Black Book Records boss and one of house music's most reliable groove engineers — bassline-first tech house that fills every dancefloor it touches.
From London, UK · Sounds like FISHER, Dom Dolla, Green Velvet
Texas rings in the new year at Fair Park — two December nights of house, bass and hard techno with Tiësto, Chris Lake and Subtronics steering the countdown.

Lights All Night is how Texas rings in the new year — two December nights at Fair Park in Dallas, ending in the countdown itself. The 2026 headline row pairs house-scale wattage with bass weight: Tiësto, Chris Lake, Subtronics and Gryffin.
Underneath, the 39-act bill splits three ways. The hard end gets I Hate Models, AZYR and Marie Vaunt; the bass tent runs ATLiens, Level Up and the Skull Machine collision of Black Tiger Sex Machine and Kai Wachi; and the wild cards — Osaka selector YØU$UK€ ¥UK1MAT$U, game-engine popster Ninajirachi, rave-house Irishman KETTAMA — keep the night from ever settling into one lane.
Expect dance, bass, house and dubstep across 39 acts.
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Black Book Records boss and one of house music's most reliable groove engineers — bassline-first tech house that fills every dancefloor it touches.
From London, UK · Sounds like FISHER, Dom Dolla, Green Velvet
Melodic house with actual guitars — classically trained multi-instrumentalist whose live sets turn festival EDM into something closer to a band performance.
From San Francisco, CA · Sounds like Illenium, Kygo, San Holo
Riddim-dubstep heavyweight — appearing in the GRIZTRONICS b2b with GRiZ, an hour of pure bass warfare with a funk streak.
From Philadelphia, PA · Sounds like Excision, Zeds Dead, Ganja White Night, GRiZ
The elder statesman of big-tent dance music — trance godfather turned arena-house fixture, still detonating 'The Business'-sized hooks three decades in.
From Breda, Netherlands · Sounds like Armin van Buuren, David Guetta, Martin Garrix, Calvin Harris
French producer pairing brutal industrial techno with unexpectedly romantic melodies — heartbreak at 150 BPM, warehouse catharsis with an unexpectedly soft center.
From France · Sounds like Nico Moreno, Dax J, 999999999, Charlotte de Witte
Irish rave-house heat — big-room energy with underground credentials, breakbeats and pianos at full sprint, Galway-to-warehouse momentum fully underway.
From Galway, Ireland · Sounds like Skin on Skin, Mall Grab, Sammy Virji, Cloonee
Osaka's shape-shifting selector — a DJ's DJ who jumps genres mid-set with total conviction and has become a cult favorite of the global club underground.
From Osaka, Japan · Sounds like DJ Nobu, Hunee
LA duo dealing in feelings-first melodic bass — soaring vocal drops built for crowd-wide singalongs.
From Los Angeles, CA · Sounds like Illenium, Said the Sky, SLANDER
Masked Atlanta duo working the dark, alien end of festival bass — extraterrestrial lore, subterranean growls, and drops built for maximum abduction.
From Atlanta, GA · Sounds like Wooli, Kompany, Ghengar, Zeds Dead
One of the fastest-rising names in Europe's hard-techno surge — relentless BPMs aimed straight at the warehouse.
Sounds like Sara Landry, Trym
Brother duo trading in borderless, pop-leaning dance music.
Dark, cinematic bass and techno crossovers from the LA underground — trap-schooled drops recast in warehouse shadows.
From Los Angeles, CA · Sounds like RL Grime, Baauer
Australian DJ and vocalist who fronts her own bass records — equal parts singer and headbanger.
From Australia · Sounds like NGHTMRE, Zeds Dead

Sydney's bass-and-hard-dance hybridist — trap weight at hardstyle tempos.
From Sydney, Australia
The mashup kid made good — viral edits turned into a real touring house act with a bottomless crate of pop flips.
From United States
South African beat scientist — glitchy, off-grid bass that rewards close listening as much as headbanging.
From South Africa · Sounds like G Jones, EPROM
Manchester house on the rise — rolling, minimal grooves for sunset slots, one of the UK underground's fastest-moving names.
From Manchester, UK · Sounds like Michael Bibi, Archie Hamilton, Chris Stussy, PAWSA
Riddim producer with a heavy, minimal approach — a lot of space around some very large sounds, engineered for maximum stank face.
From United States · Sounds like Ray Volpe, Tynan, Wooli, Excision
Textural, psychedelic bass music — heavy without being blunt about it.
Sounds like LSDREAM, CharlestheFirst, Ravenscoon
Two bass slingers, one booth — a back-to-back built for maximum wub density.
Hard-hitting bass and harder drums from one of the scene's most reliable energy dealers.
Rock-derived hard techno — leather-jacket energy at 150 BPM.

Glittering, game-engine electronic — Australia's most inventive young club producer, chiptune sparkle at rave pressure, drops that sparkle as hard as they hit.
From Sydney, Australia · Sounds like Anna Lunoe, Kito, underscores, Alice Longyu Gao
The Black Tiger Sex Machine x Kai Wachi collision — apocalyptic electro-bass built for the heaviest room of the night.
Sounds like Black Tiger Sex Machine, Kai Wachi
LA trio splicing live instruments into radio-friendly melodic dance.
From Los Angeles, CA · Sounds like Kygo, Lost Frequencies
Emotional melodic bass with a confessional streak — heartbreak anthems engineered for the festival rail.
From Los Angeles, CA · Sounds like Illenium, Dabin, Said the Sky
New York producer haunting the line between bass music and techno — dark, occult-tinged club weaponry.
From New York, NY
Bass music with a wrestling-heel swagger — heavy edits and heavier drops.
December 30–31, 2026 — the two nights running into New Year's Day.
Fair Park in Dallas, Texas.
Tiësto, Chris Lake, Subtronics and Gryffin.
House and big-tent dance at the top, with a heavy bass wing and a hard-techno current underneath — plus wild cards like YØU$UK€ ¥UK1MAT$U and Ninajirachi.
39 acts across the two nights.
Tell the finder at the top of this page a few artists you love — it'll match you with the acts on this lineup you shouldn't miss, with reasons why.
Going to Lights All Night 2026? Get tickets ↗
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