Brainfeeder's founder — jazz lineage, hip-hop drums, and electronics that keep dissolving into each other, with Coltrane family blood and a 3D live rig.
From Los Angeles, CA · Sounds like Thundercat, Shabazz Palaces, Madlib, Squarepusher
Miami's art-and-music sprawl across five Wynwood blocks — Underworld, Flying Lotus and Four Tet over a deep local B2B undercard.

III Points is the least classifiable festival on this list. It takes over Mana Wynwood — five Miami city blocks of warehouses and yards — for two October days, and books across techno, experimental rock, hip-hop, drone metal and Latin club without treating any of it as a novelty. Underworld, Flying Lotus and Four Tet headline; SUNN O))) and Bone Thugs-n-Harmony are also on the bill.
What makes it distinctive is the undercard, which is enormous and heavily local. Well over a hundred of the billings are b2b pairings drawn from Miami's own DJ community, which is why the lineup runs past 200 names. Day splits haven't been published.
Expect electronic, house, dance and techno across 218 acts.
Search it, filter by day, stage or genre — save anything straight to your schedule.
Brainfeeder's founder — jazz lineage, hip-hop drums, and electronics that keep dissolving into each other, with Coltrane family blood and a 3D live rig.
From Los Angeles, CA · Sounds like Thundercat, Shabazz Palaces, Madlib, Squarepusher
Kieran Hebden's glowing folk-tronic universe — patient builds that hit like revelation, two decades of textures that make dance music feel handmade.
From London, UK · Sounds like Caribou, Bonobo, Jon Hopkins, Floating Points
Karl Hyde's stream-of-consciousness vocals over Rick Smith's builds — 'Born Slippy' was only ever the doorway into a much stranger catalogue.
From Romford, UK · Sounds like Orbital, The Chemical Brothers, Leftfield, Fatboy Slim
Dev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak from one of pop's most sought-after collaborators.
From London / NYC · Sounds like Solange, Frank Ocean, Toro y Moi, Sampha
Melodic-rap architects — the first to make harmony singing and double-time flow one seamless thing, with 'Tha Crossroads' still landing like a hymn.
From Cleveland, OH · Sounds like Wu-Tang Clan, Twista
KNTXT founder and the most visible face of modern hard techno — relentless, acid-inflected, absolutely locked in, headlining the global boom she helped create.
From Ghent, BE · Sounds like Amelie Lens, ANNA, I Hate Models, Dax J
British tech-house producer with a knack for the rolling bassline that empties the bar and fills the floor — label-boss instincts tuned for peak time.
From Bristol, UK · Sounds like Fisher, Chris Lake, PAWSA
Detroit's most distinctive voice, literally — a yelp deployed over production nobody else would touch, from grimy underground tapes to festival-scale experimentalism.
From Detroit, MI · Sounds like JPEGMAFIA, Death Grips, Earl Sweatshirt, Zack Fox
Caribou's Dan Snaith in club mode — joyous, loop-drunk house edits that chase the exact moment a groove becomes euphoria.
From Toronto, ON · Sounds like Caribou, Floating Points, Bicep
Balearic disco lifer whose sets run long, loose, and completely against the grain of modern festival programming — a cult figure worth rearranging your day for.
From Cambridge, UK · Sounds like Moscoman, Rebolledo, Danny Krivit, Optimo
Neuroscientist-turned-producer moving between orchestral ambient and genuinely propulsive dance floors — equally at home with Pharoah Sanders and a peak-time rave.
From Manchester, UK · Sounds like Four Tet, Caribou, Jamie xx, Kaitlyn Aurelia Smith
Chicago house pedigree carried onto fashion-world stages — a DJ who plays for dancers, not the camera, with Grammy-winning production credits to match.
From Chicago, IL · Sounds like The Blessed Madonna, Derrick Carter, Kim Ann Foxman, Louie Vega
Digicore prodigy turned noise-pop auteur — abrasive and gorgeous at once, walls of distortion hiding devastating melody.
From New Jersey · Sounds like My Bloody Valentine, 100 gecs, Deftones, Alex G
Avant-R&B's velvet futurist — club pressure and whispered intimacy in one voice, every reappearance treated as an event.
From Washington, DC · Sounds like FKA twigs, Solange, Jhené Aiko, Sevdaliza
Queen Bee — the blueprint a very large share of modern women in rap are still working from, hard-won Brooklyn royalty status intact.
From Brooklyn, NY · Sounds like Foxy Brown, Bone Thugs-n-Harmony, Missy Elliott, Trina
Breakcore-punk duo whose live shows are closer to a hardcore gig than a DJ set — stage dives at 200 BPM.
From New York, NY · Sounds like Sematary, Death Grips, Atari Teenage Riot, Frost Children
Quebec trio making impossibly smooth bedroom dream-pop — bass-forward, hushed, and quietly enormous online, a headphone act that scaled to festivals.
From Quebec City, QC · Sounds like Mild High Club, Crumb, Beach House, Still Woozy
Daft Punk-approved Aussie disco — immaculate grooves, live-band tightness, five-part harmonies over four-on-the-floor, played tight enough to pass a studio audit.
From Byron Bay, AU (Berlin) · Sounds like Daft Punk, Jungle
Megan James's high, clear voice over Corin Roddick's pitch-shifted, chime-heavy production — future-pop that invented a sound the 2010s ran with.
From Edmonton, AB · Sounds like Grimes, Chvrches, Crystal Castles, Phantogram
Michigan-born, Berlin-forged — a selector as known for his opinions as his exceptional record collection, and both run deep.
From Kalamazoo, MI · Sounds like Marco Carola, Jamie Jones, Loco Dice, The Martinez Brothers
Robed drone metal played at physically overwhelming volume — less a concert than a weather event, fog machines running from doors.
From Seattle, WA · Sounds like Boris, Earth, Melvins, Om
Dominican rapper whose raw, deliberately provocative dembow made her a genuine cultural flashpoint — underground Santo Domingo carried to global stages.
From Santo Domingo, DO · Sounds like Six Sex, Bad Gyal, Arca, Villano Antillano
Trip-hop's shadow king — the whispered menace of 'Maxinquaye' live, Bristol paranoia thickened by three decades.
From Bristol, UK · Sounds like Massive Attack, Portishead
Tokyo cult selector Yousuke Yukimatsu — genre-shredding DJ sets that went from viral clips to worldwide bookings, anything-goes technique with total joy.
From Osaka, Japan · Sounds like DJ Nobu, Powell, Yousuke Yukimatsu
Italian duo whose acid-drenched, punishingly fast techno is performed live on hardware, not laptops — improvised 303 lines and kick drums that treat 150 BPM as a starting point.
From Milan, IT · Sounds like I Hate Models, Dax J, Nico Moreno, Ansome
Keinemusik co-founder whose polished, Afro-tinged melodic house helped turn the Berlin label into a global brand — warm, percussive, and engineered for golden-hour sets.
From Berlin, DE · Sounds like Keinemusik, &ME, Rampa, Bedouin

Snarling internet-era electroclash — bratty vocals over blown-out bass, reviving the genre's trashy Berlin glamour for a generation that missed it the first time.
From Berlin, DE · Sounds like Peaches, Uffie, Crystal Castles

Shane Lavers's project — smeared, sample-strewn pop that keeps resisting a clean shape, beloved by the corner of indie that prizes texture over tidiness.
From New York, NY · Sounds like Bar Italia, Alex G, This Is Lorelei, ML Buch
New Zealand oddball making woozy, sensual guitar-pop that sounds slightly melted — whispered falsetto and bent notes beamed in from a stranger dimension.
From Te Awanga, NZ · Sounds like Mac DeMarco, Ariel Pink, Unknown Mortal Orchestra, Weyes Blood


Technicolor disco-house — relentless fun, zero pretension, hooks big enough to convert whoever wandered past the stage.
From Denver, CO · Sounds like Dom Dolla, LP Giobbi




UK underground rap's internet-native riser — lo-fi menace and offhand melody built for the timeline, low-lit tracks that travel by repost.
From London, UK · Sounds like Nettspend, Fimiguerrero


Australian-born, London-based — psychedelic, live-leaning sets that resist an obvious genre label, texture-heavy techno with a crate-digger's curiosity.
From Melbourne, AU · Sounds like Anetha, VTSS, Jon Hopkins, Daniel Avery
UK bass with a dancehall bounce — the sound of a soundsystem set rather than a festival drop, 'Skanka' the breakout.
From London, UK · Sounds like Salute, Skin On Skin, Skream, Benga

Berlin's masked 'farmcore' phenomenon — giddy barnyard-trance house played dead serious, 'My Barn My Rules' as manifesto.
From Berlin, DE · Sounds like Sarah Bonito, Kim Petras, A. G. Cook, Marlon Hoffstadt
Manchester producer who co-wrote the garage revival's biggest crossover single — 'B.O.T.A.' bounce with deep scene credentials.
From Manchester, UK · Sounds like Sammy Virji, Main Phase, Skin on Skin, Conducta
Miami duo making raw, hardware-driven Latin club music with genuine local roots — dembow and techno melted together live.
From Miami, FL · Sounds like Nick León, DJ Python, Safety Trance, Kelman Duran
The trio who effectively invented halftime — drum and bass slowed to a swaggering crawl, sound design that rewards headphones and necks alike.
From London, UK · Sounds like Imanu, Mefjus, Alix Perez, Sam Binga
Montreal producer whose chopped-vocal house helped define a whole strand of the 2010s — 'Another Girl' glow, still radiating.
From Montreal, QC · Sounds like Kaytranada, Sam Gellaitry, Joy Orbison, Baltra




Irish rave-house heat — big-room energy with underground credentials, breakbeats and pianos at full sprint, Galway-to-warehouse momentum fully underway.
From Galway, IE · Sounds like Skin on Skin, Mall Grab, Sammy Virji, Cloonee

Amsterdam's hard-trance revivalist — acid lines and 150 BPM joy, rave classicism played with total exuberance.
From Amsterdam, NL · Sounds like horsegiirL, Marlon Hoffstadt




Genre-agnostic selector moving between breaks, house, and hip-hop in a single set — turntablist chops under the party instincts.
From Los Angeles, CA · Sounds like VNSSA, Walker & Royce, Barry Can't Swim, Eli Escobar
Brothers back-to-back — UK tech-house's cheekiest rising pair, trading grooves with sibling telepathy, four hands and one groove.
From UK · Sounds like Michael Bibi
Andrea Tirone's Italo-disco project — glossy, bass-forward dance-pop with a distinctly Mediterranean streak, engineered for strutting.
From London, UK · Sounds like Roísín Murphy, Hot Chip, Metronomy
Danish artist building weightless guitar-pop out of processed tones and near-whispered melody — uncanny-valley beauty rendered in high definition.
From Copenhagen, DK · Sounds like Grouper, Perfume Genius, Cocteau Twins, Astrid Sonne
Disco Halal founder blending Middle Eastern melody into slow, hypnotic dance music — cosmic disco with a wanderer's ear.
From Tel Aviv, IL · Sounds like Red Axes, Rebolledo, Damian Lazarus, Roman Flügel
UK garage revival heat — skippy drums and low-end pressure, two-step engineered for the new generation of dancefloors.
From UK · Sounds like Sammy Virji, Interplanetary Criminal

Australian house heater — half of the HYPERBEAM b2b with OMNOM, flip-happy edits with festival-scale bounce.
From Brisbane, AU · Sounds like OMNOM, John Summit
From UK

British tech-house producer with a taste for rolling basslines and vocal loops that lodge in your head for a week.
From London, UK · Sounds like Michael Bibi, Chris Stussy, Dennis Cruz, Cloonee


Mexican producer trading in slow, druggy cosmic disco with an outsized sense of drama — leather-jacket mystique at 105 BPM.
From Monterrey, MX · Sounds like Moscoman, Red Axes, Damian Lazarus, Roman Flügel
Israeli duo whose live sets bring guitars and post-punk grit to a dance stage — Tel Aviv cool with krautrock stamina.
From Tel Aviv, IL · Sounds like Moscoman, Rebolledo, Roman Flügel, Curses

German producer with a thirty-year catalogue and a taste for the deliberately odd — house and techno with an art-school wink.
From Darmstadt, DE · Sounds like Moscoman, Red Axes, DJ Koze, Rebolledo
Madrid's blissed-out bedroom-pop futurist — Spain's new wave in full flight, autotune used like watercolor, bedroom experiments gone continental.
From Madrid, ES · Sounds like Ralphie Choo, Rosalía



Montreal's arch electroclash survivor — deadpan vocals, filthy synths, and a sense of humor most techno lacks, 'Sunglasses at Night' included.
From Montreal, QC · Sounds like Vitalic, Soulwax, Erol Alkan




Polish techno provocateur — fast, hard, and gleefully irreverent, rave intensity with an internet-native sense of humor.
From Warsaw, PL · Sounds like Amelie Lens, I Hate Models, SPFDJ, Nina Kraviz
NYC's most confrontational new band — spasmodic percussion-punk that levels rooms in twenty-minute bursts, and nothing else sounds like it.
From New York, NY · Sounds like Liars, Death Grips, Black Dice, Black Midi
October 16–17, 2026 — Friday and Saturday.
Mana Wynwood, a five-block venue in the heart of Miami's Wynwood district.
Underworld, Flying Lotus and Four Tet.
218 billings, though many are b2b pairings drawn from Miami's local DJ community.
Not yet — the festival has published one combined lineup.
Type a few artists you already love into the search at the top of this page and you'll get ranked matches from this lineup, with reasons.
Going to III Points 2026? Get tickets ↗
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