ambition and North London grit, 'Sometimes I Might Be Introvert' the modern benchmark.
Viagra Boys
Sweaty, saxophone-wielding Swedish post-punk satire — one of the best live bands on earth right now, 'Sports' shouted by thousands.
Odd Mob
Australian house heater — half of the HYPERBEAM b2b with OMNOM, flip-happy edits with festival-scale bounce.
it's murph
Feel-good house edits gone huge — crowd-pleasing flips built for hands-up moments, a set with zero pretension and full commitment.
Finn Wolfhard
Yes, that Finn Wolfhard — scrappy, sincere indie rock beyond the Stranger Things shadow, garage-band instincts played without celebrity gloss.
Wolf Parade
Montreal indie rock institution — jittery, anthemic songs from two of Canada's best songwriters, home-field advantage included and audible.
ZULAN
Bar Italia
London's elusive trio — murmured vocals and tangled guitars that made Matador come calling, with a mystique maintained by saying almost nothing in public.
AJ Tracey
West London grime star gone festival-sized — melodic flexes, 'Ladbroke Grove' garage bounce, and a UK-rap versatility that moves between road and radio without strain.
Moonshine
Montreal's roving SMS-only party turned collective — pan-African club sounds, moonlit, a whole scene distilled into one set.
partyOf2
Kingfishr
Anthemic Irish folk-rock — banjo-driven singalongs built for fields, Limerick lads on a steep national rise.
Villager
Montreal rapper repping the city's anglo hip-hop underground — homegrown bars from the 514, scene-carrying energy included.
Stella Lefty
Ecca Vandal
Genre-smashing Melbourne punk-rap — riffs, bars, and zero regard for lanes, delivered with a hardcore band's physicality.
Baby Nova
Airrica
Laura Scavo
Virginie B
Québec's franco-pop charmer — playful, synth-kissed chanson for the home crowd, delivered with a wink, francophone pop's brightest grin.
Grand Eugène
Museums
Lorde
The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Gunna
Atlanta's melodic-trap stylist — liquid flows and designer-drip anthems, delivered with barely a raised pulse and total control.
Major Lazer
Diplo's dancehall-electronic party machine — pure festival serotonin, 'Lean On' and a dozen more global smashes in one set.
Clipse
Pusha T and Malice, reunited — coke-rap scripture over pristine beats, one of rap's great comebacks and a masterclass in brotherly chemistry.
Subtronics
Riddim-dubstep heavyweight — appearing in the GRIZTRONICS b2b with GRiZ, an hour of pure bass warfare with a funk streak.
Zara Larsson
Swedish pop machinery at its shiniest — 'Lush Life' to main-character bangers, delivered with total command.
Not For Radio
Anonymous collective making orchestral hip-hop spectacle — the mystery is the point, and the strings are real.
Mother Mother
Vancouver's TikTok-resurrected art-rockers — quirky harmonies and a huge devoted crowd, a back catalog rediscovered by a generation that made it theirs.
Of Monsters and Men
Iceland's stomp-and-holler exports — 'Little Talks' and a decade of widescreen indie-pop, hey!-shouts included, Icelandic warmth at singalong scale.
HorsegiirL
Masked rave persona from the farm — bubbling trance-pop played entirely straight-faced, a bit committed to so hard it became a movement.
Paris Paloma
Mythic, incantatory folk-pop — 'Labour' made her the internet's feminist bard, and the deeper catalog keeps the incantation going.
Oklou
Gossamer French avant-pop — choral synths and whispered melody, songs that feel lit by candles and screens at once.
SG Lewis
UK dance-pop craftsman — glossy, feel-everything disco-house built for golden hour, collaborator to half of pop's A-list.
Trixie Mattel
The drag superstar behind the decks — camp, pop edits, and pure joy, with folk-album credentials in the back pocket.
Space 92
French techno on the big-room end — driving, melodic, precise, engineered for the main-stage laser budget.
Popof
French techno veteran — acid-flecked grooves from a free-party lifer, rave roots audible in every squelch.
Spacey Jane
Perth indie-rock with aching hooks — Australia's biggest new guitar band, 'Booster Seat' devotion at full volume.
CMAT
Irish country-pop with a wicked sense of humor and a bigger voice — a riotous live show that swings from comedy to gut-punch inside one chorus.
Amble
Irish folk trio — hushed three-part harmonies and homesick story-songs that have been quietly filling rooms far bigger than anyone expected.
SOFIA ISELLA
Viral dark art-pop — spoken-word menace over strings, Gen Z's gothic conscience with a scalpel for a pen.
Bambii
Toronto's genre-splicing club force — dancehall, jungle, and R&B collide in her JELLY parties and productions, remapping the dancefloor around diasporic bass.
MICO
Filipino-Canadian pop craftsman — hooks first, feelings close behind, Toronto polish on diary-page pop, earworms with genuine warmth underneath.
Between Friends
Sibling duo making fuzzy, playful alt-pop with internet-era intimacy — lo-fi textures and hooks that sound DM'd directly to you.
Valley
Toronto pop-rock quartet — glossy, sentimental, and huge with the TikTok-indie crowd, harmonies engineered for the closing montage.
Zoe Gitter
Tia Wood
Cree and Salish singer weaving Indigenous roots into warm folk-pop and R&B — powwow-honed vocals in a new frame.
Billie du Page
Fernie
Montreal soul voice — intimate, bilingual R&B delivered with jazz-club poise and late-night restraint, songs that hush a room into leaning closer.
DELAVELOUR
AVIV
Toronto's teenage alt-pop riser — bedroom-written songs with pop-punk teeth and a diarist's eye for adolescent detail.
fanclubwallet
Hannah Judge's bedroom-built indie rock — wry, fuzzed-out, and quietly anxious, small songs with hooks that refuse to leave.