The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
From Auckland, NZ · Sounds like Caroline Polachek, Robyn, Charli xcx, Phoebe Bridgers
Osheaga 2026 Lineup
Montreal's biggest weekend — three days of island stages on Parc Jean-Drapeau with the skyline across the Saint Lawrence.
About Osheaga 2026
Osheaga is Canada's biggest festival weekend and still one of the best-situated on earth: three days on Parc Jean-Drapeau's island stages, with the Saint Lawrence on every side and Montreal's skyline across the water. The 2026 edition — the festival's 19th — runs 89 acts deep, with Twenty One Pilots, Tate McRae, and Lorde up top and a bill that mirrors the city itself: anglo indie rock and UK post-punk, francophone pop and pan-African club nights, techno tents and Cree folk-pop. Come for the headliners, stay for the metro ride home with ten thousand new friends.
Expect indie rock, hip-hop, house and pop across 89 acts.
Osheaga 2026 lineup: all 89 acts
Search it, filter by day, stage or genre — save anything straight to your schedule.Browse all 89 acts →
Search it, filter by day, stage or genre — save anything straight to your schedule.
Dancer-first pop stardom — precision choreography and inescapable hooks, delivered at full sprint with a dance captain's discipline.
From Calgary, AB · Sounds like Ariana Grande, Sabrina Carpenter
Genre-agnostic arena duo — rap, ukulele, and existential dread with a devoted Clique, lore deep enough for a wiki.
From Columbus, OH · Sounds like Grandson, AJR, Panic! at the Disco, Waterparks
West London grime star gone festival-sized — melodic flexes, 'Ladbroke Grove' garage bounce, and a UK-rap versatility that moves between road and radio without strain.
From London, UK · Sounds like Stormzy, Dave, Skepta, Aitch
Belgium's techno figurehead — relentless, hypnotic peak-time sets that carried her from Antwerp warehouses to the genre's biggest global stages.
From Antwerp, BE · Sounds like Charlotte de Witte, Adam Beyer, Nina Kraviz, I Hate Models
London's elusive trio — murmured vocals and tangled guitars that made Matador come calling, with a mystique maintained by saying almost nothing in public.
From London, UK · Sounds like Sonic Youth, Deerhunter, The Velvet Underground, Yo La Tengo
Dev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak from one of pop's most sought-after collaborators.
From London / NYC · Sounds like Solange, Frank Ocean, Toro y Moi, Sampha
Canadian duo blurring house music and moody guitar-band songwriting — church-dark grooves played live, splitting the difference between a DJ set and a rock show.
From Vancouver, BC · Sounds like ODESZA, RÜFÜS DU SOL, Lane 8, Disclosure
Pusha T and Malice, reunited — coke-rap scripture over pristine beats, one of rap's great comebacks and a masterclass in brotherly chemistry.
From Virginia Beach, VA · Sounds like Pusha T, Westside Gunn, Roc Marciano, Killer Mike
Irish country-pop with a wicked sense of humor and a bigger voice — a riotous live show that swings from comedy to gut-punch inside one chorus.
From Dublin, IE · Sounds like Self Esteem, Kacey Musgraves
Theatrical Aussie synth-pop royalty — headdresses, spectacle, and 'Walking on a Dream' euphoria, a duo that treats every festival set as full-scale cinematic ritual.
From Sydney, AU · Sounds like MGMT, Cut Copy, Tame Impala
Yes, that Finn Wolfhard — scrappy, sincere indie rock beyond the Stranger Things shadow, garage-band instincts played without celebrity gloss.
From Vancouver, BC · Sounds like Car Seat Headrest, Wallows
Glasgow's art-school dance-punks — 'Take Me Out' still detonates a field two decades on, and the deep cuts still make people dance.
From Glasgow, UK · Sounds like Kaiser Chiefs, Bloc Party, The Killers, Interpol
Unhinged Brooklyn art-rock — yelping, swaggering, and critically adored, like the Stones reassembled by art students mid-fever.
From Brooklyn, NY · Sounds like Black Midi, Parquet Courts, King Krule, The Rolling Stones
Atlanta's melodic-trap stylist — liquid flows and designer-drip anthems, delivered with barely a raised pulse and total control.
From Atlanta, GA · Sounds like Young Thug, Lil Baby, Future, Lil Uzi Vert
Dreamville's technician — one of rap's most gymnastic voices, devastating live, syllables stacked like a man showing off because he can.
From Atlanta, GA · Sounds like J. Cole, Kendrick Lamar, Denzel Curry, Cordae
One of rap's sharpest pens, full stop — orchestral ambition and North London grit, 'Sometimes I Might Be Introvert' the modern benchmark.
From London, UK · Sounds like Kendrick Lamar, Dave, Noname
Diplo's dancehall-electronic party machine — pure festival serotonin, 'Lean On' and a dozen more global smashes in one set.
From Los Angeles, CA · Sounds like Diplo, Skrillex
Vancouver's TikTok-resurrected art-rockers — quirky harmonies and a huge devoted crowd, a back catalog rediscovered by a generation that made it theirs.
From Vancouver, BC · Sounds like Cage the Elephant, Glass Animals
Philly folk-rockers grown into amphitheater singalongs — warm, road-tested, communal, with 'Silver Lining' as the nightly high-water mark.
From Philadelphia, PA · Sounds like The Lumineers, Caamp, The Head and the Heart
Iceland's stomp-and-holler exports — 'Little Talks' and a decade of widescreen indie-pop, hey!-shouts included, Icelandic warmth at singalong scale.
From Reykjavík, IS · Sounds like Mumford & Sons, The Lumineers, Edward Sharpe and the Magnetic Zeros, Florence + The Machine
Mythic, incantatory folk-pop — 'Labour' made her the internet's feminist bard, and the deeper catalog keeps the incantation going.
From Derbyshire, UK · Sounds like Florence + the Machine, Hozier
UK dance-pop craftsman — glossy, feel-everything disco-house built for golden hour, collaborator to half of pop's A-list.
From Reading, UK · Sounds like Disclosure, Purple Disco Machine, Duke Dumont, Jungle
Moody, reverb-soaked alt-pop from a Manhattan teenager who went from bedroom demos to festival bills — heartbreak at streaming scale.
From New York, NY · Sounds like The Neighbourhood, Conan Gray
Riddim-dubstep heavyweight — appearing in the GRIZTRONICS b2b with GRiZ, an hour of pure bass warfare with a funk streak.
From Philadelphia, PA · Sounds like Excision, Zeds Dead, Ganja White Night, GRiZ
Monochrome California moodiness — 'Sweater Weather' and a decade of slow-burn alt-pop, reunited for a generation that streamed them into legend.
From Newbury Park, CA · Sounds like Arctic Monkeys, LANY
Whispered minimalism that somehow fills a festival field — intimacy at headline scale, 'Intro' still raising arm hair.
From London, UK · Sounds like Beach House, Rhye, London Grammar, James Blake
Hardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
From Baltimore, MD · Sounds like Scowl, Militarie Gun, Trapped Under Ice, Fugazi
Sweaty, saxophone-wielding Swedish post-punk satire — one of the best live bands on earth right now, 'Sports' shouted by thousands.
From Stockholm, SE · Sounds like IDLES, Fontaines D.C., The Fall
Deadpan, hook-loaded post-punk — the Isle of Wight duo grown into a full-blast rock band, 'Chaise Longue' just the opening joke.
From Isle of Wight, UK · Sounds like Dry Cleaning, Franz Ferdinand, Sleater-Kinney
Mercury-winning UK alt-rock — from whispered folk to full-throated fuzz in one set, Ellie Rowsell commanding every register.
From London, UK · Sounds like Foals, Florence + the Machine
Montreal indie rock institution — jittery, anthemic songs from two of Canada's best songwriters, home-field advantage included and audible.
From Montreal, QC · Sounds like Arcade Fire, Modest Mouse, Spoon
Japan's novel-into-song hitmakers — 'Idol' broke every record; the live band goes harder than you'd guess, J-pop precision with rock muscle.
From Tokyo, JP · Sounds like Ado, Kenshi Yonezu
Swedish pop machinery at its shiniest — 'Lush Life' to main-character bangers, delivered with total command.
From Stockholm, SE · Sounds like Dua Lipa, Tove Lo, Rina Sawayama, Anne-Marie
Airrica
Globe-trotting soul-pop — a rich, agile voice over self-produced grooves, folding the percussion and texture of everywhere she's lived into modern R&B.
From New York, NY · Sounds like Jorja Smith, Mahalia
Irish folk trio — hushed three-part harmonies and homesick story-songs that have been quietly filling rooms far bigger than anyone expected.
From Ireland · Sounds like Hozier, Dermot Kennedy, Noah Kahan
Avenoir
Toronto's teenage alt-pop riser — bedroom-written songs with pop-punk teeth and a diarist's eye for adolescent detail.
From Toronto, ON · Sounds like Olivia Rodrigo, Gracie Abrams, Girl in Red, Renee Rapp
Baalti
Baby Nova
Toronto's genre-splicing club force — dancehall, jungle, and R&B collide in her JELLY parties and productions, remapping the dancefloor around diasporic bass.
From Toronto, ON
Berlam
Sibling duo making fuzzy, playful alt-pop with internet-era intimacy — lo-fi textures and hooks that sound DM'd directly to you.
From Los Angeles, CA · Sounds like BENEE, Wallows
Billie du Page
Hushed English folk with a river-water voice — quietly one of the best writers of her generation, turning small domestic details into devastating songs.
From Ripon, UK · Sounds like Laura Marling, Lizzy McAlpine
Berlin's gabber-punk duo — screamed German vocals over pummeling club tempos, equal parts rave, hardcore show, and performance-art provocation.
From Berlin, DE · Sounds like Sara Landry, I Hate Models, Boys Noize
DELAVELOUR
Genre-smashing Melbourne punk-rap — riffs, bars, and zero regard for lanes, delivered with a hardcore band's physicality.
From Melbourne, AU · Sounds like Nova Twins, Ho99o9, Amyl and The Sniffers, Rico Nasty
Hannah Judge's bedroom-built indie rock — wry, fuzzed-out, and quietly anxious, small songs with hooks that refuse to leave.
From Ottawa, ON · Sounds like Alvvays, Snail Mail, Sidney Gish
Montreal soul voice — intimate, bilingual R&B delivered with jazz-club poise and late-night restraint, songs that hush a room into leaning closer.
From Montreal, QC
Grand Eugène
Berlin's masked 'farmcore' phenomenon — giddy barnyard-trance house played dead serious, 'My Barn My Rules' as manifesto.
From Berlin, DE · Sounds like Sarah Bonito, Kim Petras, A. G. Cook, Marlon Hoffstadt
Feel-good house edits gone huge — crowd-pleasing flips built for hands-up moments, a set with zero pretension and full commitment.
From United States · Sounds like Disco Lines, John Summit
South London genre-blur — drill, indie, and R&B folded into diaristic collage, homemade and heartsore in equal measure.
From London, UK · Sounds like Wesley Joseph, Dijon, Berwyn, Jean Dawson
Irish rave-house heat — big-room energy with underground credentials, breakbeats and pianos at full sprint, Galway-to-warehouse momentum fully underway.
From Galway, IE · Sounds like Skin on Skin, Mall Grab, Sammy Virji, Cloonee
Anthemic Irish folk-rock — banjo-driven singalongs built for fields, Limerick lads on a steep national rise.
From Limerick, IE · Sounds like Mumford & Sons, Noah Kahan
Laura Scavo
Lou Val
Funk-flecked Gen-Z bedroom pop — 'Chest Pain (I Love)' and a fast-rising live rep, Steve Lacy instincts with his own snap.
From Los Angeles, CA · Sounds like Steve Lacy, Dominic Fike
Oregon folk-country riser — earnest, streaming-era troubadour with a fanbase that found him one chorus at a time.
From Bend, OR · Sounds like Zach Bryan, Noah Kahan
Filipino-Canadian pop craftsman — hooks first, feelings close behind, Toronto polish on diary-page pop, earworms with genuine warmth underneath.
From Toronto, ON
Montreal's roving SMS-only party turned collective — pan-African club sounds, moonlit, a whole scene distilled into one set.
From Montreal, QC
Moses Belanger
UK garage revival heat — skippy drums and low-end pressure, two-step engineered for the new generation of dancefloors.
From UK · Sounds like Sammy Virji, Interplanetary Criminal
Museums
Anonymous collective making orchestral hip-hop spectacle — the mystery is the point, and the strings are real.
Australian house heater — half of the HYPERBEAM b2b with OMNOM, flip-happy edits with festival-scale bounce.
From Brisbane, AU · Sounds like OMNOM, John Summit
Gossamer French avant-pop — choral synths and whispered melody, songs that feel lit by candles and screens at once.
From Paris, FR · Sounds like Caroline Polachek, A. G. Cook, Erika de Casier, Sega Bodega
Oliver Forest
partyOf2
French techno veteran — acid-flecked grooves from a free-party lifer, rave roots audible in every squelch.
From Paris, FR · Sounds like Adam Beyer, Chris Liebing, Carl Cox, Charlotte de Witte
Hazy California duo — beachside indie-soul.
Viral dark art-pop — spoken-word menace over strings, Gen Z's gothic conscience with a scalpel for a pen.
From Los Angeles, CA · Sounds like Ethel Cain, Chelsea Wolfe, Lana Del Rey, Billie Eilish
French techno on the big-room end — driving, melodic, precise, engineered for the main-stage laser budget.
From France · Sounds like Charlotte de Witte, Adam Beyer, Reinier Zonneveld
Perth indie-rock with aching hooks — Australia's biggest new guitar band, 'Booster Seat' devotion at full volume.
From Perth, AU · Sounds like Hippo Campus, Vance Joy
Stella Lefty
Montreal's sunniest synth-pop — francophone disco warmth from Jules Henry's beach-party project, SPF-rated grooves, Montreal summer bottled.
From Montreal, QC
Cree and Salish singer weaving Indigenous roots into warm folk-pop and R&B — powwow-honed vocals in a new frame.
From Saddle Lake Cree Nation, AB
The drag superstar behind the decks — camp, pop edits, and pure joy, with folk-album credentials in the back pocket.
From Milwaukee, WI
Toronto pop-rock quartet — glossy, sentimental, and huge with the TikTok-indie crowd, harmonies engineered for the closing montage.
From Toronto, ON · Sounds like The Band CAMINO, COIN, LANY, Hippo Campus
Moody melodic electronic with live-instrument warmth — Vancouver atmosphere in the ODESZA lineage, drops that glow rather than strike.
From Vancouver, BC · Sounds like ODESZA, Flume
Montreal rapper repping the city's anglo hip-hop underground — homegrown bars from the 514, scene-carrying energy included.
From Montreal, QC
Québec's franco-pop charmer — playful, synth-kissed chanson for the home crowd, delivered with a wink, francophone pop's brightest grin.
From Montreal, QC
Polish techno provocateur — fast, hard, and gleefully irreverent, rave intensity with an internet-native sense of humor.
From Warsaw, PL · Sounds like I Hate Models, Charlotte de Witte, SPFDJ, Nina Kraviz
WHATMORE
Raw-nerve UK rock — Cobain-worn songwriting building a serious cult, intensity that reads as truth, a band critics keep underestimating upward.
From London, UK · Sounds like Fontaines D.C., Sam Fender, Nirvana, The Murder Capital
Zoe Gitter
ZULAN
The headliners
- Twenty One Pilots — Genre-agnostic arena duo — rap, ukulele, and existential dread with a devoted Clique, lore deep enough for a wiki.
- Tate McRae — Dancer-first pop stardom — precision choreography and inescapable hooks, delivered at full sprint with a dance captain's discipline.
- Lorde — The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Up-and-comers to catch early
- SOFIA ISELLA — Viral dark art-pop — spoken-word menace over strings, Gen Z's gothic conscience.
- Bambii — Toronto's genre-splicing club force — dancehall, jungle, and R&B collide in her JELLY world.
- Malcolm Todd — Funk-flecked Gen-Z bedroom pop — 'Chest Pain (I Love)' and a fast-rising live reputation.
- Tia Wood — Cree and Salish singer weaving Indigenous roots into warm folk-pop and R&B.
- AVIV — Toronto's teenage alt-pop riser — bedroom-written songs with pop-punk teeth.
- Super Plage — Montreal's sunniest synth-pop — francophone disco warmth for the home crowd.
Other acts worth planning around
- Wolf Parade — Montreal indie rock institution — jittery, anthemic songs with home-field advantage.
- Blood Orange — Dev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak.
- YOASOBI — Japan's novel-into-song hitmakers — the live band goes harder than you'd expect.
- Little Simz — One of rap's sharpest pens, full stop — orchestral ambition and North London grit.
- Viagra Boys — Sweaty, saxophone-wielding Swedish post-punk satire — one of the best live bands on earth.
- Amelie Lens — Belgium's techno figurehead — relentless, hypnotic peak-time sets for the tent faithful.
- Trixie Mattel — The drag superstar behind the decks — camp, pop edits, and pure joy.
The lineup by day
- Friday, July 31: Twenty One Pilots, The xx, The Neighbourhood, Geese, Wet Leg, Amelie Lens + 23 more
- Saturday, August 1: Tate McRae, Sombr, Turnstile, Empire of the Sun, Mt. Joy, Franz Ferdinand + 24 more
- Sunday, August 2: Lorde, Gunna, Major Lazer, Clipse, Subtronics, Zara Larsson + 24 more
Osheaga 2026 lineup FAQ
When is Osheaga 2026?
July 31 – August 2, 2026 — Friday through Sunday.
Where does Osheaga take place?
Parc Jean-Drapeau on Montreal's Île Sainte-Hélène — a quick ride from downtown on the metro's yellow line.
Who is headlining Osheaga 2026?
Twenty One Pilots (Friday), Tate McRae (Saturday), and Lorde (Sunday).
How many acts are playing Osheaga 2026?
89 acts across three days and multiple island stages.
What days do specific acts play?
Every act's day is already on this page — expand the full lineup below or check the day-by-day breakdown.
How do I figure out which of the 89 acts I'd actually like?
Tell the finder at the top of this page a few bands you love — it'll match you with your must-see sets, with reasons why.
Going to Osheaga 2026? Get tickets ↗
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