Chase & Status
Two decades of British drum-and-bass that keeps crossing into the charts without ever softening the low end — scene elders who never stopped moving with it.
House comes home — four Labor Day weekend days in Union Park with Chicago's own founders on the bill beside the current European vanguard.
ARC's pitch is 'house comes home', and it earns it: this is a Chicago festival that puts the city's own founders on the same bill as the current European circuit. Derrick Carter, Green Velvet, Mike Dunn, DJ Heather, DJ Lady D, Colette and Lil' Louis all appear, alongside Carl Craig, Moodymann and Stacey Pullen from Detroit.
2026 expands to four days across Labor Day weekend at Union Park, with a new Midway stage joining Grid, Area 909 and Expansions. The international end runs from Underworld and Honey Dijon to Anyma, Michael Bibi, Chris Stussy, Sara Landry and Nia Archives. Every act's day is published.
One sourcing note: ARC had not put a 2026 lineup page on its own site when this was compiled, so the day-by-day split here comes from JamBase's listing. B2B pairings are listed as individual artists there rather than as joint billings.
Expect house, dance, techno and tech-house across 138 acts.
Day splits are sourced from JamBase, which lists b2b pairings as separate artists. The festival's own site had not published a 2026 lineup page at the time of writing.
September 4–7, 2026 — expanded to four days over Labor Day weekend.
Union Park in Chicago, Illinois.
Chase & Status (Friday), The Blessed Madonna (Saturday), Underworld (Sunday) and Honey Dijon (Monday).
138 acts across four days and four stages.
House and techno almost exclusively, with a strong emphasis on Chicago and Detroit originators.
Type a few artists you already love into the search at the top of this page and you'll get ranked matches from this lineup, with reasons.
Lollapalooza lineup →Hopscotch lineup →The Fest lineup →Rebellion lineup →III Points lineup →Lost Lands lineup →Louder Than Life lineup →All Points East lineup →Aftershock lineup →End of the Road lineup →Warped Tour Orlando lineup →Austin City Limits lineup →Reading & Leeds lineup →EDC Orlando lineup →Bourbon & Beyond lineup →Riot Fest lineup →Outside Lands lineup →Green Man lineup →HARD Summer lineup →Osheaga lineup →Bass Canyon lineup →Hulaween lineup →Honcho Campout lineup →Portola lineup →Furnace Fest lineup →Shaky Knees lineup →Sick New World Texas lineup →Hinterland lineup →All Things Go DMV lineup →Raleigh Wide Open lineup →Oceans Calling lineup →Darker Waves lineup →Bumbershoot lineup →Ohana lineup →Sea.Hear.Now lineup →Iron Blossom lineup →All Things Go NYC lineup →
Going to ARC 2026? Get tickets ↗
Two decades of British drum-and-bass that keeps crossing into the charts without ever softening the low end — scene elders who never stopped moving with it.
Amsterdam's minimal-house standard-bearer — deep, warm, relentless grooves that made him one of Europe's most booked underground names.
Hard techno delivered with genuine showmanship — one of the fastest rises in the genre in years, industrial pressure with headliner presence.
Hessle-adjacent producer whose records sit precisely between garage, house, and something harder to name — 'Hyph Mngo' to now, always slightly ahead.
The selector's selector — Hessle Audio's omnivorous ear, no productions needed; a world-class reputation built purely on what he plays and how.
Italian trio behind some of the decade's biggest vocal house records, built for very large rooms — 'Piece of Your Heart' just the start.
Sugar-rush club music — Jersey club drums and glittering hyperpop melody, engineered for maximum serotonin per minute.

London duo who sing on their own records — moody, vocal-led melodic house that carries actual songs into progressive territory.
Newcastle producer and progressive-house mainstay — long, patient builds with the discipline of someone who trusts the room to wait.
Miami duo making raw, hardware-driven Latin club music with genuine local roots — dembow and techno melted together live.
Amsterdam's hard-trance revivalist — acid lines and 150 BPM joy, rave classicism played with total exuberance.
Ukrainian DJ whose melodic techno sets found an enormous audience through livestreams — scenic-backdrop streams turned into real-world bookings.
Leeds duo distilling UK rave history into widescreen, hands-up euphoria — piano stabs and breakbeats aimed at the sunrise.
New-school UKG — swung drums and sub-bass pressure from the garage revival's next rank, two-step engineered for new floors.
Montreal's arch electroclash survivor — deadpan vocals, filthy synths, and a sense of humor most techno lacks, 'Sunglasses at Night' included.


Kentucky-raised, Chicago-schooled — a selector with genuine dance-music scholarship and no snobbery about joy, rave history taught from the booth.
Second-wave Detroit techno architect whose productions still sound like they were made next year — a catalog that treats techno as jazz's rightful heir.
Detroit's most idiosyncratic house producer — soul and funk samples left gloriously raw, played from behind sunglasses and mystique.

Detroit second-waver known for long, patient sets that build for an hour before they land — the Kosmic Messenger in no hurry.
British tech-house producer with a knack for the rolling bassline that empties the bar and fills the floor — label-boss instincts tuned for peak time.
Dutch producer whose breakout single became one of the most-played club records of its year — 'Drugs from Amsterdam' bounce, still going.
Italian duo whose acid-drenched, punishingly fast techno is performed live on hardware, not laptops — improvised 303 lines and kick drums that treat 150 BPM as a starting point.

Made 'French Kiss', one of house music's foundational and most notorious records — Chicago originator status that needs no further argument.
New Zealand brothers making hazy, dub-tinged deep house that never rushes — patient grooves with a jazz record collection audibly behind them.
Chicago house DJ who sings live over her own sets — a rare and genuinely tricky thing to pull off, honed across decades in the city's scene.
Monnom Black boss dealing in fast, industrial-edged techno with no soft landings — London-honed pressure that European warehouses treat as gospel.

A pillar of Chicago's house scene since the '90s — deep, unshowy, impeccably mixed sets that put craft above spectacle every time.



Superjane co-founder and long-standing figure in Chicago's house community — soulful selections from one of the scene's essential advocates.
French producer pairing brutal industrial techno with unexpectedly romantic melodies — heartbreak at 150 BPM, warehouse catharsis with an unexpectedly soft center.

Warm, melodic deep house with a hand-played feel and a soft spot for jazz chords — headphone house that still moves a floor.

Amsterdam tech-house workhorse — dark, rolling, precise, and seemingly booked every weekend somewhere in Europe, grooves with total technical control.
Hot Haus boss playing the groovy, no-nonsense end of tech-house — Berlin discipline with real swing.

One of hard techno's fastest-rising names — high-BPM, hands-in-the-air brutality, industrial kicks stacked to the ceiling.

MOOD label boss playing dark, tribal-leaning techno with a heavy emphasis on groove — delivered with marathon-set stamina.

Barcelona veteran and Music On regular — minimal tech-house played with total precision, a technician's technician.
Half of Deep Dish, then a second career in stripped, hypnotic techno — Grammy-winning past, minimalist present, both played with surgical precision.
Australian house heater — half of the HYPERBEAM b2b with OMNOM, flip-happy edits with festival-scale bounce.
Euphoric, garage-inflected house with a melodic streak that lands somewhere between rave and daydream — full-color club joy.
Karl Hyde's stream-of-consciousness vocals over Rick Smith's builds — 'Born Slippy' was only ever the doorway into a much stranger catalogue.
Matteo Milleri's solo project, pairing cavernous melodic techno with AI-rendered visual worlds built for the biggest screens available — half DJ set, half sci-fi planetarium.
Leeds-via-Bradford producer leading the jungle revival — breakbeats under genuinely tender songwriting, rave history reclaimed as diary.
Brazil's house prodigy — swaggering, sample-happy sets that made him a global fixture overnight, Boiler Room charisma at main-stage scale.
Berlin's gabber-punk duo — screamed German vocals over pummeling club tempos, equal parts rave, hardcore show, and performance-art provocation.
Bristol producer and reliable festival closer — big, bouncing, unsubtle tech-house, beard and bass both substantial.
Croatian producer specialising in bass-house edits that detonate on a festival system — label-boss instincts with peak-time aim.
Fast-rising producer with a knack for a hook that survives being played at 128 BPM — peak-time tools with real earworms.

Brazilian house phenom — young, relentless, and groove-first, riding the country's house wave onto festival main stages worldwide.
Punchy, bass-forward tech-house built for peak time and nothing else — London-honed grooves engineered for the exact moment the room tips over.
Melodic techno with classical training audible under the sub-bass — cinematic builds engineered with a composer's patience.
Afterlife-affiliated producer working the widescreen, cinematic end of melodic techno — big-screen builds engineered for the label's cathedral aesthetic.
Spanish producer whose rolling, sample-flecked tech-house is a Solid Grooves staple — Madrid groove-craft built for long, locked-in floors.
UK tech-house craftsman with rolling, low-slung grooves — club tools built with real swing rather than big-room bombast.
Live From Earth affiliate splicing trance euphoria into contemporary club music — Berlin-honed sets that treat nostalgia as fuel, not a crutch.
Australian producer whose hard-edged, garage-inflected house has spread well beyond Melbourne — grit-first club heat with genuine menace in the drops.

Big Saldo's Chunkers boss digging into rugged, sample-heavy Chicago-indebted house — Belfast grit with crate-dug warmth.
Live From Earth co-founder making rowdy, meme-literate club tracks — ghetto-tech cheek at Berlin volume, club chaos with a grin.
One of Chicago house's original producers, still making records that sound like 1988 in the best way — delivered with a preacher's baritone.
Brisbane warehouse techno — breakbeats and big-room adrenaline, Australia's rave revival at full charge, breaks with zero brakes.

Producer who started uploading at fifteen and grew into genuinely lush melodic electronica — bedroom beginnings, headphone-cinema results.
Brooklyn duo making tech-house with actual jokes in it — Dirtybird's sense of humour intact, wobbling basslines with a wink.
LA DJ in the Dirtybird lineage — percussive, playful, built for a warehouse, grooves with a smirk.
Chicago house pedigree carried onto fashion-world stages — a DJ who plays for dancers, not the camera, with Grammy-winning production credits to match.
Chicago house royalty with a green-haired alter ego and a catalogue of acid-house hooks that never stopped filling floors — 'La La Land' still detonates.
Chicago house royalty and one of the great technical selectors — decades deep and still unpredictable, mixing with a jazz musician's wit.
Solid Grooves boss whose rolling, bass-forward tech-house became the sound of a generation of clubs — London underground gone worldwide.

Brazilian techno producer with a melodic streak that lifts her sets out of pure functionalism — big-room pressure with actual emotional architecture underneath.
Crosstown Rebels founder and Day Zero curator — desert-mystic house with a theatrical streak, staging dance music as ceremony wherever he lands.


French producer working the groovy, stripped end of minimal house — hypnotic tools with real bounce.
Cello-trained Istanbul selector — sun-drenched, organic house that folds Mediterranean color into long, golden-hour sets, jet-set warmth with classical bones.
Danish trio who play electronic music as an actual band — live drums, vocals, and a knack for the euphoric build.
Manchester house on the rise — rolling, minimal grooves for sunset slots, one of the UK underground's fastest-moving names.

Bassiani and Berghain regular known for hard-groove sets mixed on three or four decks — vinyl-heavy technique at warehouse intensity.







Brazil's biggest house export — melodic, festival-scaled, and unashamedly emotive, São Paulo stadiums to global main stages.