Saxophone-wielding electro-funk — half of the GRIZTRONICS b2b with Subtronics, and a solo catalog of brass-blasted future-funk joy.
From Detroit, MI · Sounds like Big Gigantic, Pretty Lights
Halloween weekend indoors at WAMU Theater — three stages of bass, dubstep and house, and the Pacific Northwest's best excuse to wear the costume twice.

BOO Seattle is the Pacific Northwest's Halloween rave — two nights indoors at WAMU Theater over Halloween weekend, three stages deep. GRiZ and Subtronics top the 2026 bill, with the undercard split cleanly between bass weight and house groove.
The bass wing runs Space Laces, Getter, Kayzo, Levity and Ravenscoon; the house side answers with James Hype, Cloonee, Walker & Royce, Westend and Wuki; and a hard-and-fast current — Sara Landry, Azyr, Clara Cuvé — keeps the late hours honest. A strong UK contingent (Champion, Taiki Nulight, Hannah Laing, Joshwa) rounds out one of the more balanced bills Insomniac books all year.
Expect house, dubstep, bass and tech-house across 48 acts.
Search it, filter by day, stage or genre — save anything straight to your schedule.
Saxophone-wielding electro-funk — half of the GRIZTRONICS b2b with Subtronics, and a solo catalog of brass-blasted future-funk joy.
From Detroit, MI · Sounds like Big Gigantic, Pretty Lights
Riddim-dubstep heavyweight — appearing in the GRIZTRONICS b2b with GRiZ, an hour of pure bass warfare with a funk streak.
From Philadelphia, PA · Sounds like Excision, Zeds Dead, Ganja White Night, GRiZ
Roots in UK funky and grime — skippy, percussive, club-first records that never overstay their welcome.
From London, UK · Sounds like Sammy Virji, Interplanetary Criminal, Conducta
Berlin-based DJ whose sets tear across techno, trance and electro at speed without losing the thread.
From Berlin, Germany · Sounds like Sara Landry, Nina Kraviz, Azyr
British tech-house producer with a knack for the rolling bassline that empties the bar and fills the floor — label-boss instincts tuned for peak time.
From Bristol, UK · Sounds like Fisher, Chris Lake, PAWSA
A songwriter working inside dance music — 'Cola' and 'Something About You' crossed over on the strength of the vocal, not the drop.
From UK · Sounds like Rufus Du Sol, Bob Moses, Fred again..
Went from Skrillex-adjacent dubstep to genre-hopping and back again — a restless catalogue with genuinely heavy roots.
From San Jose, CA · Sounds like Space Laces, Skrillex, Ravenscoon
Works the seam between hip-hop, funk and electronica — sample-heavy and guitar-inflected, with a live-band instinct.
From Slovenia · Sounds like GRiZ, Pretty Lights, Big Gigantic
Feel-good house edits gone huge — crowd-pleasing flips built for hands-up moments, a set with zero pretension and full commitment.
From United States · Sounds like Disco Lines, John Summit
Tech house as sleight of hand — the mixing itself is the show, cut so fast the transitions become the hook.
From Liverpool, UK · Sounds like Fisher, Chris Lake, Dom Dolla
Welded hardcore punk and metal onto hard dance — screamed vocals over hardstyle kicks, and a live show built around the collision.
From Los Angeles, CA · Sounds like Excision, Subtronics, Sullivan King
Trio riding the new melodic-bass wave — riddim with feelings, drops that aim at the chest and the heart at once.
From United States · Sounds like ISOxo, Knock2
Hard techno delivered with genuine showmanship — one of the fastest rises in the genre in years, industrial pressure with headliner presence.
From Austin, TX · Sounds like Charlotte de Witte, Amelie Lens, 999999999
Sound design used as a blunt instrument — heavy, surgically precise dubstep from a producer other producers study.
Sounds like Excision, Subtronics, Svdden Death
UK producer whose rhythmically intricate trap sounds like nobody else's — 'Do You?' swagger with global percussion baked in.
From London, UK · Sounds like DJ Snake, RL Grime, Whipped Cream, Sam Gellaitry
Brooklyn duo making tech-house with actual jokes in it — Dirtybird's sense of humour intact, wobbling basslines with a wink.
From Brooklyn, NY · Sounds like Will Clarke, VNSSA, Chris Lorenzo, Sacha Robotti
NYC tech house — punchy, playful peak-time tools with remix-radar ubiquity, reliability with personality.
From New York, NY · Sounds like John Summit, Matroda
Moves between bass house, breaks and whatever else the drop calls for — a producer who treats genre as optional.
Sounds like Wax Motif, AC Slater, Chris Lorenzo
One of UK drum & bass's most in-demand vocalists, now fronting sets of her own.
From UK · Sounds like Hedex, Bou, Friction
One of the fastest-rising names in Europe's hard-techno surge — relentless BPMs aimed straight at the warehouse.
Sounds like Sara Landry, Trym
A pillar of Chicago's house scene since the '90s — deep, unshowy, impeccably mixed sets that put craft above spectacle every time.
From Chicago, IL · Sounds like DJ Lady D, Derrick Carter, Colette, Mark Farina
Heavy, riddim-leaning dubstep built for the low end and not much else.
Sounds like Svdden Death, Barely Alive, Kompany
Scottish DJ whose doof-inflected hard house has become one of the UK's biggest club draws — Dundee dental nurse turned rave phenomenon.
From Dundee, UK · Sounds like Sara Landry, Nico Moreno, Anetha, Charlotte de Witte

UK producer with a bouncy, vocal-sample-driven approach to tech-house — cheeky peak-time tools with London swagger.
From London, UK · Sounds like Michael Bibi, Pawsa, Biscits, Cloonee
Moves between hard techno, trap and hard dance with the same aggression whichever one he's in.
Sounds like Lil Texas, Trym, Kayzo
Textural, psychedelic bass music — heavy without being blunt about it.
Sounds like LSDREAM, CharlestheFirst, Ravenscoon
UK house producer with a knack for the vocal-led edit that ends up everywhere.
From UK · Sounds like Sammy Virji, Joshwa, it’s murph
Wonky, bass-heavy house — the other half of the HYPERBEAM b2b with Odd Mob, edits engineered for double-takes.
From Chicago, IL · Sounds like Odd Mob, Chris Lake
Bay Area producer making textural, emotionally pitched bass music — heavy when it wants to be, weightless when it matters.
From San Francisco, CA · Sounds like Jantsen, Mersiv, Sumthin Sumthin, Eazybaked
Disciple-school dubstep — technical, mechanical and built around sound design rather than melody.
Sounds like Svdden Death, Barely Alive, Space Laces
UK bass house with garage in its bones — rolling, swung and bass-forward.
From London, UK · Sounds like Chris Lorenzo, AC Slater, Wax Motif
Heavy bass music delivered behind a mask — theatrics up front, riddim underneath.
Sounds like Svdden Death, Kompany, Samplifire
Bass music with a wrestling-heel swagger — heavy edits and heavier drops.
October 30–31, 2026 — Friday and Saturday of Halloween weekend.
WAMU Theater in Seattle — fully indoors, across three stages.
GRiZ and Subtronics top the bill, with James Hype, Sara Landry, Space Laces, Cloonee and TroyBoi among the top billing.
It's Halloween weekend and the festival is named BOO — costumes are very much the point.
48 acts across the two nights.
Tell the finder at the top of this page a few artists you love — it'll match you with the acts on this lineup you shouldn't miss, with reasons why.
Going to BOO Seattle 2026? Get tickets ↗
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