Missouri songwriter turned drag-inflected pop maximalist, pairing big synth choruses with full costume and greasepaint. 'Pink Pony Club,' 'Good Luck, Babe!'
Lollapalooza Brasil 2026 Lineup
Interlagos in March: Chappell Roan and Tyler, the Creator over four stages, with Brazil's own funk, rock and baile undercard running all weekend.
Lollapalooza Brasil 2026 has already wrapped, but you can still dig through the lineup and find the acts you would have loved.
Find the acts you'll love at Lollapalooza Brasil
Name a few bands you love and we'll scout all 72 acts on the Lollapalooza Brasil bill for the ones you shouldn't miss.
About Lollapalooza Brasil 2026
Lollapalooza Brasil 2026 ran a week after the Spanish-speaking legs, three days at the Autódromo de Interlagos with the headliners stacked two a night: Sabrina Carpenter with Deftones on Friday, Chappell Roan with Skrillex on Saturday, and Tyler, the Creator with Lorde closing Sunday.
The Brazil-only wrinkles were the fun part. Cypress Hill played this leg alone, reggae great Edson Gomes took a top-line slot, and Shaquille O'Neal turned up to drop bass as DJ Diesel. Underneath sat a heavy local class: FBC, Negra Li, manguebeat veterans Mundo Livre S/A, shoegazers terraplana, and Ginger and the Peppers, who won the 89 FM contest slot that opened Friday's Samsung stage. The Dare's cancellation left a Sunday gap unfilled; Blood Orange and Ruel covered the earlier departures of Lola Young and d4vd.
Expect pop, hip-hop, dance and house across 72 acts.
Lollapalooza Brasil 2026 lineup & schedule: all 72 acts
Search it, filter by day, stage or genre. Save anything straight to your schedule.Browse all 72 acts →
Search it, filter by day, stage or genre. Save anything straight to your schedule.
The band that dragged heaviness toward dream-pop — Chino Moreno's croon-to-scream over guitars tuned for atmosphere as much as impact.
The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Former Disney kid turned arena-filling pop force, trading in winking innuendo, retro-leaning production, and hooks engineered for maximum singalong — fully caffeinated live.
Bass music's shape-shifting elder — from brostep infamy to festival-set transcendence, reinvention as a permanent state.
Odd Future's ringleader turned auteur — every record a full costume change, every tour a proper production, Grammy-decorated and still restless.
Osaka-born cult selector Yousuke Yukimatsu — genre-shredding DJ sets that went from viral clips to worldwide bookings, anything-goes technique with total joy.
Rage-adjacent producer-vocalist making synth-heavy, blown-out digital pop for a very online audience — icy arpeggios, distorted 808s, and hooks that hit like a video-game boss theme.
Reinvented from short-form-video ubiquity into a genuinely well-made art-pop project — breathy vocals, early-2000s dance production, and co-signs from pop's most discerning corners.
Kiwi brothers making slinky, falsetto-led alt-funk — Auckland groove-pop polished to a late-night sheen, with basslines that do most of the flirting.
Berlin melodic-house romantic — the hot-air-balloon Cercle set guy, whose gorgeous live performances turn synth washes into genuine emotional events.
Dev Hynes's velvety art-R&B — '80s soul textures, jazz chords, and quiet heartbreak from one of pop's most sought-after collaborators.
Berlin's gabber-punk duo — screamed German vocals over pummeling club tempos, equal parts rave, hardcore show, and performance-art provocation.
Banjo-house crossover — folk samples and organic textures with festival-sized drops, stomping the line between hoedown and main stage.
B-Real's nasal snarl over DJ Muggs's murk — the group that made stoner rap a genre with a flag, 'Insane in the Brain' still a jump-along ritual.
Shaquille O'Neal's bass music alias, a 7-foot center playing heavy dubstep and trap and starting mosh pits from behind the decks.
Joe Keery's psych-pop project — vocoders, fuzz, and a genuine ear for a Tame Impala-shaped hook, well past the celebrity-side-project stage.
Switches cadence mid-bar like she's changing characters — theatrical, technically ferocious rap that never sits still long enough to be filed.
Bahian roots reggae singer whose songs address poverty, racism and faith in plain language, with a following built across decades of Brazilian reggae.
FBC
Belo Horizonte rapper and producer working the seam between Brazilian rap and funk, with a flat, unhurried delivery over heavy low end.
Febre90s
Foto em Grupo
UK bass with a dancehall bounce — the sound of a soundsystem set rather than a festival drop, 'Skanka' the breakout.
Berlin's masked 'farmcore' phenomenon — giddy barnyard-trance house played dead serious, 'My Barn My Rules' as manifesto.
Early-2000s New York at its most funereal and best-dressed — interlocking guitars, Paul Banks's monotone, and no wasted motion, 'Turn On the Bright Lights' still immaculate.
The global girl group assembled through a televised search, built on K-pop discipline but writing for a Western pop chart.
Kygo
Norwegian producer who built tropical house around piano hooks, playing the keys himself live. The Ed Sheeran remix that started it, then 'Firestone'.
Scotland's self-deprecating balladeer — arena-filling heartbreak delivered between stand-up-quality banter.
Electra Heart's creator, a decade on — theatrical art-pop with cult-classic devotion behind it.
Quebec trio making impossibly smooth bedroom dream-pop — bass-forward, hushed, and quietly enormous online, a headphone act that scaled to festivals.
Mu540
Recife group led by Fred Zero Quatro, founding act of the manguebeat movement, wiring maracatu rhythms into punk and funk.
N.I.N.A
Seoul-born, Berlin-forged selector — '(It Goes Like) Nanana' made her house music's biggest global fashion-crossover star.
SM Entertainment boy group launched in 2023, working a lighter, guitar-flecked strain of K-pop on singles like "Get A Guitar" and "Love 119."
Sydney duo making breezy, slightly stoned jangle-pop, plus a sideline in covers that keep outrunning their originals — 'Murder on the Dancefloor' included.
Australian singer who arrived as a teenager with a voice pitched far below his age, heard on 'Younger'. Pop-soul ballads carried on falsetto and restraint.
Three sisters from Monterrey out-rocking everyone — Mexico's hard-rock pride, a family band that grew into arena-grade virtuosity.
Hardcore's joyful crossover kings — dreamy interludes, stage dives, total communion, and a crowd that moves as one.
Brad Petering's sample-collage project: lifted loops, spoken-word snippets and flat, unbothered vocals about relationships going wrong. Bedroom records that found a mass audience years later.
Sweaty, saxophone-wielding Swedish post-punk satire — one of the best live bands on earth right now, 'Sports' shouted by thousands.
Agnes Nunes
Aline Rocha
Alírio
Analu
Brazilian-born guitarist working out of Los Angeles, playing blues with the volume and phrasing of hard rock lead.
Atkö
Blackat
Bruna Strait
Camila Jun
Cidade Dormitório
Crizin da Z.O.
Polish group working since 2007 in long, slow-building pieces that push black metal toward dissonance and open space.
Flávia Durante
Ginger and the Peppers
Hurricanes
Idlibra
Jadsa
Jonabug
Marcelin O Brabo
São Paulo singer who came up through the city's rap scene singing hooks, then built a solo career across R&B and pop, with acting work alongside it.
Nina Maia
Rio de Janeiro band led by Lê Almeida, playing lo-fi noise rock loose enough to fall into long improvised stretches.
Recife group folding northeastern Brazilian folk forms into sludge riffs and heavy prog, sung in Portuguese about the sertão.
Papisa
RØZ
Brasília rock band whose alternative songwriting leans progressive, built on layered guitars and Portuguese lyrics.
Stefanie
terraplana
Varanda

Worst
Zopelar
The headliners
Sabrina Carpenter — Former Disney kid turned arena-filling pop force, trading in winking innuendo, retro-leaning production, and hooks engineered for maximum singalong — fully caffeinated live.
Deftones — The band that dragged heaviness toward dream-pop — Chino Moreno's croon-to-scream over guitars tuned for atmosphere as much as impact.
Chappell Roan — Missouri songwriter turned drag-inflected pop maximalist, pairing big synth choruses with full costume and greasepaint. 'Pink Pony Club,' 'Good Luck, Babe!' Saturday's marquee, the booking that moved the most tickets.
Skrillex — Bass music's shape-shifting elder — from brostep infamy to festival-set transcendence, reinvention as a permanent state.
Tyler, the Creator — Odd Future's ringleader turned auteur — every record a full costume change, every tour a proper production, Grammy-decorated and still restless. Closed the festival on Sunday night, the last date of his South American Lolla run.
Lorde — The NZ art-pop auteur — brooding, minimal, and generation-defining, back on a headline stage where the whispered verses hit hardest.
Up-and-comers to catch early
terraplana — São Paulo shoegaze with a fast-growing international profile; the guitars travel.
Agnes Nunes — One of young Brazilian R&B's most-watched voices, in the Saturday undercard.
Jadsa — Experimental MPB guitar songs, a critics' favorite from the Brazilian indie press.
Oruã — Rio lo-fi rockers with a Built to Spill touring history and no interest in polish.
Papangu — Northeastern prog-sludge sung in Portuguese, the strangest heavy band on any Lolla bill this year.
Other acts worth planning around
Cypress Hill — A Brazil-only stop; the LA legends skipped the Argentine and Chilean legs.
Edson Gomes — Bahian roots-reggae royalty billed above most of the international undercard.
DJ Diesel aka Shaq — Shaquille O'Neal, dropping dubstep at Interlagos. Yes, really.
Mundo Livre S/A — Recife manguebeat originals, thirty years on and still wiry.
FBC — Belo Horizonte rap on the Sunday bill's top local slot.
Ginger and the Peppers — Won the 89 FM radio contest and opened Friday's Samsung stage for it.
The lineup by day
Friday lineup (March 20)
Sabrina Carpenter, Deftones, Doechii, Kygo, Interpol, Blood Orange + 18 more
Saturday lineup (March 21)
Chappell Roan, Skrillex, Lewis Capaldi, Cypress Hill, Brutalismus 3000, MARINA + 18 more
Sunday lineup (March 22)
Tyler, the Creator, Lorde, Turnstile, Peggy Gou, Addison Rae, KATSEYE + 18 more
Lollapalooza Brasil 2026 lineup FAQ
Who headlined Lollapalooza Brasil 2026?
Sabrina Carpenter and Deftones on Friday, Chappell Roan and Skrillex on Saturday, and Tyler, the Creator with Lorde on Sunday.
When and where was Lollapalooza Brasil 2026?
March 20–22, 2026 at the Autódromo de Interlagos in São Paulo, one week after the Buenos Aires and Santiago editions.
Is Lollapalooza Brasil coming back in 2027?
Yes. The festival has announced March 19–21, 2027 at Interlagos, with ticket sales already open; the lineup usually lands in the preceding September or October.
How many acts played Lollapalooza Brasil 2026?
72 acts across four stages: Budweiser, Samsung Galaxy, Flying Fish and Perry's by Fiat.
Is there a day-by-day split?
Yes, the full performed schedule is on this page, including which stage each act played.
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