Saxophone-wielding electro-funk — half of the GRIZTRONICS b2b with Subtronics, and a solo catalog of brass-blasted future-funk joy.
Bonnaroo 2026 Lineup
Four days of camping on the Farm in Manchester, Tennessee, with a 104-act bill that runs from stadium dance and pop through indie rock to bluegrass.
Bonnaroo is expected back June 2027 (dates aren't announced yet). Until then, here's the full 2026 lineup and the acts you would have loved.
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About Bonnaroo 2026
Bonnaroo's 23rd edition ran four days on the Farm in Manchester, Tennessee, with 104 acts and a headline slate that barely overlapped in genre: Skrillex opened Thursday, The Strokes led Friday alongside GRiZ, Turnstile and Yungblud, RÜFÜS DU SOL took Saturday with Teddy Swims and The Neighbourhood, and Noah Kahan closed Sunday with Role Model and Kesha.
That spread is the point of Bonnaroo. Friday alone put Blood Orange, Wet Leg and Hot Mulligan on the same day as Lil Jon, Cloonee and Ganja White Night. Saturday ran Alabama Shakes and Rainbow Kitten Surprise against Sara Landry's hard techno. Sunday paired Tedeschi Trucks Band and Modest Mouse with Big Gigantic and San Holo.
The Farm's own traditions carried the weekend too. Kesha hosted the SuperJam (the late-night covers set that has been a Bonnaroo institution for two decades), and "Weird Al" Yankovic played a Saturday late-night Roovue billed, accurately, as Bigger & Weirder.
Expect electronic, indie rock, dance and rock across 104 acts.
Bonnaroo 2026 lineup & schedule: all 104 acts
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Reclaimed her own catalogue and her own name, and now plays the party records and the hard-won ones in the same set.
New England folk-pop about small towns and staying put, delivered with the kind of full-throated chorus that turns an amphitheatre into a choir.
Heartthrob pop with indie manners — 'Sally, When the Wine Runs Out' made him a festival fixture, and the crowd brings the wine.
Emotional stadium-scale melodic house — sunset-slot perfection from the Australian trio, 'Innerbloom' as the communal cry.
Bass music's shape-shifting elder — from brostep infamy to festival-set transcendence, reinvention as a permanent state.
A tattooed Georgian with a genuinely enormous soul voice, who covered his way to a following and then wrote the heartbreak records to match.
Monochrome California moodiness — 'Sweater Weather' and a decade of slow-burn alt-pop, reunited for a generation that streamed them into legend.
The band that rebooted New York rock — a deep catalog of deadpan cool, still untouchable live when the engine catches.
Hardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
UK alt-rock provocateur — theatrical, communal, and louder every year, a fanbase that treats shows like family reunions.
Five decades of the sharpest parody in pop — accordion, costume changes, and songs that outlive what they spoof.
Canadian duo who helped invent melodic dubstep with a run of era-defining remixes — soaring vocals over filthy-then-gorgeous drops that taught bass music how to feel.
Brittany Howard's voice is the whole argument — southern soul-rock that sounds like it was recorded in a room too small for it.
Sisters Aly and AJ Michalka, who left teen-pop behind and rebuilt themselves as writers of widescreen, harmony-driven synth-pop on their own timeline.
Amy Taylor might be the best frontperson alive right now — Aussie pub-punk voltage, all sprint and snarl, from a band that treats every stage like a title fight.
Attic-band indie rock with barefoot summer energy — loose, breezy Long Island guitar songs that built a word-of-mouth following from DIY beginnings.
Wry, conversational pop songwriting from Gracie Abrams's longtime collaborator turned solo act — diaristic detail delivered with sharp comic timing.
Absurdist pop-rap entrepreneurship — 'edamame' energy and meme-fluent hooks, shockingly great live from a performer who takes the joke completely seriously.
Saxophone and live drums over electronic production — the Colorado duo that made horns a festival-stage instrument again, equal parts jam band and drop machine.
Sabrina Teitelbaum writes plainspoken, furious guitar songs about bad relationships and worse coping mechanisms — '90s alt-rock bones under a razor-sharp modern eye.
Dev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak from one of pop's most sought-after collaborators.
John Popper's harmonica-fronted jam band, on the road since the late eighties — 'Run-Around' and 'Hook' surrounded by long stretches of improvisation.
Alex Ridha's brand of electro is abrasive by design — hardware-driven, distorted, and consistently ahead of whatever is fashionable, two decades running.
Buffalo Traffic Jam
Two decades of British drum-and-bass that keeps crossing into the charts without ever softening the low end — scene elders who never stopped moving with it.
Pusha T and Malice, reunited — coke-rap scripture over pristine beats, one of rap's great comebacks and a masterclass in brotherly chemistry.
British tech-house producer with a knack for the rolling bassline that empties the bar and fills the floor — label-boss instincts tuned for peak time.
Australian four-piece playing dance-pop as full choreographed comedy — costume changes, deadpan bits, and one of the best live shows on any bill anywhere.
Dusty, hip-hop-rooted electro-soul that would sound at home on a boom-bap record if you slowed it down — Atlanta sample-craft in the Pretty Lights lineage.
An anonymous, masked bass project that treats its own identity as an unsolved puzzle — cryptic rollouts wrapped around heavy, cinematic drops.
Heartthrob indie-pop — leather-jacket romanticism with pop craft, swooners engineered for the barricade and the long drive home.
The drag superstar behind the decks — camp, pop edits, and pure joy, a set built for singing along in sunglasses.
NYC's buzziest indie-dance trio — baggy house grooves with downtown cool, like Madchester relocated to a Chinatown basement.
Florida indie rock built for festival fields — 'August' euphoria, surging choruses, and a live energy that outruns the recordings.
Kieran Hebden's glowing folk-tronic universe — patient builds that hit like revelation, two decades of textures that make dance music feel handmade.
Gibbs's precision over Alchemist's dusty, soul-sampled loops — one of rap's most reliable pairings, 'Alfredo' chemistry recreated live.
Belgian duo trading in wobbling, psychedelic dubstep with a genuinely distinctive low-end signature — the wobble is the brand and the argument.
Unhinged Brooklyn art-rock — yelping, swaggering, and critically adored, like the Stones reassembled by art students mid-fever.
London duo making vocal-led house that sits comfortably between the club and daytime radio — 'Ready for Your Love' polish with underground bones.
Gleefully off-kilter synth-pop — the med-school-dropout-to-viral-star pipeline, '80s drama sung with total abandon, homemade pop that sounds like nobody else's.
Bruised, cinematic alt-pop — Grantham's bedroom-to-BRIT-Award story, small-town detail sung in a fog of reverb, intimacy that scales to festival fields.
Midwest emo's chaotic favorites — screamed choruses, absurd song titles, real feelings, and a crowd that knows every word including the yelps.
Psychedelic bass producer whose 'Overthinker' became an unlikely streaming phenomenon — Alan Watts samples and warm, curling melody.
Michelle Zauner writes about joy and grief with the same precision, over arrangements that keep getting more ambitious — gong hits and all.
A rasp built for heartbreak, dragging country songwriting through trap drums and open-wound honesty — genre lines treated as suggestions.
Juelz
Kesha Presents: SuperJam Esoteríca: The Alchemy of Pop
Bilious, very funny queer punk that names names — thirty seconds into the set someone is already in the crowd, and nobody is being spared.
Brothers making breezy, jazz-flecked bedroom pop — soft chords, shuffling drums, and a sun-warmed melancholy built for headphones and golden hour.
The architect of crunk, and a DJ set that is essentially two decades of shouted ad-libs delivered at maximum volume.
Charleston outfit stitching loose funk grooves to trade-off verses — genre-hopping party rap with a live-band looseness and a straight face rarely in sight.
The collaborative project of LSDREAM and CloZee — psychedelic bass built more for immersion than impact, two catalogs melted into one liquid set.
Diplo's dancehall-electronic party machine — pure festival serotonin, 'Lean On' and a dozen more global smashes in one set.
Slow-burn Atlanta R&B — heartbreak delivered with surgical calm, ballads that cut deeper for never raising their voice.
Isaac Brock's jittery, seasick guitar songs about the highway and the void — three decades of them, still unmistakable from the first yelp.
Vancouver's TikTok-resurrected art-rockers — quirky harmonies and a huge devoted crowd, a back catalog rediscovered by a generation that made it theirs.
Young Alabama pickers playing traditional bluegrass fast enough to satisfy a jam crowd — flatpicking chops with festival stamina.
Philly folk-rockers grown into amphitheater singalongs — warm, road-tested, communal, with 'Silver Lining' as the nightly high-water mark.
UK bass and garage — clean, physical, dancefloor-first, drops with surgical timing and low-end pressure without a wasted bar.
John Dwyer's endlessly renamed, endlessly prolific garage-psych machine — records at a pace nobody can keep up with and a live show that runs hotter than any of them.
Michael Angelakos's falsetto over maximalist synth-pop — euphoric music about genuinely difficult things, 'Sleepyhead' still a serotonin spike.
British indie-pop with a sharp lyrical edge — bright arrangements carrying much darker subject matter, Croydon storytelling on the rise.
Genre-fluid Boone collective — rapid-fire folk-rock with communal fervor, harmonies stacked high and crowds louder still.
Dutch producer who plays guitar over his own melodic bass music — earnest in a genre that often isn't, sincerity as the signature.
Hard techno delivered with genuine showmanship — one of the fastest rises in the genre in years, industrial pressure with headliner presence.
UK dance-pop craftsman — glossy, feel-everything disco-house built for golden hour, collaborator to half of pop's A-list.
Grammy-nominated house duo — greasy basslines and instant grooves, 'On My Mind' the calling card, grooves greasy enough to require napkins.
St. Louis rapper with an elastic, sing-song flow and jazz-schooled production underneath — Zero Fatigue's playful center of gravity.
Lo-fi electroclash duo — distorted synths and detached vocals for the afterparty, Detroit cool for the post-everything generation.
Perth indie-rock with aching hooks — Australia's biggest new guitar band, 'Booster Seat' devotion at full volume.
San Francisco punk with a swaggering, almost danceable strut — snotty in the best 1979 tradition, suits and sneers included.
Nick Douwma's melodic drum-and-bass — euphoric, precisely engineered, and built for a very large sound system, arena-rave architecture at its cleanest.
A one-person band who builds whole songs live from loops — guitar, beatbox, trumpet, all stacked in front of you.
A twelve-piece built around Susan Tedeschi's voice and Derek Trucks's slide — the most musicianly band on any festival bill.
Australian pub-punk perfection — smoko forever, mullets and minute-long anthems about life's essentials, the nation's finest short-song economists.
Harrison Patrick Smith's sleazy, deliberately retro dance-punk — the sound of 2007 Lower East Side, revived without irony and with a better suit.
The Runarounds
The Stews
Auburn, Alabama band formed in 2020, working a loose, guitar-forward rock sound honed on the Southeastern college circuit.
Troy Andrews plays trombone like a lead guitar, fronting a New Orleans funk band with genuine brass-band muscle — Treme lineage at full blast.
Left pop-punk behind for warm, hazy dream-pop and never looked back — one of the cleaner reinventions in the scene.
Long Beach rapper with a comedian's timing and the bleakest source material — never once sentimental, and funnier live than most comics.
Teenage Arkansas country prodigy — porch-honest writing in the Zach Bryan lineage, wise beyond the birth certificate.
Asheville's country-gaze storytellers — lap steel, feedback, and busted-truck poetry, narrating the South's weird corners in high fidelity.
Deadpan, hook-loaded post-punk — the Isle of Wight duo grown into a full-blast rock band, 'Chaise Longue' just the opening joke.
Unapologetic '70s riff worship played with enough conviction to make the pastiche irrelevant — 'Woman' still a lightning strike.
Oklahoma red-dirt songwriter who went from dorm-room recordings to theatres in about eighteen months — Stillwater sincerity at full sprint.
Comedian and rapper in equal measure — the jokes are real and so, annoyingly, are the songs, beats from rap's A-list included.
Deep, dubwise bass music built on space and restraint rather than impact — subterranean low end and meditative pacing in the West Coast deep-dubstep lineage.
Irish folk trio — hushed three-part harmonies and homesick story-songs that have been quietly filling rooms far bigger than anyone expected.
Southern rock grit on the undercard.
Producer-songwriter making dance music that keeps one foot firmly in pop structure — melodic drops with verse-chorus bones.
Left-field alt-pop from a songwriter who bends her voice into odd, lovely shapes — small songs with strange architecture.
Girl Tones
Cinematic Nova Scotia noir-pop — smoky, widescreen ballads with an old-Hollywood streak, torch songs delivered with movie-star poise.
Jackie Hollander
Midnight Generation
MOTIFV
Korean-American country-blues revivalist — National steel guitar and dust-bowl holler, prewar blues played like breaking news.
Nikita, The Wicked
Los Angeles singer working a vintage soul palette into loose, low-slung funk-pop — falsetto hooks delivered with unhurried swagger.
Australia's percussive-guitar phenom — open-tuned instrumentals that went viral for a reason, two hands doing a band's work.
Bay Area beatdown that turned meme-level swagger into a genuinely feared live act — the joke stopped being a joke fast.
Villanelle
The headliners
Skrillex — Bass music's shape-shifting elder — from brostep infamy to festival-set transcendence, reinvention as a permanent state. Opened the festival on Thursday, two decades into rewiring what bass music sounds like.
The Strokes — The band that rebooted New York rock — a deep catalog of deadpan cool, still untouchable live when the engine catches. Early-2000s New York at its most effortless, headlining Friday.
GRiZ — Saxophone-wielding electro-funk — half of the GRIZTRONICS b2b with Subtronics, and a solo catalog of brass-blasted future-funk joy.
Turnstile — Hardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one. Baltimore hardcore that long ago stopped being only hardcore.
Yungblud — UK alt-rock provocateur — theatrical, communal, and louder every year, a fanbase that treats shows like family reunions.
RÜFÜS DU SOL — Emotional stadium-scale melodic house — sunset-slot perfection from the Australian trio, 'Innerbloom' as the communal cry.
Teddy Swims — A tattooed Georgian with a genuinely enormous soul voice, who covered his way to a following and then wrote the heartbreak records to match.
The Neighbourhood — Monochrome California moodiness — 'Sweater Weather' and a decade of slow-burn alt-pop, reunited for a generation that streamed them into legend.
Noah Kahan — New England folk-pop about small towns and staying put, delivered with the kind of full-throated chorus that turns an amphitheatre into a choir.
Role Model — Heartthrob pop with indie manners — 'Sally, When the Wine Runs Out' made him a festival fixture, and the crowd brings the wine.
Kesha — Reclaimed her own catalogue and her own name, and now plays the party records and the hard-won ones in the same set.
Up-and-comers to catch early
Jessie Murph — Alabama songwriter whose country-trap hybrid has outgrown every room it's been booked in.
Rachel Chinouriri — British indie-pop with bright arrangements carrying much darker subject matter.
Wyatt Flores — Oklahoma red-dirt songwriter, dorm-room recordings to theatres in about eighteen months.
Dora Jar — Oddly shaped guitar-pop that keeps sidestepping the obvious chord.
Lambrini Girls — Brighton punk duo, very loud and very funny about extremely serious things.
Arcy Drive — Long Island four-piece playing loose, jammy indie rock like a garage band that got good.
Hemlocke Springs — Left a graduate degree behind for lopsided, brilliant synth-pop.
Other acts worth planning around
Alabama Shakes — Brittany Howard's voice is the whole argument: southern soul-rock in a room too small for it.
Tedeschi Trucks Band — A twelve-piece built around one great voice and one great slide guitar.
Modest Mouse — Three decades of jittery, seasick guitar songs about the highway and the void.
- Kesha Presents: SuperJam Esoteríca: The Alchemy of Pop — The late-night covers set that has been a Bonnaroo institution for twenty years.
"Weird Al" Yankovic — A Saturday late-night Roovue billed as Bigger & Weirder, which it was.
The lineup by day
Thursday June 11 through Sunday June 14, with the Thursday bill shorter than the three full days that follow.
Thursday lineup (June 11)
Friday lineup (June 12)
The Strokes, GRiZ, Turnstile, Yungblud, Mt. Joy, Major Lazer + 31 more
Saturday lineup (June 13)
RÜFÜS DU SOL, Teddy Swims, The Neighbourhood, Alabama Shakes, Chase & Status, Sara Landry + 30 more
Sunday lineup (June 14)
Noah Kahan, Role Model, Kesha, Tedeschi Trucks Band, LSZEE, Clipse + 21 more
Bonnaroo 2026 lineup FAQ
Who headlined Bonnaroo 2026?
Skrillex on Thursday; The Strokes, GRiZ, Turnstile and Yungblud on Friday; RÜFÜS DU SOL, Teddy Swims and The Neighbourhood on Saturday; Noah Kahan, Role Model and Kesha on Sunday.
When and where was Bonnaroo 2026?
June 11–14, 2026, at Great Stage Park (the Farm) in Manchester, Tennessee. It was the 23rd edition.
How many acts played Bonnaroo 2026?
104 across the four days, plus the SuperJam and a late-night Roovue set.
What is the Bonnaroo SuperJam?
A one-off late-night collaborative set, different every year, built around a host and a rotating cast of guests from across the bill. Kesha hosted the 2026 edition, billed as SuperJam Esoteríca: The Alchemy of Pop.
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