DONTTRUSTME and the rest of the MySpace-era catalog, played fully self-aware — neon electro-rap chaos that has aged into a gleeful, shout-along riot live.
From Boulder, CO · Sounds like Breathe Carolina, Family Force 5, Cobra Starship, Metro Station
Warped Tour Orlando 2026 Lineup
Warped's Florida stop, billed flat and alphabetical the way it always was — 137 bands across two November days, from Jimmy Eat World to Sunami.
About Warped Tour Orlando 2026
Warped Tour's Florida stop runs two days on the Camping World Stadium campus, and it is billed the way Warped has always been billed: one alphabetical block, no headliners, no hierarchy. That's not an oversight on our part — the festival publishes no billing order at all, so this page lists all 137 bands flat, exactly as the lineup poster does.
The spread is enormous. Jimmy Eat World, Taking Back Sunday, The Used, Third Eye Blind, Dropkick Murphys, Simple Plan, New Found Glory, Silverstein and Thrice cover the nostalgia end. Sublime, Reel Big Fish, Save Ferris and MxPx handle ska and skate-punk. Sunami, Drain, Pain of Truth, Madball, Knocked Loose-adjacent hardcore and Suicide Silence cover the heavy end. And Hot Mulligan, Origami Angel, Arm's Length, Ben Quad, Teen Mortgage and Winona Fighter represent whatever emo is doing now.
Expect pop-punk, emo, post-hardcore and alt-rock across 137 acts.
Warped Tour Orlando 2026 lineup: all 137 acts
Search it, filter by day, stage or genre — save anything straight to your schedule.Browse all 137 acts →
Search it, filter by day, stage or genre — save anything straight to your schedule.
Canada's post-hardcore heart — three voices trading scream, croon, and rasp across one beloved catalog, with reunion sets that feel like national holidays back home.
From St. Catharines, ON · Sounds like Thrice, Glassjaw, Silverstein, Cancer Bats
New England metalcore that leaned into melody early and got a career of radio singles out of it — trading screams for choruses at exactly the right moment.
From Springfield, MA · Sounds like Killswitch Engage, Trivium, Shadows Fall, As I Lay Dying
Allison
The Circa Survive singer's solo work — that unmistakable keening voice over looser, warmer arrangements, trading post-hardcore tension for campfire-scale intimacy.
From Doylestown, PA · Sounds like Circa Survive, Saosin, mewithoutYou, Manchester Orchestra
Ontario emo revival with a knack for the exact line that lands hardest — huge choruses, harder feelings, and a scene-beloved catalog that punches far above its weight.
From Peterborough, ON · Sounds like Hot Mulligan, Origami Angel, Free Throw, Sweet Pill
Slug and Ant's Rhymesayers cornerstone — conversational, self-lacerating rap over dusty, patient loops, still the blueprint for Midwest underground hip-hop's emotional honesty.
From Minneapolis, MN · Sounds like Aesop Rock, Brother Ali, Sage Francis, Eyedea & Abilities
Fat Wreck melodic punk with four-part harmonies and no patience for anyone's nonsense — SoCal hooks carrying unapologetically feminist fire.
From Los Angeles, CA · Sounds like The Interrupters, War On Women, Western Addiction, Nof X
Queens punk with a morbid streak and lead guitar lines that owe more to metal than emo — craftsmanship that turned a scene band into a twenty-year institution.
From Queens, NY · Sounds like The Menzingers, Alkaline Trio, Saves the Day, Silverstein
LA trio splitting the difference between pop-punk revival and moody alt-rock — new-school scene energy with a darker, radio-ready finish.
From Los Angeles, CA · Sounds like Girlfriends, MGK, Jxdn, The Neighbourhood
Fifth-wave emo at its most frantic — tapped riffs and throat-shredding payoffs in equal measure, from a band that treats catharsis as a competitive sport.
From Oklahoma City, OK · Sounds like Origami Angel, Arm's Length, Free Throw, Just Friends
Progressive metal with no regard for song length — polka breaks, jazz detours, and genuine death-metal fury, often inside the same eleven-minute track.
From Raleigh, NC · Sounds like Opeth, The Dillinger Escape Plan, Protest the Hero, Cynic
Big Ass Truck I.E.
Blackpool band that walked away from pop-punk toward something darker, grimier, and considerably more interesting — industrial-gray alt-rock with real atmosphere.
From Blackpool, UK · Sounds like Silverstein, Movements, Trash Boat, Basement
Texas pop-punk comedians with better songwriting chops than the joke suggests — twenty-five years of hooks hiding under the punchlines.
From Wichita Falls, TX · Sounds like Simple Plan, Zebrahead, Wheatus, Fenix TX
Brayton
Started as screamo-electro, ended up as a straight dance act — both halves still show up live, MySpace nostalgia colliding with festival EDM.
From Denver, CO · Sounds like 3OH!3, Family Force 5, Cash Cash, Metro Station
Richmond pop-punk with a genuine pop instinct — hooks first, scene second, and choruses polished enough to pass for radio pop with the guitars turned down.
From Richmond, VA · Sounds like State Champs, Real Friends, Knuckle Puck, With Confidence
Sunny pop-rap with a guitar underneath — 'Drew Barrymore' breeziness built for a summer that never quite ends.
From Los Angeles, CA · Sounds like Hoodie Allen, Quinn XCII, Jutes, iann dior
Florida post-hardcore with clean-vocal lift and an ear for the theatrical — technical enough for the Swancore crowd, catchy enough for everyone else.
From Tampa, FL · Sounds like Hail The Sun, Dance Gavin Dance, Silverstein, Boston Manor
Bedroom-goth alt-pop — acoustic sadness and distorted 808s in roughly equal measure, 'Trailer Trash' the viral flashpoint.
From Salt Lake City, UT · Sounds like Nessa Barrett, Lil Peep, Poppy, Grandson
Grunge-weight emo that has quietly drifted toward something looser and poppier without losing the murk — Toledo's finest, still evolving album over album.
From Toledo, OH · Sounds like Turnover, Superheaven, Basement, Balance and Composure
Clique
Fat Mike's genre-agnostic side project — punk, rap, and folk stitched into something genuinely odd, with Ceschi's rapid-fire verses at the center.
From Oakland, CA · Sounds like Get Dead, Ceschi, Fat Mike, Sage Francis
Melodic hardcore at its most emotionally scoured — Brendan Murphy's voice permanently at the edge, and a Canadian scene institution because of it.
From Hamilton, ON · Sounds like While She Sleeps, Being As An Ocean, Stick To Your Guns, Knocked Loose
Theater-kid pop-punk menace — self-branded 'bubble-grunge' with a wink, Brooklyn duo energy engineered for glitter and mosh in equal parts.
From Brooklyn, NY · Sounds like Scene Queen, Cherry Pools
Swancore's funk-flecked flagship — technicolor riffs and dual-vocal whiplash, a prolific catalog that never stopped mutating.
From Sacramento, CA · Sounds like Hail The Sun, Sianvar, Capstan, Chon
Gothic pop with metallic edges — theatrical dark-pop vocals over production that keeps one boot in the metal scene.
From Los Angeles, CA · Sounds like Poppy, Bad Omens
Mexican emo-rock pioneers — border-town anthems for a generation that learned to scream along in Spanish first.
From Matamoros, MX · Sounds like Zoé, Panda
Nashville rapper with a rock streak and a fiercely independent release history — melodic grit built entirely outside the label system.
From Nashville, TN · Sounds like Yelawolf, Jutes, iann dior, Bryce Vine
Sunny California hardcore that treats a circle pit as a party rather than a fight — the scene's most reliably grinning live band.
From Santa Cruz, CA · Sounds like Sunami, Scowl, Gulch, Power Trip
Drop Dead, Gorgeous
Boston Celtic-punk with bagpipes, union politics, and a singalong rate of roughly one per song — 'Shipping Up to Boston' merely the loudest.
From Quincy, MA · Sounds like Flogging Molly, The Pogues, The Real McKenzies, Street Dogs
Elijah
'The Question'-era screamo-pop veterans, still swinging — dueling vocals and dynamic whiplash from one of the scene's smartest bands.
From Seattle, WA · Sounds like Underoath, Anberlin, Norma Jean, Silverstein
Divisive by design — nu-metal bounce, deathcore weight, and Frankie Palmeri saying the unsayable, engineered to start arguments and pits alike.
From New Fairfield, CT · Sounds like Suicide Silence, Chelsea Grin, King 810, Upon A Burning Body
Atlanta crunk-rock — dance-punk silliness played entirely straight and very loud, a MySpace-era party that never acknowledged the era ended.
From Atlanta, GA · Sounds like 3OH!3, Breathe Carolina, Hyper Crush, Innerpartysystem
Fieldhockey
Detroit pop-punk with more literary ambition than the genre usually allows — scene-beloved records that read as well as they shout.
From Detroit, MI · Sounds like The Wonder Years, Transit, Into It. Over It., Free Throw
Texas metalcore built on clean-vocal lift and reliably enormous breakdowns — arena-scale heaviness delivered with total consistency.
From Tyler, TX · Sounds like Wage War, August Burns Red, Silent Planet, Erra
Fox Lake
Twinkly, self-lacerating emo about mental health, sung like it's being confessed rather than performed — catharsis with a Nashville accent.
From Nashville, TN · Sounds like Origami Angel, Mom Jeans, Prince Daddy & The Hyena, Hot Mulligan
Mid-2000s screamo whose most famous alumnus left to become a dubstep producer — 'Dear Diary' drama that still hits the scene's pleasure centers.
From Tampa, FL · Sounds like The Used, Underoath, Alesana, Escape the Fate
Games We Play
Gang!
Scuzzy internet-age alt-pop.
Alabama metalcore turned mean — melodic roots swapped for something nu-metal-adjacent, and the heaviness pays for the trade.
From Tuscaloosa, AL · Sounds like Knocked Loose, Wage War, Kublai Khan TX, Varials
Travis Barker-adjacent pop-punk duo — glossy, fast, and unashamedly hooky, scene revival built for playlists and pits alike.
From Los Angeles, CA · Sounds like Stand Atlantic, Waterparks, The Wrecks, Neck Deep
Post-hardcore's great withholders — Daryl Palumbo's serrated delivery over grooves that lurch sideways, and records doled out a decade apart.
From Long Island, NY · Sounds like Quicksand, Thursday, Deftones, Refused
Good Terms
Protest-minded alt-rock with trap production underneath — agitprop you can actually move to, delivered with genuine live-wire intensity.
From Toronto, ON · Sounds like Nothing But Thieves, Fever 333, Highly Suspect, Yungblud
Ohio emo survivors whose mid-2000s records are still the reference point for the whole scream-over-the-chorus template — played now with veterans' gratitude.
From Dayton, OH · Sounds like Silverstein, Senses Fail, The Red Jumpsuit Apparatus, Story of the Year
Newer West Coast hardcore working the same fast, mean seam as its Bay Area peers — no-frills aggression built for short, violent sets.
From Los Angeles, CA · Sounds like Sunami, Drain, Scowl, Pain of Truth
LA project trading in cinematic, brooding alt-pop with a big low end — grief-forged songs delivered with theatrical force.
From Los Angeles, CA · Sounds like PVRIS, Royal & the Serpent, Poppy, Phantogram
holywatr
Bright, funk-tinged pop-punk from a duo with an unusually sharp sense of groove — scene revival with actual rhythm-section chops.
From Los Angeles, CA · Sounds like Stand Atlantic, Meet Me @ The Altar, Girlfriends, Paramore
Early-2000s alt-rock with one inescapable ballad and a harder-edged catalogue behind it — 'The Reason' opens the lighters, the rest brings guitars.
From Agoura Hills, CA · Sounds like Alien Ant Farm, Lit, Trapt, Incubus
Nashville pop-rock with one enormous 2011 single and a reunion that leaned back into the guitars — 'Tonight Tonight' still pure sugar.
From Nashville, TN · Sounds like The Summer Set, We The Kings, Boys Like Girls, The Cab
Manchester co-fronted pop-punk with a sneer inherited directly from Britpop — dual vocals, big choruses, bigger attitude.
From Manchester, UK · Sounds like Stand Atlantic, Kid Kapichi, Nova Twins, Yonaka
Midwest emo's chaotic favorites — screamed choruses, absurd song titles, real feelings, and a crowd that knows every word including the yelps.
From Lansing, MI · Sounds like Origami Angel, The Wonder Years, Free Throw, Prince Daddy & The Hyena
Crunk-screamo maximalism — the most 2008 band that has ever existed, affectionately, MySpace chaos preserved in amber and played loud.
From Miami, FL · Sounds like Attack Attack!, Enter Shikari, Dance Gavin Dance, Blood on the Dance Floor
Melodic emo-rap that crossed fully into pop-rock without much fuss about the line — chart ubiquity with a scene kid's heart.
From Corpus Christi, TX · Sounds like 24kGoldn, Trippie Redd, Jutes, The Kid LAROI
Bay Area hardcore with a metallic edge and a vocalist who does not let up — pit fuel from the scene's deep bench.
From Bay Area, CA · Sounds like Sunami, Drain, Scowl, Gulch
The Faygo flies at sundown — whoop whoop, and genuinely one of music's strangest, most loyal communities gathered in one place.
From Detroit, MI · Sounds like Twiztid, Esham, Kottonmouth Kings, Yelawolf
The emo band that became a permanent radio fixture — enormous choruses delivered with total earnestness, decade after decade without a dip.
From Mesa, AZ · Sounds like The Get Up Kids, Motion City Soundtrack, Death Cab for Cutie, Saves the Day
Beastie Boys energy for the TikTok era — relentless, giddy, all-caps fun, two friends rapping like the '80s never ended.
From State College, PA · Sounds like Beastie Boys, bbno$
John Harvie
Southern California's most efficient punk band — two-minute songs, enormous hooks, and sets that are over before you've settled in.
From Torrance, CA · Sounds like The Front Bottoms, Jeff Rosenstock, Titus Andronicus, Modern Baseball
Just Surrender
Toronto artist who moved from rap features into full pop-punk, and sounds more at home there — emo-rap roots showing through the power chords.
From Toronto, ON · Sounds like iann dior, MGK, Bryce Vine, Girlfriends
Post-punk-inflected alt-rock with a genuine 2005 dance-punk streak, and much heavier live than on record — new-core energy with real nostalgic craft.
From Cleveland, OH · Sounds like Militarie Gun, Mitski, Bloc Party
Lakeview
Losers Club
NYHC royalty — Freddy Cricien's bark over the crossover riffing that defined the Lower East Side sound, hardcore lineage in the literal family sense.
From New York, NY · Sounds like Terror, Agnostic Front, Sick of It All, Hatebreed
Makari
Vancouver pop-rock with theatre-kid ambition — multi-part suites and Josh Ramsay's four-octave showing-off, concept albums played like Broadway.
From Vancouver, BC · Sounds like Panic! at the Disco, The Summer Set, Simple Plan, Hedley
maybsomeday
Southern-fried metalcore built around the Barrow gang mythology — slide guitar over breakdowns, Alabama grit in every groove.
From Birmingham, AL · Sounds like He Is Legend, Every Time I Die, Norma Jean, Clutch
Millington
Moog-powered anxiety anthems — 'Commit This to Memory' remains scripture, and 'Everything Is Alright' remains a group confession.
From Minneapolis, MN · Sounds like Jimmy Eat World, The Starting Line, Say Anything, Fall Out Boy
Pacific Northwest pop-punk lifers — fast, bright, and unbothered by three decades passing, 'Chick Magnet' still a set-list law.
From Bremerton, WA · Sounds like New Found Glory, The Ataris, Lagwagon, Face to Face
The pop-punk band other pop-punk bands cite — three decades of unreasonably durable hooks and a work ethic to match.
From Coral Springs, FL · Sounds like MxPx, The Starting Line, Simple Plan, Set Your Goals
NIIS
Chaotic Southern metalcore — dissonant, lurching, and famously punishing to watch from the front, two decades of controlled collapse.
From Douglasville, GA · Sounds like The Chariot, Every Time I Die, Botch, Converge
A two-piece making absurdly dense, tapping-heavy emo that sounds like four people having the best day of their lives — Gami gang, assemble.
From Washington, DC · Sounds like Free Throw, Mom Jeans, Stand Still, Prince Daddy & The Hyena
Queens rap-rock that genuinely fuses both halves rather than alternating them — livewire energy with a message underneath.
From Queens, NY · Sounds like Fever 333, Ho99o9, Rage Against the Machine, Grandson
Long Island heavy hardcore with a lineage running straight back to the NYHC canon — new-school stomp, old-school allegiance.
From Long Island, NY · Sounds like Sunami, Terror, Madball, Drain
People R Ugly
Best known for a theme song, which buries a genuinely sharp power-pop catalogue — 'California' opens the door, the rest keeps you.
From Los Angeles, CA · Sounds like Rooney, OK Go, The Shins, Ozma
Formerly Slaves, rebuilt around melody — modern post-hardcore with the edges sanded deliberately smooth and the choruses aimed at radio.
From Orlando, FL · Sounds like Sleeping With Sirens, Slaves, Dayseeker, Bad Omens
Raue
Third-wave ska's most reliable good time — horns, self-deprecation, and a set list that knows exactly what it is, 'Sell Out' forever.
From Huntington Beach, CA · Sounds like Less Than Jake, Goldfinger, Save Ferris, Streetlight Manifesto
rosecoloredworld
Sace6
Saint Blonde
Monique Powell's ska-pop outfit — brass-forward and built around one of the era's biggest voices, 'Come On Eileen' cover and all.
From Orange County, CA · Sounds like Reel Big Fish, No Doubt, Goldfinger, The Interrupters
Scarlet House
Keyboard-led post-hardcore with a genuinely gorgeous streak under the screaming — scene-era drama back from the vault.
From Gilbert, AZ · Sounds like Chiodos, Saosin, The Fall of Troy, Emarosa
Senses
Theatrical pop-rock with orchestral flourishes and a frontman who can genuinely belt — Broadway instincts at Warped velocity.
From Tampa, FL · Sounds like Palaye Royale, Panic! at the Disco, The Summer Set, Stand Atlantic
Gang-vocal pop-punk with hardcore bones — two singers, no wasted time, 'Mutiny!'-era energy preserved intact, posi-hardcore joy undimmed.
From Bay Area, CA · Sounds like New Found Glory, Four Year Strong, H2O, Kid Dynamite
Silly Goose
Canadian post-hardcore that outlasted the scene it came from by simply never getting worse — 'My Heroine' still a full-crowd scream.
From Burlington, ON · Sounds like Hawthorne Heights, Senses Fail, Underoath, Boston Manor
Montreal pop-punk that took the genre fully mainstream and has never pretended otherwise — 'I'm Just a Kid' now two generations deep.
From Montreal, QC · Sounds like New Found Glory, Bowling for Soup, Sum 41, Good Charlotte
Sitting On Saturn
Slay Squad
Kellin Quinn's falsetto-fronted post-hardcore — Warped Tour royalty matured, with the high notes fully intact and scene-era devotion still filling rooms.
From Orlando, FL · Sounds like Pierce the Veil, Of Mice & Men, Set It Off, Silverstein
British band reviving 2000s alt-rock gloss with a genuinely modern pop sensibility — Y2K crunch, algorithm-era hooks.
From London, UK · Sounds like Stand Atlantic, Hot Milk, PVRIS, Poppy
Australian pop-punk gone hyper — glitchy production and hooks sharpened to a point, genre rules cheerfully ignored.
From Sydney, AU · Sounds like Tonight Alive, Against The Current, PVRIS, Meet Me @ The Altar
Sun-bleached ska-punk-dub hybrid, now carried by Bradley Nowell's son with the songs left intact — '40oz. to Freedom' forever.
From Long Beach, CA · Sounds like Slightly Stoopid, 311, Pepper, The Dirty Heads
Deathcore's early standard-bearers — blast beats into breakdowns, delivered at maximum volume, with Mitch Lucker's legacy carried respectfully forward.
From Riverside, CA · Sounds like Whitechapel, Chelsea Grin, Thy Art Is Murder, Emmure
Bay Area beatdown that turned meme-level swagger into a genuinely feared live act — the joke stopped being a joke fast.
From San Jose, CA · Sounds like Gulch, Drain, Pain of Truth, Terror
Super Sometimes
Long Island emo royalty — mic-swinging catharsis, twenty-plus years deep, 'MakeDamnSure' still a communal throat-shred, and yes, the mic still swings.
From Long Island, NY · Sounds like Brand New, The Used, Straylight Run, Senses Fail
Australian four-piece playing scrappy, funny, hook-heavy rock with a real live spark — Canberra mates with festival-sized charm.
From Canberra, AU · Sounds like Amyl and The Sniffers, The Beths, Wet Leg, Press Club
DC duo making a genuinely enormous racket for two people — fuzz, sludge, and swagger in the Death From Above tradition.
From Washington, DC · Sounds like Death From Above 1979, METZ, Bass Drum of Death, The Garden
William Beckett's Chicago pop-punk — swaggering, scarf-wearing, and sharper than the scene remembers, 'About a Girl' still gleaming.
From Chicago, IL · Sounds like Fall Out Boy, Cobra Starship, Panic! at the Disco, The Cab
Vegas pop-rock from the Decaydance orbit, built around Alexander DeLeon's soul-leaning voice — 'Symphony Soldier' loyalists, report in.
From Las Vegas, NV · Sounds like The Academy Is..., Panic! at the Disco, Cobra Starship, The Summer Set
Jersey emo with a soft-focus streak — the band that once released a triple concept album and meant it, sincerity as a career-long dare.
From Hammonton, NJ · Sounds like The Starting Line, Copeland, Say Anything, Brand New
Seattle's funk-flecked pop-metalcore — groove first, breakdowns second, and falsetto hooks the scene didn't see coming.
From Seattle, WA · Sounds like Issues, Dayseeker
The Paradox
Early-2000s pop-punk with more craft than the era gave it credit for — 'The Best of Me' aging like a yearbook photo you actually like.
From Churchville, PA · Sounds like The Early November, New Found Glory, Taking Back Sunday, Yellowcard
Arizona pop-rock that split up, reunited, and came back noticeably better — second acts done right.
From Scottsdale, AZ · Sounds like The Cab, We The Kings, Mayday Parade, All Time Low
Bert McCracken's scream-to-croon whiplash defined a corner of early-2000s post-hardcore and still detonates live — the chaos aged into craft.
From Orem, UT · Sounds like My Chemical Romance, Taking Back Sunday, Senses Fail, Alexisonfire
Big-chorus indie-rock built for a room singing back — Nick Anderson's phrasing does a lot of the work, and the crowd does the rest.
From Thousand Oaks, CA · Sounds like Coin, Arizona, The Band CAMINO, Girlfriends
Semi-charmed alt-rock perfection — a greatest-hits set with no skips, doot-doot-doots at maximum participation, Jenkins still selling every word.
From San Francisco, CA · Sounds like Everclear, Fastball, Semisonic, Marcy Playground
Post-hardcore that leans into the ache — glossy production over genuinely raw heartbreak, built for night drives after the show.
From San Diego, CA · Sounds like Dayseeker, Rain City Drive, Currents, Void of Vision
Post-hardcore's elder statesmen — heavy, literate, endlessly evolving, and never once coasting on the back catalog.
From Irvine, CA · Sounds like Glassjaw, Underoath, Deftones, Brand New
TiLLie
TRXVIS
Texas deathcore with a groove streak and a fondness for naming records after films — San Antonio swagger at full weight.
From San Antonio, TX · Sounds like Suicide Silence, Emmure, Chelsea Grin, Fit For A King
Vana
Vienna Vienna
WesGhost
Nashville punk trio with a drummer-vocalist front and centre and no interest in polish — raw hooks played standing on the kit.
From Nashville, TN · Sounds like Teen Jesus and the Jean Teasers, Militarie Gun, Scowl, Pinkshift
Wolves of Glendale
Alabama rapper who kept drifting toward country and rockabilly without ever losing the double-time flow — Slumerican to the bone.
From Gadsden, AL · Sounds like Struggle Jennings, Bubba Sparxxx, Jelly Roll, Insane Clown Posse
Up-and-comers to catch early
- Winona Fighter — Nashville punk trio with a drummer-vocalist front and centre.
- Teen Mortgage — DC duo making an implausible racket for two people.
- Arm's Length — Ontario emo with a knack for the line that lands hardest.
- Ben Quad — Oklahoma fifth-wave emo — twinkly, screamed, very short songs.
- Honey Revenge — Bright, funk-tinged pop-punk with a real sense of groove.
- Origami Angel — Two people making a genuinely absurd amount of noise.
Other acts worth planning around
- Jimmy Eat World — Emo's most durable radio band.
- Taking Back Sunday — Duelling-vocal Long Island emo, mic swinging included.
- The Used — The sound of a very specific and very loud 2004.
- Dropkick Murphys — Bagpipes, union politics, a singalong per song.
- Sublime — Long Beach ska-punk-dub, back on the road.
- Glassjaw — Post-hardcore's great withholders, playing a festival bill for once.
- Sunami — The heaviest reason to be near the front all weekend.
Warped Tour Orlando 2026 lineup FAQ
When is Warped Tour Orlando 2026?
November 14–15, 2026 — Saturday and Sunday.
Where is it held?
The Camping World Stadium campus in Orlando, Florida.
Who is headlining?
Nobody — Warped publishes a flat alphabetical bill with no headliners, and we've kept it that way here.
How many acts are playing?
137 bands across two days.
Are day-by-day lineups published?
Not yet. Warped typically releases day and stage times much closer to the event.
How do I work out which acts I'd like?
With a bill this size that's the whole problem — type a few bands you already love into the search at the top of this page and you'll get ranked matches, with reasons.
Going to Warped Tour Orlando 2026? Get tickets ↗
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