'Ordinary' made the content-creator-turned-balladeer a genuine arena act — big-lunged folk-pop hymns.
Summerfest 2026 Lineup
The World's Largest Music Festival on Milwaukee's lakefront: three weekends, a dozen stages, and amphitheater nights from Garth Brooks to Muse. Headliners listed; hundreds more play the grounds.
Summerfest returns June 24–26, July 1–3 and 8–10, 2027. Until the lineup drops, here's the full 2026 bill and the acts you would have loved.
Find the acts you'll love at Summerfest
Name a few bands you love and we'll scout all 69 acts on the Summerfest bill for the ones you shouldn't miss.
Get notified the moment the 2027 lineup drops
Free account — we'll email you the day it happens, and your saved festivals follow you to every device.
About Summerfest 2026
Summerfest calls itself The World's Largest Music Festival, and the format backs the swagger: three long weekends on Milwaukee's lakefront, a dozen grounds stages, and a nightly amphitheater headliner. The 2026 amphitheater run was a murderers' row. Garth Brooks opened it, then Megan Moroney, Don Toliver, Carín León, Ed Sheeran, Cody Johnson, Post Malone, Muse, Alex Warren and a Fourth of July closer from Jelly Roll.
The grounds stages are where Summerfest's everything-for-everyone identity lives: Styx, David Lee Roth and Echo & The Bunnymen for the classic-rock faithful; Spoon, Kim Gordon, Father John Misty and Amyl and the Sniffers for the indie crowd; Common, Big Daddy Kane, Three 6 Mafia, Sean Paul and Flo Rida across the hip-hop and R&B end (69 tracked acts, with hundreds more playing the grounds across the run).
Expect country, pop, rock and hip-hop across 69 acts.
Summerfest 2026 lineup & schedule: all 69 acts
Search it, filter by day, stage or genre. Save anything straight to your schedule.Browse all 69 acts →
Search it, filter by day, stage or genre. Save anything straight to your schedule.
Sonora's genre-bending superstar — música mexicana with country and soul running through it, and one of the biggest voices in the hemisphere.
Texas rodeo-cowboy-turned-arena-headliner — neotraditional country sung like every night is the last night of the season.
Sings trap like a psychedelic crooner — a warped, weightless voice floating over beats built for a stadium's worth of low end.
One man, one loop pedal, stadium after stadium — the biggest singer-songwriter of his generation doing it without a band.
The best-selling solo artist in American history — 'Friends in Low Places' and a live show that rewrote what a country concert could be.
Nashville's redemption story — rap-sheet honesty turned into tent-revival country-rock that fills stadiums with people who needed the message.
Emo cowgirl — Georgia songwriting with a wink, and the fastest-rising female star in country radio.
Paranoid space-opera rock at maximum scale — riffs, falsetto and conspiracy concept albums built for the biggest possible stage.
Genre-agnostic hitmaker — the face-tattooed everyman who moved from melodic rap to a full country turn without dropping a step.
Maryland pop-punk heroes — two decades of fast, funny, chorus-first anthems, and 'Dear Maria' hits different in home waters.
Amy Taylor might be the best frontperson alive right now — Aussie pub-punk voltage, all sprint and snarl, from a band that treats every stage like a title fight.
Big Daddy Kane
Falsetto-led glam-pop with a '70s sheen and hooks built for a car stereo — 'Electric Love' plus a catalog slicker than its one-hit reputation.
Jamaica's Gargamel, whose gravel-throated dancehall gave way to Rastafari roots on 'Til Shiloh — one of the voices that reset the island's mainstream.
Backflipping former pipefitter with a howl — raw-nerve folk-country redemption songs delivered with gymnastic stage energy and zero polish where it counts.
Seattle band who arrived in the wake of grunge's commercial peak and outlasted most of it — Kevin Martin's rasp still fronting the radio-rock songs that made their name.
Dreamy neo-traditional country from a fast-rising Nashville transplant — twang with a soft-focus, retro glow.
Charlie Wilson
Christopher Cross
Chicago's elder statesman of conscious rap — an Oscar, a Grammy shelf, and 'The Light' still glowing.
Van Halen's original ringmaster — high kicks, higher hair, and rock's greatest game-show-host grin.
Liverpool's grandest post-punks — 'The Killing Moon' remains the most beautiful song of its era, and Ian McCulloch will tell you so.
British producer-songwriter folding his own vocals into warm, understated house — dance music built around actual songs rather than drops.
London-raised singer who broke through with the slow-burning 'Boo'd Up' and has stayed with the same hushed, patient take on R&B ever since.
Josh Tillman's lounge-lizard prophet act — gorgeous orchestration, acid wit, and a crooner's delivery that sells every barbed line.
Florida indie rock built for festival fields — 'August' euphoria, surging choruses, and a live energy that outruns the recordings.
The hook factory of late-2000s radio — 'Low' alone soundtracked a billion parties.
Gene Simmons Band
Tempe, Arizona jangle-pop veterans whose bright guitars carried unusually bleak lyrics — 'Hey Jealousy' still doing heavy lifting.
John Feldmann's Los Angeles ska-punk institution, later as influential for his production work with a generation of pop-punk bands as for the band itself.
Lzzy Hale's Grammy-winning powerhouse — the loudest voice in modern hard rock, delivered nightly with full-throttle sincerity.
Bruised, cinematic alt-pop — Grantham's bedroom-to-BRIT-Award story, small-town detail sung in a fog of reverb, intimacy that scales to festival fields.
Midwest emo's chaotic favorites — screamed choruses, absurd song titles, real feelings, and a crowd that knows every word including the yelps.
A rasp built for heartbreak, dragging country songwriting through trap drums and open-wound honesty — genre lines treated as suggestions.
Icelandic band fronted by JJ Julius Son, whose enormous blues-rock rasp turned 'Way Down We Go' into a decade-long soundtrack fixture — desolate landscapes, stadium volume.
Slayer's riff machine out on his own — thrash played exactly as fast and mean as you would hope.
Sonic Youth's icon in her uncompromising solo era — trap-damaged noise and total cool, more experimental now than most bands ever manage.
The band Lowell George started in 1969, still rolling on slippery slide guitar and New Orleans-inflected boogie — 'Dixie Chicken' as the enduring calling card.
One Direction's scrappiest alum — Britpop-leaning anthems and the most devoted touring fanbase in pop.
British singer-songwriter whose 'Stargazing' went stratospheric — folk-pop hooks built to be shouted back.
California-raised country singer with a rasp built for volume, broken through on the strength of 'Whiskey On You' — heartbreak sung at arena scale.
Country-leaning confessional songwriting that stepped decisively out of a very long family shadow — hushed duets and high-lonesome ache.
Michael Angelakos's falsetto over maximalist synth-pop — euphoric music about genuinely difficult things, 'Sleepyhead' still a serotonin spike.
Feel-good pop-country with a preacher's-kid energy — wedding-playlist hits delivered like a headline set.
Missouri singer with a weathered, outsized voice far older than he is — small-town country that found its audience online before radio.
Dancehall's global hitman — 'Temperature' and 'Get Busy' still detonate any dancefloor on contact.
Austin's most consistent band — two decades of taut, groove-first indie rock with zero wasted notes.
'Come Sail Away' and 'Renegade' — Chicago's prog-pop survivors still working the harmonies half a century on.
Riddim-dubstep heavyweight — appearing in the GRIZTRONICS b2b with GRiZ, an hour of pure bass warfare with a funk streak.
A one-person band who builds whole songs live from loops — guitar, beatbox, trumpet, all stacked in front of you.
William Beckett's Chicago pop-punk — swaggering, scarf-wearing, and sharper than the scene remembers, 'About a Girl' still gleaming.
Auckland's harmony-stacked power-pop treasures — jazz-school chops, huge hearts, and 'Expert in a Dying Field' proof of mastery.
Greenville, South Carolina bandleader who sings and plays guitar with a weight well beyond his years — blues-rock rooted in Southern soul rather than revivalism.
New Orleans-rooted eight-piece with pedal steel and horns folded into big-tent rock — 'Wish I Knew You' and a jam band's appetite for stretching out.
Semi-charmed alt-rock perfection — a greatest-hits set with no skips, doot-doot-doots at maximum participation, Jenkins still selling every word.
Memphis's murk-and-menace originators, whose tape-hiss production is now the foundation of half of underground rap — Oscar winners, improbably.
Washington-state football player turned country hitmaker — 'Wine Into Whiskey' and a run of streaming smashes behind it.
One half of Florida Georgia Line, now steering his own course — the same radio instincts, warmer and more plainly autobiographical.
Watts-raised singer who parlayed modelling and a commercial jingle into a durable R&B career alongside blockbuster acting — a big, unhurried voice built for slow jams.
East Texas band whose southern rock runs far heavier than anything on country radio, built into a serious live draw by years of relentless touring.
Unapologetic '70s riff worship played with enough conviction to make the pastiche irrelevant — 'Woman' still a lightning strike.
Sludgy, low-slung R&B where the rapping and the singing keep swapping places mid-verse — New Jersey cool with an experimentalist's disregard for genre lines.
Wisconsin roots-rock band built on the vocal blend of Kurt Neumann and Sam Llanas, with a heartland catalogue reaching back to the mid-80s — 'Closer to Free' later found a second life as a TV theme.
Canadian rapper who built his audience through short-form video rather than radio — bright, bouncy melodic rap and a near-constant stream of traded guest verses.
Georgia singer-songwriter working a whispered-to-belted dynamic, with streaming numbers to match.
Toronto songwriter at the piano-confessional end of pop, who turned end-of-the-world anxiety into a duet with 'If the World Was Ending.'
Pepper
A cappella ensemble born from an Indiana University student group, turned into a touring institution by a viral holiday video — close harmony played with a comic's timing.
The headliners
Garth Brooks — The best-selling solo artist in American history — 'Friends in Low Places' and a live show that rewrote what a country concert could be.
Megan Moroney — Emo cowgirl — Georgia songwriting with a wink, and the fastest-rising female star in country radio.Don Toliver — Sings trap like a psychedelic crooner — a warped, weightless voice floating over beats built for a stadium's worth of low end.
Carín León — Sonora's genre-bending superstar — música mexicana with country and soul running through it, and one of the biggest voices in the hemisphere.
Ed Sheeran — One man, one loop pedal, stadium after stadium — the biggest singer-songwriter of his generation doing it without a band.Cody Johnson — Texas rodeo-cowboy-turned-arena-headliner — neotraditional country sung like every night is the last night of the season.
Post Malone — Genre-agnostic hitmaker — the face-tattooed everyman who moved from melodic rap to a full country turn without dropping a step.
Muse — Paranoid space-opera rock at maximum scale — riffs, falsetto and conspiracy concept albums built for the biggest possible stage.
Alex Warren — 'Ordinary' made the content-creator-turned-balladeer a genuine arena act — big-lunged folk-pop hymns.
Jelly Roll — Nashville's redemption story — rap-sheet honesty turned into tent-revival country-rock that fills stadiums with people who needed the message.
Up-and-comers to catch early
Jessie Murph — The rasp of the new class: country bones, trap nerves.
Cameron Whitcomb — An acrobat's energy on songs about getting clean. You leave a believer.
Audrey Nuna — Low-slung alt-R&B cool: the grounds-stage discovery of the middle weekend.
Flipturn — Surging Florida indie built for exactly this kind of lakefront field.
Hot Mulligan — Midwest emo's chaos merchants, right at home in Milwaukee.
Myles Smith — The 'Stargazing' breakout on his American victory lap.
Other acts worth planning around
Kim Gordon — No-wave royalty on a fairgrounds bill, the most uncompromising set of the fest.
Three 6 Mafia — The Memphis blueprint half of modern rap is built on, live and unbothered.
David Lee Roth — The showman's return: kicks optional, stories guaranteed.
Amyl and the Sniffers — Pub-punk voltage strong enough to convert a passing bratwurst line.
Kerry King — Slayer riffs on the Fourth of July.
Sean Paul — Twenty years of dancehall hits, all of which still work.
Spoon — The most consistent band in indie rock, in its natural habitat: a summer stage.
The lineup by day
Summerfest runs three separate long weekends (plus an opening amphitheater night); each date below is one night of the run.
Tuesday lineup (June 16)
Thursday lineup (June 18)
Megan Moroney, Third Eye Blind, Tash Sultana, Passion Pit, Echo & The Bunnymen, Holly Humberstone + 2 more
Friday lineup (June 19)
Don Toliver, Styx, Amyl and the Sniffers, Father John Misty, Hot Mulligan, Tyrese + 1 more
Saturday lineup (June 20)
Carín León, David Lee Roth, Christopher Cross, Nate Smith, Flipturn, The Academy Is... + 1 more
Thursday lineup (June 25)
Ed Sheeran, Common, Halestorm, Subtronics, Myles Smith, KALEO + 3 more
Friday lineup (June 26)
Cody Johnson, Louis Tomlinson, Jessie Murph, The Revivalists, Goldfinger, The Marcus King Band + 1 more
Saturday lineup (June 27)
Post Malone, Russell Dickerson, Carter Faith, Little Feat, Wolfmother, BØRNS + 2 more
Thursday lineup (July 2)
Muse, Sean Paul, All Time Low, Ella Mai, Gin Blossoms, The Beths + 1 more
Friday lineup (July 3)
Alex Warren, Flo Rida, Spoon, Noah Cyrus, Buju Banton, Gene Simmons Band + 1 more
Saturday lineup (July 4)
Jelly Roll, Tyler Hubbard, Three 6 Mafia, Sam Barber, Kerry King, Straight No Chaser + 2 more
Summerfest 2026 lineup FAQ
When was Summerfest 2026?
June 16 through July 4, 2026, across three long weekends on Milwaukee's lakefront at Henry Maier Festival Park.
Who headlined Summerfest 2026?
The amphitheater run: Garth Brooks, Megan Moroney, Don Toliver, Carín León, Ed Sheeran, Cody Johnson, Post Malone, Muse, Alex Warren and Jelly Roll.
Is Summerfest really the world's largest music festival?
That's its long-standing claim: hundreds of acts across a dozen stages over three weekends. LineupScout tracks the 69 top-billed names from the 2026 edition.
What days did specific acts play?
Every tracked act's date is published. The lineup-by-day section below shows each night of the run.
How many acts played Summerfest 2026?
69 tracked acts across the amphitheater and grounds stages; the full grounds program ran far larger.
How do I find the acts I'd have liked?
Type a few artists you love into the finder at the top of this page. It matches them against this lineup and explains each pick.
Festivals like Summerfest
More festivals
Festivals in June 2026 →Music festivals in Wisconsin →More Country festivals →More Pop festivals →More Rock festivals →Full festival calendar →