Above & Beyond
Trance's group-therapy session — push-the-button moments and crowds crying happy tears at sunrise.
Montreal's electronic weekend on Île Sainte-Hélène — two days of house, bass and trance on the same island stages Osheaga uses a week earlier.

îLESONIQ is the electronic weekend on Parc Jean-Drapeau — the same island stages Osheaga uses a week earlier, handed over to house, bass and trance. The 2026 edition is its 11th: two days, three stages, 46 acts, plus a downtown prelude, îLESONIQ in the City, on the Friday night before the gates open.
Saturday is the four-to-the-floor day. Chris Lake & Friends closes the Bell OASIS stage after deadmau5, Boris Brejcha and a Boys Noize b2b Tiga hold the MIRAGE tent, and ATLiens takes the Coca-Cola NEON stage into the night. Sunday runs melodic and heavy at once — Dom Dolla headlines, Above & Beyond play into the sunset, and MIRAGE stacks Seven Lions, Wooli and Dabin back to back. Set times and stages are published for every act.
Expect house, dubstep, techno and electronic across 46 acts.
Search it, filter by day, stage or genre — save anything straight to your schedule.
Trance's group-therapy session — push-the-button moments and crowds crying happy tears at sunrise.
The Black Book boss whose vocal-hook tech house set the template a hundred producers now copy — the "& Friends" billing means a rotating cast of guests through the set.
The mouse head outlasted every trend it was supposed to date with. Joel Zimmerman builds progressive house like architecture — long, patient, cold-edged, and unbothered by the drop.
Australian tech house built for the moment the whole field sings back — big, simple basslines and a vocal you'll still be humming at breakfast.
Masked Atlanta duo working the dark, alien end of festival bass — extraterrestrial lore, subterranean growls, and drops built for maximum abduction.
German 'high-tech minimal' techno in a joker mask — precise, melodic, relentless, with marathon sets that build like clockwork machinery.
Berlin electro meets electroclash mischief — two producers who have been bending club music sideways since the mid-2000s.
Melodic house from both ends — widescreen Australian polish against Finnish deep-house patience.
UK bass house at its most swaggering — rolling low end and hip-hop cadence, built for a dark room rather than a sunny field.
High-velocity festival bass designed for maximum impact in the shortest possible window — Ohio-bred drops engineered like demolition charges.
Melodic bass with a guitarist's instincts — emotional drops built around playing rather than only programming.
Melodic house with actual guitars — classically trained multi-instrumentalist whose live sets turn festival EDM into something closer to a band performance.
Norwegian brothers making melodic, festival-facing house — polished grooves engineered for golden-hour main stages, sleek Scandinavian craft with real emotional lift.
Two heavy-dubstep technicians trading eight bars at a time — grit against Disciple-school precision.
Melodic dubstep with a trance heart — soaring vocal tops over drops that still hit hard underneath, Ophelia-label worldbuilding included.
Grammy-nominated house duo — greasy basslines and instant grooves, 'On My Mind' the calling card, grooves greasy enough to require napkins.
Nick Douwma's melodic drum-and-bass — euphoric, precisely engineered, and built for a very large sound system, arena-rave architecture at its cleanest.
Swings between crushing riddim and full melodic bass, often inside the same set — mammoth branding, matching drops.
Tokyo cult selector Yousuke Yukimatsu — genre-shredding DJ sets that went from viral clips to worldwide bookings, anything-goes technique with total joy.

Bouncy, bass-heavy tech house built for peak hour — San Diego swagger engineered for the biggest room available.
Montreal DJ working the club-edit end of house — remix-heavy, high-tempo sets.
Montreal party crew turned booth residency — high-energy club sets with a hometown following.
A bass-music tag team, two rising producers splitting one set.
The voice behind a run of dancefloor anthems, now fronting them live rather than only appearing in the credits.
Jump-up drum & bass's loudest new star — pure warehouse chaos, double-drops stacked until the low end wins.
Amsterdam's hard-trance revivalist — acid lines and 150 BPM joy, rave classicism played with total exuberance.
Two riddim technicians back to back — snarling low end against surgical sound design.
Textural, psychedelic bass music — heavy without being blunt about it.
French tech house with peak-time bluntness — big riffs, bigger drops, no subtlety intended.

Liverpool DJ-producer pushing bassline-flecked house — Merseyside heat in the garage revival's slipstream, club momentum rising fast.
Trance and Eurodance revivalism with a wink — 2000s dancefloor nostalgia rebuilt with modern low end, played here under her own DJ Geneviève alias.
Opening-set house and techno from two local selectors, played back to back.
August 8–9, 2026 — Saturday and Sunday. îLESONIQ in the City runs downtown on Friday, August 7.
Parc Jean-Drapeau on Île Sainte-Hélène, Montreal — the same island site as Osheaga.
Chris Lake & Friends and deadmau5 on Saturday; Dom Dolla and Above & Beyond on Sunday.
46 acts across three stages — Bell OASIS, Coca-Cola NEON and MIRAGE.
Yes — the full schedule is out, and every act's day, stage and start time is shown here.
Type a few artists you already love into the search at the top of this page and you'll get ranked matches from this lineup, with reasons.
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