Kieran Hebden's glowing folk-tronic universe — patient builds that hit like revelation, two decades of textures that make dance music feel handmade.
From London, UK · Sounds like Caribou, Bonobo, Jon Hopkins, Floating Points
Four days under the Black Mountains — folk, psych, and left-field pop in Wales's mist-wrapped mountain amphitheatre.

Green Man is the UK festival people get evangelical about: four August days in a natural amphitheatre under Wales's Black Mountains, capped at a size where you can actually move, with a burning of the Green Man effigy to close and not a single sponsor banner in sight. The 2026 bill is peak Green Man — Four Tet, Wolf Alice, Wilco, and Mogwai up top, The Beta Band reunited, Sparks being Sparks, and below them the festival's specialty: psych, folk, Welsh-language pop, dub, and left-field discoveries stacked deeper than bills twice its size. Mountain weather included, no extra charge.
Expect electronic, indie rock, post-punk and folk across 96 acts.
Search it, filter by day, stage or genre — save anything straight to your schedule.
Kieran Hebden's glowing folk-tronic universe — patient builds that hit like revelation, two decades of textures that make dance music feel handmade.
From London, UK · Sounds like Caribou, Bonobo, Jon Hopkins, Floating Points
Glasgow's volume worshippers — instrumental post-rock that goes from whisper to avalanche, thirty years of earplugs earned.
From Glasgow, UK · Sounds like Explosions in the Sky, Godspeed You! Black Emperor, This Will Destroy You, Sigur Rós
America's great art-rock institution — 'Yankee Hotel Foxtrot' to now, endlessly generous live, Nels Cline solos included.
From Chicago, IL · Sounds like Son Volt, Uncle Tupelo, The National, My Morning Jacket
Mercury-winning UK alt-rock — from whispered folk to full-throated fuzz in one set, Ellie Rowsell commanding every register.
From London, UK · Sounds like Foals, Florence + the Machine
New Zealand's shapeshifting folk enigma — every song a different possession, delivered with unnerving stillness, strange voices, and total command of a silent room.
From Lyttelton, NZ · Sounds like Weyes Blood, Julia Holter, Marika Hackman
Operatic guitar heroine — twice Mercury-shortlisted, all flamenco-flecked drama and white-knuckle restraint until the Telecaster finally erupts.
From London, UK · Sounds like PJ Harvey, St. Vincent, Patti Smith, Marissa Nadler
Louche London spoken-word pop — Ian Dury's boy, filthy and funny over silk grooves, delivering seedy character studies like a lounge singer gone wrong.
From London, UK · Sounds like Ian Dury, Jarvis Cocker, Sleaford Mods, Fat White Family
The selector's selector — Hessle Audio's omnivorous ear, no productions needed; a world-class reputation built purely on what he plays and how.
From London, UK · Sounds like Pearson Sound, Joy Orbison, Objekt
Chan Marshall's smoke-and-velvet songbook — fragile, fearless, singular, whether reinventing her own catalog or channeling Dylan's.
From Atlanta, GA · Sounds like Angel Olsen, Sharon Van Etten, Mazzy Star
Welsh art-pop's crooked genius — angular, elegant songs bent at fascinating angles, and a home-turf hero on any Welsh bill.
From Carmarthenshire, UK · Sounds like Deerhunter, Stereolab, Weyes Blood
Smoke-voiced British soul — torch songs with modern nerve, a BRIT-anointed voice built for the spotlight and the string section.
From Brighton, UK · Sounds like Amy Winehouse, Adele, Duffy, Jorja Smith
The 'Drone Logic' architect live — strobe-lit techno with a shoegaze heart, walls of texture that blur the line between club and gig.
From London, UK · Sounds like Jon Hopkins, Bicep, Nathan Fake
Deadpan spoken-word over wiry post-punk — Florence Shaw's found-text poetry delivered motionless while the band churns behind her.
From London, UK · Sounds like Wet Leg, Yard Act, Squid, black midi
Young Chicago trio channeling '80s–'90s indie — deadpan harmonies over jangling guitar pop, Sonic Youth homework turned into something their own.
From Chicago, IL · Sounds like Sonic Youth, Stereolab, Yo La Tengo, The Breeders
Philly band swinging between shoegaze tenderness and full-throated hardcore, often inside one song — catharsis with total dynamic control.
From Philadelphia, PA · Sounds like Speedy Ortiz, Bully, Soccer Mommy, PUP
Brooklyn's OMD-hearted synth-pop romantics — motorik melancholy that soars live, analog synths and total sincerity, romance for drum machines and the people who love them.
From Brooklyn, NY · Sounds like OMD, New Order, The Killers, Depeche Mode
'New Forms' and beyond — Bristol jungle royalty with a Mercury on the shelf, breaks chopped like it's 1997 forever.
From Bristol, UK · Sounds like Goldie, LTJ Bukem, Krust, Photek
Dub's mixing-desk prodigy — King Tubby's heir rewiring bass in real time, a live dub masterclass at festival volume.
From Kingston, JM · Sounds like King Tubby, Lee "Scratch" Perry, Augustus Pablo, Mad Professor
South London post-punk's sweatiest live act — communion by mosh, shirtless and crowd-borne by mid-set, 'One Rizla' to now, all sweat.
From London, UK · Sounds like IDLES, Fontaines D.C., Squid, black midi
Norwegian duo's icy avant-pop — classical strings meet club unease, beauty kept deliberately off-balance, fashion-week cool with conservatory bones.
From Oslo, NO / Copenhagen, DK · Sounds like Arca, FKA twigs, Kelela, Erika de Casier
North London's warped pop miniaturists — sticky hooks, uncanny angles, songs that sound familiar until they curdle.
From London, UK · Sounds like black midi, Squid, Goat Girl
The Mael brothers' 50-year art-pop conspiracy — wittier than everyone, still ahead, and finally getting the flowers.
From Los Angeles, CA · Sounds like Roxy Music, Devo, Talking Heads, Pet Shop Boys
Dublin garage-punk catharsis — Karla Chubb turns anxiety into anthems, every chorus a controlled explosion, the city's loudest catharsis specialists.
From Dublin, IE · Sounds like Fontaines D.C., Wet Leg, IDLES, The Murder Capital
Scotland's beloved kitchen-sink psychedelicists, reunited — 'Dry the Rain' at last, and the High Fidelity scene made flesh.
From Edinburgh, UK · Sounds like The Avalanches, Gomez, Super Furry Animals, Beck
Trip-hop's shadow king — the whispered menace of 'Maxinquaye' live, Bristol paranoia thickened by three decades.
From Bristol, UK · Sounds like Massive Attack, Portishead
Asheville's country-gaze storytellers — lap steel, feedback, and busted-truck poetry, narrating the South's weird corners in high fidelity.
From Asheville, NC · Sounds like MJ Lenderman, Waxahatchee, Big Thief
NYC's loudest band — strobe-and-feedback annihilation through homemade pedals, carrying the Jesus and Mary Chain's torch straight into the noise floor.
From Brooklyn, NY · Sounds like The Jesus and Mary Chain, My Bloody Valentine, Metz
Leeds lads making hardware-driven post-punk bangers about mundane dread — deadpan vocals over squelching synths, pitched somewhere between a big night out and an existential crisis.
From Leeds, UK · Sounds like Working Men's Club, Suicide, Squid, LCD Soundsystem
Hot Chip's falsetto heart alone at the piano — tender machine-soul unplugged, reworking dance euphoria into something small, strange, and quietly devastating.
From London, UK · Sounds like Hot Chip, James Blake, Sufjan Stevens, Rufus Wainwright
Rio's disco-funk polymath — boogie basslines, tropical glam, and a crate-digger's command of Brazilian pop history reassembled into something completely current.
From Rio de Janeiro, BR · Sounds like Sessa, Tim Maia, Gilberto Gil, Rubel
Welsh dream-pop noir — slow-burn electronics and 3 a.m. honesty, building club pulses into songs that stay whisper-close no matter how big the room gets.
From Wrexham, UK · Sounds like London Grammar, Beach House, FKA twigs
The lost-tape legend himself — hyperactive Twi rap-highlife joy, rescued from an obscure cassette by Awesome Tapes From Africa and turned into a global dance party.
From Kumasi, GH · Sounds like William Onyeabor, Ebo Taylor, Fela Kuti
Minimalist LA synth-punk trio — icy grooves and motorik precision, like a security-camera feed of a party you're not cool enough to attend.
From Los Angeles, CA · Sounds like Devo, Suburban Lawns
Techno DJ turned dream-pop bandleader — DJ-Kicks grace rebuilt at song scale, club-honed instincts smoothed into gauzy, sophisticated pop.
From San Francisco, CA · Sounds like Beach House, Jessy Lanza, Caroline Polachek, Cocteau Twins
The Welsh voice-of-an-angel leading a maximalist covers party — pure joy, zero irony, and a setlist that swerves from pop bangers to power ballads without apology.
From Cardiff, UK
Church Village Collective — Welsh good-time rock with '70s harmonies, guitar-solo swagger, and a bar-band looseness played at festival scale.
From Church Village, UK · Sounds like The Black Crowes, Fleetwood Mac, The Doobie Brothers
Barcelona's tribal-industrial duo — chants and drum machines in lockstep, EBM pulse with a Mediterranean ritual streak.
From Barcelona, ES · Sounds like Cabaret Voltaire, Front 242, Boy Harsher
Fat White-adjacent acid-house deviants — sleaze at 303 pressure, live, like a basement club night gone gloriously wrong.
From London, UK · Sounds like Fat White Family, LCD Soundsystem, Andrew Weatherall
Drum & bass's quiet radical — deep, soulful selections from a scene lifer who has championed the genre's overlooked voices for decades.
From London, UK · Sounds like Goldie, LTJ Bukem, Fabio & Grooverider
Hushed, unhurried songwriting — a new voice with old grace.
From London, UK

North London's wry indie-pop prodigy — glitter over grit, fuzzy hooks with a lyricist's smirk underneath.
From London, UK · Sounds like Beabadoobee, Soccer Mommy
Richard Russell's XL house band — rotating voices, deep soul, the label boss producing a revue built on whoever's in the room.
From London, UK · Sounds like Gorillaz, Sault, Massive Attack, Blood Orange
NYC's buzziest indie-dance trio — baggy house grooves with downtown cool, like Madchester relocated to a Chinatown basement.
From New York, NY · Sounds like Confidence Man, Jamie xx, Primal Scream
Wye Oak's Jenn Wasner solo — knotted, generous art-pop where the guitar heroics hide inside the arrangements.
From Baltimore, MD · Sounds like Wye Oak, Sylvan Esso, Big Thief
Chicago's chamber-punk romantics — big feelings, bigger crescendos, and a debut that made half the indie press swoon.
From Chicago, IL · Sounds like Arcade Fire, Los Campesinos!
Bristol's absurdist funk-punk duo — crisps, capitalism, and cowbell, mundane British life set to grooves that genuinely slap.
From Bristol, UK

From UK
Burlington's cracked-country rocker — road-worn songs that lurch and soar, scuffed-up guitar poetry in the Lenderman school.
From Burlington, VT · Sounds like MJ Lenderman, Bill Callahan
Fingerpicked folk parables — 'The Bug Collector' and quiet devastation, garden-and-insect imagery hiding songs that cut deep.
From Portland, OR · Sounds like Big Thief, Julie Byrne, Adrianne Lenker, Angel Olsen
Texas duo's pillow-soft indie pop — warm tape hiss and quiet ache, songs that feel like naps you wake from slightly sad.
From Austin, TX · Sounds like Alex G, Pinegrove, Elliott Smith
Fat White Family's Saul Adamczewski gone easy-listening — seedy lounge-pop pearls, sweetness with something unsettling underneath.
From London, UK · Sounds like Fat White Family, Sean Nicholas Savage
Simian Mobile Disco's half and producer to Arctic Monkeys — solo pastoral electronics, a studio polymath finally under his own name.
From London, UK · Sounds like Simian Mobile Disco, Jon Hopkins
Manchester's hyper-collage electronics — noise, pop, and motorsport samples spliced into club music with a crash-test thrill.
From Manchester, UK · Sounds like SOPHIE, Iglooghost, Arca
Gothic disco-pop melodrama — hooks with a broken grin, theatrical sadness you can dance to, camp and heartbreak sharing one microphone.
From London, UK · Sounds like Charli XCX, Empress Of, Christine and the Queens
Dean Blunt's favorite guitarist — smudged, dreamlike folk sketches that hover somewhere between demo and dream.
From UK · Sounds like Dean Blunt, Grouper, Vashti Bunyan
Cherokee songwriter with an old soul — quiet Oklahoma folk that cuts deep, lines that sound handed down rather than written.
From Moore, OK · Sounds like Zach Bryan, Waxahatchee, Adrianne Lenker, Gillian Welch
London-Congolese powerhouse — rumba, soukous, and horn-stoked joy, virtuosic musicianship played strictly for dancing, Kinshasa tradition at London velocity.
From London, UK · Sounds like Franco & TPOK Jazz, Kokoroko, Ibibio Sound Machine
Omnichord hymns from rural Virginia — luminous, homespun minimalism, songs that glow like lamplight through gauze.
From Virginia · Sounds like Angel Olsen
Brighton's wonky-pop quartet — groove-led indie with a wink, disco basslines under deadpan observations, art-school playfulness with proper hooks.
From Brighton, UK · Sounds like Wet Leg, Sports Team, Courting
Technicolor rave nostalgia — breakbeats bathed in VHS sunshine, hardcore's golden era remembered warmer than it ever actually sounded.
From Nottingham, UK · Sounds like Boards of Canada, Bibio, Mount Kimbie
West-of-Ireland dream-pop — mist, radio static, and 4AD hush, Connemara landscape rendered as sound, songs that drift in like weather.
From Connemara, IE · Sounds like Grouper, Beach House, Cocteau Twins, Julee Cruise
Montreal's deadpan club philosopher — 'Work It' irony at 130 BPM, electro-club critique you can sweat to.
From Montreal, QC · Sounds like Helena Hauff, Peaches, Nitzer Ebb, Boys Noize
Danish artist building weightless guitar-pop out of processed tones and near-whispered melody — uncanny-valley beauty rendered in high definition.
From Copenhagen, DK · Sounds like Grouper, Julianna Barwick, Cindy Lee, Sufjan Stevens
Uncanny English art-folk — pastoral songs with teeth, violin scrape and strange narratives from London's experimental fringe.
From London, UK · Sounds like Black Country New Road, Squid, black midi
Portland motorik machine — kosmische propulsion, strictly forward, Neu! worship played with total discipline, grooves that lock in and refuse to blink.
From Portland, OR · Sounds like Neu!, Can, Stereolab
From UK
Togolese voodoo-pop — call-and-response trance over analog synth bass, women's voices carrying ritual into the club.
From Lomé, TG · Sounds like Tinariwen, Ibibio Sound Machine, Bombino
From UK
Brighton's brass-blasted jazz-punk cabaret — sleazy, sweaty, superb, like the house band for a bar you shouldn't be in.
From Brighton, UK · Sounds like Fat White Family, black midi, The Murder Capital, Squid
West-coast gothic folk — spectral voice over darkwave undertow, songs that flicker like candlelight in a drafty room.
From British Columbia, CA · Sounds like Chelsea Wolfe, Zola Jesus, Julee Cruise
Cardiff's funniest, fiercest punks — group-chat energy with riffs, in-jokes sharpened into anthems, the funniest serious band in Wales.
From Cardiff, UK · Sounds like Amyl and The Sniffers, Lambrini Girls
Hebridean psych-folk mischief from the Isle of Eigg's one-man label boss — island whimsy with an experimentalist's ear.
From Isle of Eigg, UK · Sounds like King Creosote, Sparklehorse, Mercury Rev

From UK
Izzy Hagerup's gnarled, gripping songs — beautiful and unsettling at once, a voice that turns rooms silent mid-chord.
From Western Massachusetts · Sounds like Palehound, Angel Olsen, Adrianne Lenker, Snail Mail
Detroit noise-punk provocation — confrontational and magnetic, a live show that dares you to look away.
From Detroit, MI
Seoul garage-punk cool — bratty hooks with art-scene bite, international underground buzz well earned, the city's coolest new export.
From Seoul, KR · Sounds like Shonen Knife, The Kills, Bikini Kill
Irish folk with a glitching hard drive — wry songs, warped tape, tradition run through a broken laptop on purpose.
From Mayo, IE · Sounds like Beirut, Tunng, Villagers, Sam Amidon
Sun City Girls' guitar mystic — flamenco, raga, and surf in one restless hand, improvisation as travelogue.
From Phoenix, AZ · Sounds like John Fahey, William Tyler, Robbie Basho
From UK
Deptford's communal jazz ritual — horns, chants, and South London uplift, a weekly session grown into a movement.
From Deptford, UK · Sounds like Sons of Kemet, Ezra Collective, Kokoroko, Nubya Garcia
Leeds's dub-jazz seven-piece — sub-bass warmth under velvet vocals, headphone music that fills a field, cinematic low-end played fully live.
From Leeds, UK · Sounds like Cinematic Orchestra, Bonobo, Portico Quartet, Nightmares on Wax
Saharan desert-blues caravan — Tamasheq anthems of exile and pride, hypnotic guitar circles under open sky.
From Kidal, ML · Sounds like Tinariwen, Bombino, Mdou Moctar, Ali Farka Touré
Bristol's hushed jazz-ambient miniatures — trip-hop's gentlest descendants, small songs that rewire a room's attention, quiet music with total gravity.
From Bristol, UK · Sounds like Portishead, Broadcast, This Is the Kit
Melbourne guitar-pop with Strokes-y snap — Australia's word-of-mouth favorite, tight songs played loose, garage-pop craft beyond their years.
From Melbourne, AU · Sounds like The Strokes, Courtney Barnett, The Cribs
Welsh garage-pop machine — two-minute songs, endless charm, home-crowd advantage, and a work rate that shames most bands.
From Caldicot, UK · Sounds like The Cribs, Buzzcocks, Wet Leg
Gareth Bonello's Welsh-language folk — riverbank fingerstyle and hiraeth, tradition carried gently forward, one of Cardiff's quietest treasures.
From Cardiff, UK · Sounds like Nick Drake, Vashti Bunyan, Fionn Regan
Brighton's ritualistic folk-punk coven — violin, drums, and wild-eyed harmony, part gig and part rite, folk horror you can dance to.
From Brighton, UK · Sounds like Goat, Black Country New Road
Welsh-London jangle-punk — Richard Thompson melodies at Buzzcocks speed, folk-club craft in a punk frame, the revival's sharpest writers.
From London, UK · Sounds like Buzzcocks, The Feelies, Richard Thompson, Television

From UK
Big-hearted showman-rock — a bar-band Springsteen for the group chat era, played with total sincerity, showmanship as its own kind of honesty.
From Los Angeles, CA
Reverb-drenched art-rock — two guitars arguing beautifully, motorik patience under the haze, built for repeat listens.
From London, UK · Sounds like Deerhunter, Sonic Youth, My Bloody Valentine
From UK
Melbourne soft-pop sunshine — strings, Rhodes, and easy grace, '70s studio-pop craft revived gently, sunshine engineered in the studio.
From Melbourne, AU
Manchester's buzzy new guitar gang — scrappy, hook-first, rising fast on word of mouth, and the hype is earning itself.
From Manchester, UK
August 20–23, 2026 — Thursday through Sunday.
The Glanusk Estate in the Brecon Beacons (Bannau Brycheiniog), Wales — a natural mountain amphitheatre.
Four Tet, Wolf Alice, Wilco, and Mogwai.
This page tracks the 96-act core music bill; the full site program adds Rising-stage newcomers, DJs, comedy, and science talks.
Green Man publishes its day splits and set times on its site closer to August. Save your acts on LineupScout and they'll become a personal schedule the moment times land.
Tell the finder at the top of this page a few bands you love — it'll match you with your must-see sets, with reasons why.
Going to Green Man 2026? Get tickets ↗
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